A Debut for a Waistcoat

Tags

Abel Magwitch, Anthony Gormley, Castleford, Charles Dickens, Fire, Gateshead, Great Expectations, Jury's Inn, Just Giving, Miss Havisham, Mr Dickens is Coming, Newcastle, Oxford Half Marathon, Pip, The Angel of the North, The Word, waistcoats

As summer turns to autumn my thoughts turn to a series of trips to America, but before I fly to Jacksonville on Thursday, I had one performance in Britain. I was returning to The Word, the magnificent National Centre for the Written Word in the north eastern city of South Shields.

In a remarkable attempt at efficiency I had decided to load the car the day before and had even created a spreadsheet with all of the props and costume pieces that I would need listed and a little check box waiting to be ticked next to each. I was due to perform Great Expectations and of all my major shows this one probably has the smallest set, meaning that packing the car is a relatively quick process, albeit one that always leaves me with the feeling that I have forgotten something. But, I had checked all of the boxes on my list, so it was all OK.

South Shields is tucked away in the far North Eastern corner of England, not far from the Scottish border, indeed just over the River Tyne is the town of Wallsend which marks the end (and also, presumably, the beginning) of Hadrian’s Wall. The drive from Oxford is around 4 1/2 hours, and allowing for a couple of stops for lunch and leg stretching I needed to get on the road at about 10.am.

Last time I drove to The Word I suffered a puncture within 20 minutes of starting and had to carry out a tyre change in the darkness and rain, so I was relieved that this year the journey was smooth and adventure-free. I listened to some podcasts and coverage of the morning practice sessions from the latest Grand Prix weekend, and in between took the time to run the lines of Great Ex. which still resolutely refuse to permanently in the way that the words of A Christmas Carol and Mr Dickens is Coming! do.

I stopped for lunch at a motorway service station and as I returned to the car I thought I would just check my costumes, which were hanging over the passenger seat, and to my horror I realised that I had failed to include a fancy waistcoat, despite ticking the relevant box. The costumes of Great Expectations lead from ragged at the opening (representing the convict Abel Magwitch and the Spartan life of the Gargery family in their tiny forge,) to a slightly old fashioned tail coat in which young Pip is sent to meet the intimidating Miss Havisham. At the end of the first act Pip is informed that he is to receive a huge income and be raised a gentleman by the largesse of an unknown benefactor (assumed to be Miss Havisham, of course) and at that point he changes into expensive and extravagant clothing.

As I drove on I debated as to how I could sort this problem out and decided I couldn’t really get away with wearing the very drab and plain waistcoat from the first act, so began looking for a shopping centre along the route where I could maybe find a store where I could purchase a fancy waistcoat – a wedding supplier would be perfect. In the end I found an outlet village in the Yorkshire town of Castleford and made my way in.

There used to be a television in the early 90’s programme called ‘Challenge Anneka’ in which the host, Anneka Rice, would leap out of a helicopter and try to find some equipment or products to complete the week’s challenge (usually refurbishing a community centre or school). She would run around shouting to anyone who happened to be present, ‘where can I find a timber merchant? Hello! can you help, I need a supply of timber, can you tell me where I need to go?’ and off she would run with camera crew in tow. Well, I felt a little in the same boat as I arrived at the crowded mall and I wanted to grab passers by and shout ‘Waistcoats, I need colourful waistcoats, help me, where is a waistcoat shop, can anyone help?’ Fortunately for the residents of Castleford the very first shop I saw was a men’s outfitters called Eden, and I thought I’d make a start there. At the very back of the shop I found a very smart double breasted waistcoat in a midnight blue with a pale check across it. Although not garish and bright, it exuded a sense of style and actually reminded me of one of the waistcoats that Dickens himself wore, and which was highlighted in the recent exhibition at The Charles Dickens Museum ‘Technicolour Dickens’.

Fortunately they had my size and, being an outlet centre, the price was very reasonable, so I bought it on the spot and resumed my journey north with a sense of relief.

