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On the road with Gerald Dickens

On the road with Gerald Dickens

Tag Archives: Nebraska

Go! Go! Go!

06 Saturday Nov 2021

Posted by geralddickens in A Christmas Carol, Afternoon Tea, Charles Dickens, Christmas, Literature

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A Christmas Carol, Charles Dickens, Huskers, Immanuel Community, Lincoln, Nebraska, Omaha

The official first day of the tour was due to begin at an early hour, but it might have been so much earlier. My two performances were for to be at separate communities belonging to The Immanuel group, one in Omaha and one in Lincoln. Although my performances in Omaha are under the management of The Douglas County Historical Society, for the last few years an increasingly traditional feature of my visit has been a day given to Immanuel and I have visited a good many of their communities over the years.

This year’s shows were originally due to begin in Lincoln, Nebraska at 10.30 in the morning and a second back in Omaha at 2.30, tis would have meant an early start and a rush-hour drive to get to Lincoln in time to perform which, after my long day of travelling the day before and my late night, would not have been wholly enjoyable. I had suggested that the two shows be reversed meaning that I didn’t have to begin my 2021 trip in such a sleepless whirlwind.

I, of course, woke rather early on my first morning, but the fact that I didn’t have to be up and ready in the lobby of the hotel at silly-o’clock meant that I could have quite a relaxing morning, laying in bed drinking coffee and muttering a few lines to myself. At 7 o’clock I went down to breakfast, once again masked up and was astounded to discover that no one else was wearing masks – not the guests or any of the staff at Element. It became obvious that attitudes to mask wearing in the US are different to that in the UK (although increasingly few people are wearing there too). I selected a table at a good distance from others and enjoyed a good hearty meal which involved granola and fresh fruit, as well as some bacon and scrambled eggs. A meal to set me up for the day.

I was due to be collected at 8.30 so I made sure that I had all of my costume requirements for 2 shows (I wouldn’t be returning to the hotel until the day was done) and took myself back to the lobby where Frank Aultz was waiting to chauffer me around the state. In past years I have always been driven by my very good friend Lee Phillips but over the past year Lee and his wife Susie have undergone a few medical adventures meaning that Lee would not be available. Frank is the husband of The Douglas County Historical Society director Kathy Aultz and we have worked together at many events over the years, so I was in familiar and safe hands. In the lobby Frank waited for me, fully masked, and soon we were in his big SUV growling towards the Pacific Springs Retirement Community in the west of the Omaha. As with any Midwestern car journey it was quite a long one and Frank and I had had plenty of time to catch up before pulling up under the large portico in front of the main building. Kathy was already waiting, as was Heather from the centre and also Cameo who works for Immanuel and arranges all of the programming for the residents across the whole group, and who has worked with Kathy over recent years to make these events happen.

We all made our greetings and shared brief anecdotes about life under lockdown, before I was shown to a small office had been designated as my dressing room. And so a routine that will last until 23 December began as I changed into costume, making sure that all of the details were in place: shoes double-knotted, Victorian penny in waistcoat pocket, fob watch set and wound, cravat correctly tied etc etc. Back in the room where I was to perform a small stage had been erected and I re-arranged the furniture a little, and draped the red shawl, that has become part of the show in recent years, over the chair. Another important moment was to place the two little toy mice on the set: The mice were bought with my two daughters three years ago and are always somewhere on the stage so that they can be close to me, watching, even if we are half a world apart.

Mice hidden and I was ready to go!

At 10.20, or so, the audience began to appear from around the centre, some in wheelchairs, some with strollers, one on a Ferrari red motor scooter, and as he wore a red jacket, red baseball cap and red mask (everyone was masked), he looked as if he was a star driver with the Scuderia! The room was soon full and it was time to start. Firstly Cameo welcomed the residents and introduced Kathy who in turn welcomed me, and in the words of legendary Formula One television commentator Murray Walker, the 2021 tour was ‘Go! Go! Go!’

Any sense of tiredness I felt was swept away by the adrenaline rush of performing and soon I was well into the show – everything was working well. Of course I had performed A Christmas Carol a few weeks before at the Alderwood School in England, so the movements and lines were not completely alien to me, but it was a relief that everything fell naturally into place and I could really concentrate on making the show as effective as possible, rather than simply delivering a competent performance.