I was due to stay in a hotel at Gateshead, on the banks of the Tyne, and just had time to check in , before continuing my journey along the river to arrive at the magnificent cylindrical building that houses The Word. I have performed at The Word on three previous occasions, so I know the form, which is to ignore all accepted traffic laws and drive up onto the pavement and park outside an anonymous looking door, through which my props can be easily carried to a lift. I was greeted by Pauline Martin and together we emptied the car before I could go and park a short distance away.

When I returned, Pauline had kindly loaded the lift and got everything to the top floor and all I had to do was to set the set, which involves draping and dressing a white hat stand to represent the figure of Miss Havisham and placing a few bits of furniture, as well as carefully leaving some items of costume on stage that are required during the first act (including my new waistcoat which was due to make its debut without rehearsal…).

It was an early start, 6.pm, and at 5.30 Pauline asked if she could let the public in and I retired to my little backstage store room to change and prepare for the show. From what I could hear there was a goodly-sized audience gathering and I was keen to begin. The problem with the room at The Word is that it is not a particularly theatrical space, especially as regards to lighting. Pauline had told me that when the building was built they had been promised spot lights, but that they have never materialised, meaning that the choice is strip lighting on, meaning my face is illuminated but so is the rest of the room, or strip lighting off, meaning that my face and figure is in shadow. We went for lights on.

At 6 o’clock I hid myself behind the stage and waited for the voiceover taken from the opening passages of the book to finish and then bounded onto the stage in the guise of Abel Magwitch: ‘Hold your noise, or I’ll slit your throat!’

Great Expectations takes quite a bit of concentration from the audience, and I am always a little concerned that it may not work, but the crowd in The Word followed every scene intently, meaning that I could tell the story without further worry. As I came towards the end of the first act I arrived at the moment when Pip has to change into his new smart London clothes, and so I picked up the new waistcoat. There was one problem in that whilst the fabric of the garment itself is suitably traditional, the lining is VERY garish and modern. This wouldn’t normally be a issue, but as I had to actually put the thing on, I couldn’t help the audience getting a glimpse of modernity. Maybe in the future I will get somebody to make a plain lining, but for now it did a good job and I was proud of its debut.

The end of the act arrived and the applause was long, loud and greatly appreciated. During the interval I changed properly (the ‘posh’ clothes are simply put on over the rough costume in the final scene of the act) and then snuck back to the stage as surreptitiously as I could, to remove a few props and discarded pieces of costume, before waiting for Pauline to give me the nod that Act 2 could begin.

The second half was as successful as the first and when I left the stage as Pip holding hands with Estella (my ending is based on Dickens’s second version, rather than on his terribly downbeat first attempt), the applause was once again very generous in both volume and longevity, and Great Expectations had hit the mark.

I took my bows and then changed and started to pack up my props and costumes. By the time I re-emerged onto the stage most of the audience had departed, but a few folk were still in the room and came up to chat, congratulate and pose for selfies before they headed down in the lift.

Various staff members at The Word helped me to get all of my stuff downstairs while I fetched the car and drove it up onto the pavement once more. I said my goodbyes (hopefully I will be back next year, possibly in March to celebrate World Book Day), and drove back to Jury’s Hotel in Gateshead.

The great thing about starting a show at 6pm was that the hotel restaurant was still serving food when I returned, and I was able to sit in the bar and have a piece of chicken roasted with lemon and thyme and wind down slowly.

I didn’t sleep terribly well through the night: fitful describes it, but towards morning I was beginning to doze off when suddenly the fire alarm went off screeching loudly in my room and flashing a red light, meaning I had to vacate the room, follow the green emergency exit signs and make my way down to the street with all of the other guests, where we waited for about half an hour as two fire engines arrived and investigated.

Fortunately there was no inferno, or even a smoulder, and we were allowed back to our rooms to catch a few more winks until the breakfast service began.

I treated myself to a ‘full English’ (ignoring mushrooms and black pudding) from the buffet and sat at a window seat looking over the Tyne towards the city of Newcastle on the opposite bank.

My fast suitably broken I packed up my bags and began the drive home, making sure I drove past Anthony Gormley’s amazing Angel of the North sculpture that towers over the A1 road. It is always a lovely experience to be in the North East and I shall be back in Newcastle in November to perform A Christmas Carol at The Literary and Philosophical Society.

And now thoughts turn to two important projects, the first being my trip to America during which I will mainly be performing the double bill of The Signalman and Doctor Marigold at a variety of venues. At my very last stop, however, I am due to perform A Child’s Journey With Dickens, and was able to ask the venue if I may share the stage with actor Jennifer Emerson. Jennifer and I gave a Zoom performance of the piece last year, during which she took the role of Kate Douglas Wiggin whilst I played Dickens, so I was especially keen to reprise our performance whilst actually being in the same room, city, state, country and continent!

The other event which is looming ever larger is the Oxford Half Marathon which is to be run on 16 October. I have been in training for a few months now, and need to make sure that my efforts don’t flag, even though I am travelling and performing. When our daughters go back to school next week I shall make sure I get a few runs in, and hopefully a few in America too, even if that means availing myself of treadmills in various hotel gyms.

You will remember that I am running the race to raise much needed funds for Brain Tumour Research, and as an extra event I have scheduled a performance of Mr Dickens is Coming on 7 October in my home town of Abingdon with all profits going to my JustGiving page.

Please do support me in my efforts, you can donate to the fund by following the link at the end of this post. I am so grateful to all of those who have donated already and am keen to raise as much as I can for a cause that has had such a big impact on the life of Liz and me this year.

I shall let you know how the training is going in another post soon.

https://www.justgiving.com/fundraising/geralddickens

Well, That Was Quite A Birthday! Part 1: Right Royal Rochester

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Camilla, Duchess of York, Great Expectations, Miriam Margoyles, Pip, Rochester Guildhall

The 7th February was Charles Dickens’ 210th birthday and such is the enormity of his enduring legacy I have been involved in celebrating the event for an entire week. These are the accounts of the various events that I have attended

Rochester Guildhall. Wednesday 2 February

My first journey was to the county of Kent, and specifically to Rochester, on the 2nd February. Rochester is the town most closely associated with Charles Dickens and the ancient buildings feature in many of his novels, including the first (The Posthumous Papers of The Pickwick Club), and the last (The Mystery of Edwin Drood). Although he never actually lived in Rochester, his home at Gad’s Hill Place was nearby, and today the streets are a Mecca for those who love his books and revere him.

Rochester used to be a city in its own right, but lost the status a number of years ago, eventually amalgamating into the larger unitary authority of Medway, but for me and, I suspect most Dickensians, it will always be the City of Rochester. For a long time there was a Dickens visitor attraction built in Eastgate House, which also features in the first and last novels. One would walk through various rooms, each of which had a brilliantly designed and built theatrical set, with various projections, voiceovers and animatronics to bring the scenes to life, and it was an impressive venue for Dickens fans to visit, but unfortunately the historic fabric of the old house couldn’t sustain the daily tramp of visitors and the attraction had to be closed down, which left the City of Rochester with nothing to present to the fans who came from all over the world. Until last week!

At the opposite end of the High Street from Eastgate House is the Guildhall Museum, which tells the entire history of Medway, and for over two years (interrupted by the pandemic) the Council have been planning and constructing a new permanent exhibit to Charles Dickens, called ‘The Making of Dickens’ which was due to be officially opened on the 2nd February. I was contacted by the Council, thanks to the influence of my brother, Ian, with a request to read a short passage from Great Expectations to a VIP guest, who would be performing the opening ceremony. The identity of the guest was at this time unknown, but as the council had originally approached the actress Miriam Margoyles (a major VIP in her own right) to perform the reading, we guessed that the VIP must be very important indeed and soon this was confirmed when the emails began to refer to the VIP in bold type). With Miriam being out of the country, the search for a reader settled on me, and arrangements were made, and still the identity of our VIP was unknown due to security concerns, and so it became apparent that we would be in the presence of royalty. Who, though? The front runner in the ‘Guess The Royal’ stakes was Camilla, Duchess of Cornwall, as she has long celebrated and championed the written and spoken word, and is a patron of various charities promoting literacy. Before Christmas she and The Prince of Wales had read passages from A Christmas Carol for a series of videos made by the Charles Dickens Museum, and the fact that a day or two before the event I had a message saying that she (yes, the council let the pronoun slip through the net) would like to share the reading, strengthened my suspicions further.