At the end of the show as many residents as were able stood to applaud me and many came up to me to thank me and congratulate me, which was wonderful – this had been a very good way to get things going. After I had changed back into my regular clothes Cameo told Kathy, Frank and I that the centre would be giving us lunch and we could retreat to the conference room where we would be alone and could catch up. Of course we had two years of news to share, so the conversation was constant. Our lunch came and was delicious, but time was ticking on and we had to be in Lincoln for the second show so we made sure we had all of our belongings and got on the road.

Lincoln is Nebraska’s capital city and lies around 60 miles to the South West of Omaha, and we were due at the Grand Lodge community for a 2.30 performance. As we departed Omaha it was clear to see how the city is spreading outwards – as property prices get ever higher downtown, so new developments are being built on the fringes of the city, and in a Midwestern town the limits are, well, limitless. The problem is that each new neighbourhood needs new stores and libraries and schools and businesses to support it, meaning that the heart of the city is left empty like the husks of corn which give the state its nickname.

The drive was beautiful under a bright blue sky streaked with some extraordinary cloud formations created by the strong winds that whipped across the prairie land. The quality of the sunlight showed off the golden fall colours to their best advantage whilst the wind meant that the huge American flags, so beloved by the auto trade in particular, billowed from their staffs in all of their glory.

Unfortunately as we got closer to Lincoln the traffic became slower and slower and our progress was halted meaning that by the time we pulled up at Grand Lodge the clock was ticking inexorably on towards 2.30 – showtime. Indeed, as I entered the main door, the seats in the auditorium space were already filling up – there would be no time to relax and collect my thoughts in preparation. However in the potential rush there was a slight oasis of calm: a cup of tea. the pot nestling under For my many years working in Omaha the signature performance has been at a lavish elegant tea and for many years the service was under the instruction of Mona, a volunteer with the Historical Society, who has a passion for English tea. She would create special blends and insisted that everyone drank from antique china tea cups with matching saucers. For me there would be a single teapot filled with a perfectly brewed Earl Grey, and a cup waiting in my dressing room. Mona’s husband died a few years ago and she moved from Omaha to be near to her daughter, and now she is living in the Grand Lodge community – this was a complete coincidence but as soon as she knew that I would be visiting she made sure that she would be waiting for me and that in my dressing room would be a pot of my favourite Earl Grey, nestling beneath a British tea cosy embellished with lace work.

With all of the rush to get ready for the show the opportunity to step back and savour the tea was very very welcome, and it was delicious.

By the time I emerged from my dressing room, Cameo was already making welcomes to the residents and as I put the microphone pack on, and adjusted my costume, Kathy was called up to make her opening remarks. I just had time to carelessly throw the red shawl over the chair, before I was on. The start of the show was rather like I was standing in a roller coaster car, not fully strapped in, when the ride started – I felt a bit out of control, but following a clearly defined route. It was as if I was a passenger to the show rather than actually controlling it, and it took me quite a while to get myself back to a place of comfort. However it all went well and once again the residents of the centre thoroughly enjoyed it and came to to tell me so afterwards, many with tears in their eyes.

It had been a rather frantic afternoon, but I had completed my second show and now I could rest. This first day was always going to be a challenge, but I met it well and gave two strong performances, which was a great relief to me. I posed for some photographs with Mona and Cameo (who has grand plans for my return nest year) and once again changed back into my regular clothes. Frank had gathered up all of my props and soon we were headed back to Omaha among the flying golden leaves.

With no performance in the evening I could relax and after dining in the Leadbelly Pub near to the hotel, I was able to get an early night and regroup ready for another day’s performing for the Douglas County Historical Society.

It’s Been a Quiet 18 Months…..

03 Tuesday Aug 2021

Posted by geralddickens in A Christmas Carol, Charles Dickens, Christmas, Great Expectations, Immigration, Library, Literature, Lockdown, One Man Theatre, Uncategorized

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A Christmas Carol, Byers'Choice, Califormia, Downton Abbey, Garrison Keeler, George Bush, George Washington, Highclere Catle, INS, King George III, Lake Wobegon, Lit&Phil, Llandrindod Wells Victorian Festival, Lockdown, Mid Continent Public Library, Nebraska, Omaha, Prairie Home Companion, Revelation Ashford, Rogers Gardens, The Word, Tony Blair, Vaillancourt Folk Art, Visa

‘Its been a quiet week in Lake Wobegon, Minnesota, my home town, out there on the edge of the prairie.’ So began Garrison Keillor’s ever brilliant weekly monologue, performed as part of his A Prairie Home Companion programme show which was broadcast weekly for nearly fifty years. Somehow I feel much the same way (albeit with a difference in timescale), about life over the last year and a half: ‘It’s been a quiet 18 months in Abingdon, Oxfordshire, my home town, out there on the edge of the Cotswolds…..’