On the morning of the 2nd I dropped our girls to school and then got on the road for the 2 hour drive to Kent. I was dressed in a suit, but had my costume with me also. The team at The Guildhall had asked for me to be in Victorian attire, and the suit was merely an insurance policy in case I hit traffic and was running late.

Rochester and the Guildhall are both very familiar to me, as I have been performing there since I started my Dickens shows in 1994. Indeed the first reading I ever gave (after my initial performance of A Christmas Carol in December ’93) was in the Guildhall itself, when I read a passage of Nicholas Nickleby to the local Dickens Fellowship branch. Each Summer I return to the city for the Dickens Festival and the beautiful main chamber of the building has been my permanent venue for many years, and it was in that main chamber that I was to read with Camill…..with the VIP.

It was during my journey down that an email came in confirming that the guest was indeed the Duchess of Cornwall, and that I would be briefed on the procedures and protocol when I arrived.

At 12.30 I walked through the door and The Guildhall looked spic and span ready for it Royal visit. To be perfectly honest, it is always in an immaculate condition, and mounting the great staircase makes one feel as if you are in a palace. I was greeted by Ed Woollard who was coordinating the day’s events, and he quickly ran through the timetable with me: At 1.30 a party of thirty school children from the nearby St Margarets at Troy Town school would arrive, and would gather in the Grand Chamber, where I would be also, to await the Duchess. At 2 o’clock The Duchess of Cornwall would arrive and be greeted by costumes characters, supplied by the local Dickens Fellowship branch (of which I am proud to be president.). She would then be taken up to the new exhibit and be shown around by various Council officials and dignitaries, before making her way into the chamber at 2.30, where I and one of the teachers from the school would greet her (these Royals get greeted a lot!). I should address her as ‘Your Royal Highness’ at first and as ‘Ma’am’ subsequently. We would walk to our chairs at the front of the room and following a brief welcome by a member of the council, I would introduce our reading, setting the scene so to speak, and then invite Camilla to begin.

When all was firmly in my mind I went to change into my Victorian costume and when I returned Ed showed me around the exhibition, which is very impressive. Although built in what used to be a rather square, featureless room the designers had made remarkable use of the space by guiding the visitor past a mock up of Charles’ childhood home in Chatham, through a theatre where you can sit and watch a holographic actor portraying Dickens at his reading desk (NOT ME!), and then along a walkway where large panels cause you to stop and look up to read about his journalism, Sketches by Boz and The Pickwick Papers. At the end of the walkway you suddenly find yourself in a town square with a store front, which contains some Dickens memorabilia . This square is a good space and will be used by the educational officer at the museum to talk to students. From the square you pass through a door into a recreation of Dickens’s study at Gad’s Hill Place with his desk in the bay window. For the Royal visit Charles’ walking cane and letter opener had been laid on the desk, but these will be tucked into a display case during normal opening hours. I suggested that the chair be pulled out from the desk slightly, to recreate the famous picture of the study sketched on the day after Dickens died: The Empty Chair.

The Empty Chair

At the end of the exhibition is a map showing all of the local sites associated with Charles Dickens and encouraging visitors to explore the wider region.

I walked through the exhibit again, this time with a photographer in tow, and I posed in each of the rooms, until he had all of the shots he needed (I think he was actually slightly practicing for the Royal walk-through, making sure that light and angles were correct – In effect I was Camilla’s stunt double).

Initial duties done I returned to the Chamber and the school children duly arrived and took off their coats. Together we had an hour to wait, so my job now was to keep them entertained. The students were from Year 5, meaning that they were 9 and 10 years old, and although they were due to study Great Expectations later in the year, they hadn’t yet. Information about the visit had come very late and the teachers had spent one afternoon cramming some basic knowledge about author and text into the young brains. So, when I asked if anyone had any questions about Charles Dickens, the floodgates opened! We had a wonderful time, for the more they asked the more curious they became. After their greeting duties outside, the costumes characters from The Fellowship came into the room, and then the children had fun guessing who was which character.

The imminent arrival of The Duchess interrupted out wonderful session and I took my place at the door where Camilla was introduced to me. I said ‘good afternoon’ remembering to slightly bow my head and add ‘Your Royal Highness’. I mentioned to her that I had thoroughly enjoyed her A Christmas Carol readings, and she seemed genuinely pleased that I had not only seen them but remembered them.

We walked to the front of the room and took our seats. As I had been in the room for so long, and had performed in it so many times before, I felt incredibly at ease, as if it was my own domain and I was welcoming Camilla into it, and in the photographs taken on the day I certainly look very relaxed, while she looks slightly nervous at the prospect of reading.

The children were welcomed by the Council member who was escorting The Duchess, and then he handed over to me to introduce the reading. The passage chosen (not by me, incidentally) was one from early in Great Expectations when Pip is attending a very basic school kept my Mr Wosple’s great aunt (‘…who went to sleep between the hours of six and seven each evening, in the society of youth who payed her twoppence a week for the improving opportunity of seeing her do it’).

I am not sure if the school children fully followed what was going on but when we got to the end they applauded politely. Now it was time for questions, and four children sat in the front row clearly and confidently read theirs out. The nice thing about this was that the questions hadn’t been submitted prior to the event, so that the Duchess’s answers were completely genuine.

1: ‘What is your favourite Charles Dickens book and character?’ ‘A Tale of Two Cities and The Artful Dodger’

2: Why is it so important to read books by authors like Charles Dickens?’ ‘Because their use of language is so beautiful and authors like Dickens tell such wonderful stories. Also, we have so much to learn from the past.’

3: ‘How do you find time to read books in your busy day?’ ‘It is very difficult. Sometimes I try to read in bed, but fall asleep and cant remember what Ive read, so end up reading the same passage the next night and over and over again! I try to save up all of the books that I want to read for holidays, at Christmas or Easter, and read them when we are away.’

4: ‘Where did you get your love of reading and books?’ ‘When I was a little girl my father used to sit on the end of my bed and read stories, and I have always loved the memories of those times’

These answers are paraphrased, but the gist is correct and it was during this time that Camilla was at her happiest and most relaxed. Next on the itinerary was the unveiling of the plaque, which will eventually be on the wall of the exhibition, but for the moment was mounted on a board set on an easel. The staff were very worried that the whole affair would collapse when she pulled the little string to draw back the blue velvet curtain, and Ed was gripping tightly on to the whole structure as she performed her duty. Fortunately disaster did not ensue!

And that marked the end of the visit and with three cheers ringing in her ears, Camilla, Duchess of Cornwall, left the building to be driven to another venue where she would be greeted again, and shake more hands, and smile and be gracious. In the Guildhall chamber you could almost hear the gasp of relief and everyone relaxed. I said goodbye to the school children and offered to come into their school to talk more about Charles Dickens. The costumed characters and I went around the exhibition and again, until gradually we all drifted away to our homes.

On Tuesday 2 February I had driven a round trip of 4 hours and read from Great Expectations for 2 minutes, but it was a very special day for all of us present. Also it shows how large Charles Dickens still looms over our society, to attract a Royal visit to honour his memory is quite a thing.

Postcript:

Just 2 days after our event it was announced by The Queen that it was her sincere wish that Camilla be known as Queen Consort when Charles takes the throne. It seems obvious to me that The Queen felt that if Camilla could hold her own reading with a Dickens, then she had proved that she was ready for anything. To quote Abel Magwitch: ‘It was me what done it!’

Back on the Horse

Tags

Ashford, Covid19, Estella, Kent, Magwitch, Miss Havisham, Pip, Revelation Arts Centre, Wemmick

June 9 is always a very special day in the Dickens calendar and each year I try to mark it in a special way to commemorate the life of my great great grandfather who died on that date in 1870. On occasion I have stood at his graveside in Westminster Abbey at the annual wreath laying ceremony organised by the Dickens Fellowship (this year presided over by my brother Ian, the current President of the organization) and on one particularly memorable occasion I performed ‘Sikes and Nancy’, one of Dickens’s most energetic and violent readings, in the very room where he collapsed and died at the exact time of day he drew his last breath – the shivers certainly went down my spine that evening, to be sure!