My life as a performer has been cut from beneath me by the global pandemic and such performances as there have been have been spasmodic to say the least. Don’t get me wrong, for I have the loved time at home with Liz and the children, I have enjoyed becoming a runner, I have enjoyed being able to write and research, I have enjoyed our neighbourhood and a less frenetic way of life, but the natural rhythm of my professional life was interrupted, disturbed, fractured, meaning that my sense of self has been confused and disturbed, possibly changed forever.

But as Spring turned to Summer, and the heat became unbearable for the British nation, so the possibility of a conventional Christmas tour began to form, both in the UK and the USA. There are many hoops to jump through before it all becomes a reality but the venues are committed and the dates are in the diary, so this is a brief description of my year as it unfolds and hopefully you will be able to attend one of the events and welcome back Christmas!

Firstly the dates:

UK

27-28 August: The Llandrindod Wells Victorian Festival, Wales. Great Expectations. Dickens & Staplehurst.

23 October: The Victoria Hall, Sutton Scotney, Hampshire UK. Mr Dickens is Coming & Doctor Marigold

31 October: The Word, Jarrow, South Shields UK: Dickens & Staplehurst. The Signalman.

USA Tour

5-6 November: The Douglas County Historical Society. Omaha, Nebraska. A Christmas Carol

8-10 November: Rogers Gardens, Corona del Mar, California. A Christmas Carol

12-15 November: Mid Continent Public Library. Kansas City, Missouri. A Christmas Carol

UK

23 November: The Literary and Philosophical Society, Newcastle-Upon-Tyne. A Christmas Carol

24 November: Revelation Arts Centre, Ashford, Kent. A Christmas Carol

USA Tour

27-28 November: Vaillancourt Folk Art, Sutton, Mass. A Christmas Carol

30 November: Historic Christmas Barn, Connecticut. A Christmas Carol

1-2 December: Fortin Gage, Nashua, New Hampshire. A Christmas Carol

3 December: St Anselm College, Manchester, New Hampshire. A Christmas Carol

4-5 December. Ventfort House, Lenox, Mass. A Christmas Carol

7 December. Country Cupboard, Lewisburg, PA. A Christmas Carol

8-9 December. Winterthur Museum, Winterthur DE. A Christmas Carol

10 December. Lewis Public Library, Lewis DE. A Christmas Carol

11-12 December. Byers’ Choice, Chalfont PA. A Christmas Carol

UK

15 December. Henley upon Thames. A Christmas Carol

17-18 December. St George’s Hall, Liverpool. A Christmas Carol

19 December. The Word, Jarrow, South Tyneside. A Christmas Carol

20-21 December. Highclere Castle, Highclere, Berkshire. A Chritsmas Carol

23 December. Leicester Guildhall, Leicester. A Christmas Carol

So, lets have a little amble through that lot: I have included the Victorian Festival in Llandrindod Wells not because it is part of my Christmas tour but because of what it represents. The Victorian Festival has been running since 1982 and each summer has brought the community in the elegant spa town in mid Wales together. Featuring a huge variety of events, such as parades, craft fairs, Victorian pageants, costume workshops, afternoon teas and various performances, the festival has reminded an increasingly modern and hectic world of a slower pace of life, a more genteel way.

I am not sure how many years I have been attending the festival, six or seven maybe but it feels an intrinsic part of my summer and last year was the poorer for not being able to attend. Fortunately out of the Covid ashes the committee have managed to resurrect the festival for 2021, albeit with numerous restrictions in place, and I am returning to perform Great Expectations. However the sad news is that due to dwindling financial assistance from the local council and a lack of enthusiasm from the younger generations it is all too probably that this year will mark the end of the festival. Crinolines and top hats will be packed away for the last time and the elegant green park and bandstand will echo to the town crier announcing each event no more. I hope it is not so, but the prognosis is not good. It therefore was very important to me to include Llandrindod into my diary and to give the best performance I possibly can to make my days there a huge celebration of all that has been achieved over 4 decades.