This year June 9th was a particularly special day for not only was I able to honour Charles Dickens, but I was able to return to the stage for the first time in many months. At The Revelation Arts Centre in Ashford Kent I would be clambering back into the saddle and onto the horse. The whole process was a strange one for the feeling from beginning to end was one of uncertainty – not because I was worried about actually performing (although naturally there were a few fears in that area), but about the entire logistical process of gathering the correct costumes and props, loading the car, leaving on time, getting the stage set, working with the tech team on lighting and sound, preparing in the dressing room etc. All of those little things that have been such a natural part of my life over the last twenty five years felt awkward and confusing.

I had spent much of the day of the 8th preparing the car and checking off a long list to make sure I had everything for my show, which was to be Great Expectations: the props for the performance include a slim hat stand that becomes a kind of skeleton, draped with white fabric to represent the ever present Miss Havisham. Unfortunately the fabric to create this figure had been stored in a shed and become the victim of hungry mice (which is apt, actually, as Miss H describes her bride cake as having been ‘gnawed by the teeth of mice’), so I had purchased a new length for the show.

I left the house at 9am, and the roads were quiet meaning that I made excellent time. A sign of our current times came to me as I passed Heathrow airport where planes from around the globe used to make their final approaches in a never-ending ribbon of metal and fumes, but on that day I didn’t see a single flight coming in. The virus and resultant pandemic may have decimated the Earth’s human population, but has also meant that the fossil fuel pollution of our atmosphere has been eased, albeit temporarily I am sure.

Onwards around the M25 orbital motorway before spearing off in a south easterly direction towards the town of Ashford in the heart of the county of Kent.

The Revelation Arts Centre is housed within the impressive St Mary’s Church in the heart of the town and as I arrived I was delighted to see that the council had filled its municipal planters with scarlet geraniums which were Dickens’ favourite flowers and which made up the wreath on his grave.

I have performed at Revelation on many occasions and I represent the venue as an ambassador, so it was a great place to restart my career. As soon as I arrived the sense of excitement was palpable, for June 9th didn’t only mark my return to the stage but it was also the first time the venue had opened to the public in well over a year too and the sheer relief of injecting life back onto stage was evident in all. I was greeted by the centre manager Debra, and her front of house manager for the day, Jo. John who looks after the technical side of the operation waved a greeting from his eerie high at the back of the auditorium.

I was actually due to perform twice on the 9th, and the rigours of Great Expectations would have to wait for the evening. The first presentation, at lunchtime, was a talk about the research I have been undertaking for my book about the 1865 Staplehurst rail crash. The great disaster actually took place on June 9th 5 years to the day before Dickens’ death, so my talk was titled ‘The Day That Dickens Nearly Died’. I had prepared a few illustrations to accompany my words, so John and I needed to spend a little time making sure that PowerPoint spoke to the laptop, and the laptop spoke to the projector and the projector shone light upon the screen.

At 12.15 the doors were opened and I sat in my dressing room listening to one of the most beautiful sounds that an actor can hear – the building murmur of a gathering audience. At 1 o’clock Jo told me that we were ready to start and I walked onto the stage without introduction or ceremony, ready to take on one of the most difficult roles: myself. Actors, by and large, are insecure people who relish the opportunity to become someone else but who can struggle when they have to appear without disguise. As I strode onto the empty stage and looked at the well-lit auditorium (I couldn’t even hide behind the darkness beyond the stage), and I immediately felt safe and confident. I took a deep breath and launched into my lecture.

I spoke for about 45 minutes, explaining the circumstances that led to the rail crash and relating my own experience of visiting the accident scene and falling into the river where I briefly floundered submerged up to my neck in the muddy water thereby experiencing a closer affinity to the victims than perhaps was necessary.

At 1.45 I opened the floor to questions and made sure that I plugged my book by having a picture of the proposed cover art on the screen behind me and by 2.00pm I wrapped up the event and bowed gratefully to warm applause. The first part of my day had been completed successfully.

I now had five hours to prepare for the big show. Firstly I drove to check into my hotel, just five minutes away and had a shower and a bite of lunch, before heading back to Revelation at 4 to ‘get in’. The set for Great Ex is a simple one with sparse furniture arranged on each side of the stage: the right hand side representing Joe Gargery’s forge whilst the left is dominated by Miss Havisham at Satis House. During the first act I have to make some onstage costume changes (more additions rather than changes) so I had to make sure that the required clothing was carefully placed in a condition that I could easily slip into them when the time came. John was working hard at lighting cues and soon everything was in place and ready. It was 5 pm and there was still 2 hours and forty five minutes before curtains, so I decided to go back to the hotel and rest a little more.

Due to the ongoing Covid restrictions the audience would not be seated in theatre style rows, but at separate tables in a cabaret format and judging by the arrangement Deb and her team were expecting a goodly number. When I returned to St Mary’s I spent some time walking around the auditorium looking at sight lines around the great stone columns in the nave of the church. I wanted to be aware of which tables may struggle to see the action when I was at various parts of the stage and adapt my movements accordingly. I was aware there was no possibility of everybody seeing everything all the time, but if I was at least conscious of the limitations I could try to give those to the sides as much as I could.

Seven o’clock, and the doors opened. Once more I sat back stage and listened to the murmur. My script lay open and occasionally I turned to a certain passage that I was running through in my mind just to check the exact phrase or grammar. I had a great sense that not only did I need to give a good performance for my own self esteem, but that the audience who had been deprived live theatre for so many months craved and deserved one too.

At 7.40 Jo came to give me the five, and in no time the auditorium lights dimmed and the recorded voiceover that begins the show boomed out into the hall and as it ended with ….’Pip beginning to cry…’ I leapt into action as the savage Magwitch, grabbing the little orphan: ‘HOLD YOUR NOISE!

Great Expecations, or at least my version of it, is a little lopsided, in that the first act is relatively short compared to the second and takes young Pip up to the point where he leaves the village bound for London. Along the way we are introduced too all of the main characters – Pip, Magwitch, Mr and Mrs Joe, Jaggers, Miss Havisham and Estella and very briefly to Herbert Pocket, Biddy and Orlick.

The interval came and the applause that followed me to the dressing room was wonderful – the evening was going well! After changing from Pip’s rough blacksmith’s clothes into the formal and smart attire in which he would arrive in London, I returned surreptitiously to the stage in order to clear the act 1 detritus which include a scattered pack of playing cards, and various items of costume that had been discarded during the performance.

With everything placed as it should be I returned to the dressing room and waited for the ‘five’ once more.

The longer second act passed by in a blur and in no time I, as Pip, was walking through the ruins of Satis House and meeting Estella once more (this being the second ending that Dickens wrote to replace the incredibly downbeat original). He took her hand and left the ‘ruined place forever’ and after a moment of silence the auditorium of Revelation was filled with applause once more.

It had been a hugely successful evening both for me and the venue, and the audience, so long starved, made their way home hopefully with a feeling that a new phase of life had begun.

Having changed it was time to load up the car (meaning lugging my furniture and props through the dark graveyard, which somehow seemed appropriate) and having hugged all and sundry and said my goodbyes, I headed out to find a take away restaurant in the centre of Ashford. It was 10.15 on a Wednesday evening and it seemed as if everything had closed up shop on the stroke of 10, but I eventually tracked down a Domino’s Pizza outlet and returned to my hotel clutching a 10 inch Pepperoni.

As I drove home the next morning it seemed as if the world was bursting back into life: the fields of buttercups gleamed in the morning sun, shining out from behind the huge fluffy foamy hedgerows of cow parsley spilling over the pavements dotted with the first scarlet poppies of the season. Occasionally I glimpsed a field of linseed coming into flower peeping out with the gunmetal hints of the brilliant blue to come. Yes, hopefully, the World is moving forward into a better place.