The Victoria Hall, in the village of Sutton Scotney is a venue that I stumbled on by accident, albeit thanks to Charles Dickens himself. My brother and I had attended a celebration of the birth of Dickens in Portsmouth one February. As we drove home we discovered that the A34 road was blocked with traffic (not an unusual occurrence), so we looked at a map (remember them?) and found a route across country that wound through some of the Hampshire and Berkshire villages, one of which was Sutton Scotney. At one end of the village stood an impressive hall and I thought that it may be worth contacting them with a view to doing a show there. I have often made such approaches and usually they come to nothing but on this occasion I scored a bullseye because my email found Eryl Holt an actress with a long and varied career (including a role in one of my favourite TV comedy sketch shows). Eryl immediately took to the idea of a one man performance and arranged for me to perform a double bill of The Signalman and Doctor Marigold. The audience wasn’t huge for that first foray, but I impressed enough for the word to go around the village meaning that when I returned the following year it was to a full house. I have returned to Sutton Scotney on a few occasions now and always enjoy my time in the Victoria Hall, so when I was beginning to build my tour it was a natural venue to include.

The Word in Jarrow is a wonderful library complex opened only a few years ago. The building is a magnificent white, circular, spiralling structure with multiple rooms and spaces all designed to promote a love of written and the spoken word and sits in the heart of the town where it is open and accessible to the entire community. I was due to perform at The Word in May 2020 and it was the first booking that I lost when the initial period of lockdown was introduced. I was delighted when South Tyneside Council made contact asking for not one but two dates during the autumn season. One to talk about my new book describing the circumstances of the Staplehurst rail crash, accompanied by a performance of The Signalman, and the other to perform A Christmas Carol in November. It is a long drive, Jarrow being in the far North East of the country, but it is a worthwhile one!

The first part of my American tour has a familiar feel to it with visits to Omaha and Kansas City where I will be the guest of my old friends at the Douglas County Historical Society and the Mid Continent Public Library Service once more. Those who follow my blog will know that the folks in both venues are old and close friends and it seems perfect that my USA tour should begin there. The two venues are separated by a quick jaunt to the west coast where I will perform beneath the blazing Californian sun in the open-air amphitheatre at Rogers Gardens once more

But, and it is a big ‘but’ the chances of being able to travel still hang in the balance, with the scales tipped rather unevenly at the moment. All of the dates are booked and all of the venues are ready to go, but confusion still reigns over international travel. As countries deal with their own domestic policies regarding the containment of Covid and the vaccinating of their population, each has their own policy as to travel to and from other nations. The need to keep the approach of the disease and its variants at bay balanced against the need to open up the economy again has led to governments coming up with their own policies.

For many years Britain and America has shared ‘a special relationship’, (although it has become more or less special depending on the respective administrations – George III/George Washington marking the nadir and maybe Blair/Bush the zenith), and it is one that I like to think that I have contributed a tiny amount to. Earlier this year it was proposed that the relationship would be preserved with the creation of a travel corridor between the two nations, a sort of vortex through which no virus could travel. Now, though, as reality hits it has become apparent that everyone has to protect their citizens and travel restrictions have been imposed.

In a usual year The Byers’ Choice company would create the tour and secure contracts from every venue, then a huge document has to be submitted to the Immigration and Nationalization Service (with the approval of the Actor’s Equity union who quite naturally wish to protect the rights of American performers.). The INS then approve the visa application at which point I have to apply to the US Embassy in London for an in person interview where an agent can pose a few more questions, should they feel the need, and then grant the visa proper. But this year the Embassy is closed for interviews, meaning it is impossible to get a visa approved, the only exceptions being emergency visits for urgent situations and humanitarian travel. Additionally, in order to enter the United States directly from the United Kingdom, I will need to be granted a National Interest Exception (NIE). So before I can commence my 2021 US tour I have to fulfil one of those criteria. The scary part is that I can not apply yet as anything over 60 days before travel is not seen as an emergency (I must say it makes me smile to think of my show in that way: ‘Quick! We need A Christmas Carol and we need it NOW – this is an urgent plea!, thank Heavens that AChristmasCarolMan is on call!’), and we are only permitted one application so we have to time and use it wisely.

As always Byers’ Choice have engaged an immigration attorney and they are monitoring the situation carefully, for it is more than likely that the situation will change over the summer months and if it does we need to be ready to jump at the earliest opportunity.

So, back to my dates, and if I get to America and if I am allowed back in to the UK again without needing to isolate for 2 weeks, I will then travel to the far North East again to the beautiful city of Newcastle where I will return to the elegant surroundings of the Lit&Phil (Literary and Philosophical Soicety) before making my way back down the country to the Revelation Arts Centre in Ashford where I was able to return to the stage in June. I am one of the centre’s ambassadors and am proud to be so, it is always a wonderful space to perform and with a great audience.

Back in the USA (as The Beatles never sung), the second and longer part of the tour takes me to very familiar terriorty, starting in Massachusetts with the Vaillancourts, and moving around New England and Pennsylvania, with a brief foray into Delaware, until I finish up with the Byers’ family in Chalfont PA.

Back to the UK and I return to the beautiful setting of St George’s Hall in Liverpool where Dickens himself performed and for a second year I get to perform again in the great hall of Highclere Castle, the star of Downton Abbey, before bringing my season to an end in the ancient Guildhall in the city of Leicester.

I will keep you posted with progress as the weeks pass, but in the short term it is time to dust off Great Expectations once again and to prepare for Llandrindod Wells later this month.

That’s the news from Abingdon where all the women are strong, all the men are good looking and all the children are above average.

Memories from a Samsung: Omaha, Nebraska

10 Tuesday Nov 2020

Posted by geralddickens in A Christmas Carol, Charles Dickens, Christmas, One Man Theatre, Video

≈ 1 Comment

Tags

A Christmas Carol, Bill Sikes, Doctor Marigold, Ebenezer Scrooge, God Rest Ye Merry Gentlemen, Historic home, Nebraska, Omaha, The Signalman, Trans Siberian Orchestra

Yesterday’s alert on my phone reminded me that two years ago I was being driven through very heavy snow towards Lincoln, Nebraska from the city of Omaha where I was performing at various venues on behalf of The Douglas County Historical Society, as I had done for many years before that.

My chauffeur on that day, as on so many in Omaha, was Lee Phillips and it was he and his wife Suzy who were responsible for taking me to the most central spot in the USA where sea and shining sea are as far away as it is possible for them to be.

Susie and Lee had seen me perform in Williamsburg, Virginia (no doubt the subject of a future post if my Samsung decides to remind me of times there), and as she was on the board at the Historical Society thought that a fundraiser featuring my shows would be a good idea. As soon as she could she marched into the office of the Society’s Executive Director, Kathy Aultz, and told her that ‘we MUST have Gerald Dickens perform’. Now, if Kathy had known Susie well, known her single-minded attitude, known how once she had an idea nothing would stand in her way, she may have simply said ‘alright let me know what we need to do’, but at that moment Kathy was new to the role and was trying to pick her way through all sorts of budgets, procedures, lists of employees, board members, volunteers. Her desk was covered and her mind was whirling, when suddenly in came this woman demanding that they all go on a road trip to the Kansas City area to watch a distant relative of a dead British guy performing A Christmas Carol. Kathy gave in and agreed to this hair-brained scheme. It is a story that both Kathy and Susie tell now with a great deal of humour and affection.

So, having seen me perform and understanding the possibilities, the Douglas County Historical Society put things in place to bring me to Omaha.

Over the years I have performed in many venues around the city but the two constants have been the General Crook House, a wonderfully atmospheric old property which is open for the public to tour, as well as being the HQ of the Society, and the Field Club – a stylish golf course where Lee just happens to be a member. The latter location hosts the largest audiences of my Omaha visits as we take over a spacious function room for an afternoon tea performance. The room is packed with tables as a large audience of locals and bus tour passengers crowd in to begin their Christmas celebrations.

The Field Club

While the audience is having their tea I have plenty of time to sit and relax, maybe chat to some of the volunteers or watch golf on tv in the wonderfully named ‘cry room’, a small bar where disconsolate golfers drown their sorrows after a frustrating round.

When the tea is finished and cleared Kathy welcomes the guests and introduces me.

Now, up to a few years ago I would walk up onto the stage, take the applause, say a few words of introduction and then start the show, but in recent years I have created a more theatrical opening to the performance: after the introductions, music fills the hall (the melancholic, atmospheric opening bars to the Trans Siberian Orchestra’s Christmas Eve/Sarajevo classic which is based on ‘God Rest Ye Merry Gentlemen’, the only carol mentioned by name in A Christmas Carol’). When the music dies away it is replaced by a church bell tolling as the hunched figure of Ebenezer Scrooge slowly walks to an imaginary graveside.

The idea works well so long as there is the equipment to play the sound effect as in most venues there is and you would expect a large function room to have the facility to play music, wouldn’t you? Ah, how dull my tours would be if everything was so simple!

At the Field Club the music for the entire facility used to be generated from an audio system tucked away in a tiny little cupboard near the admin offices, but nowhere near the stage area. To play the music cue it was necessary to plug my phone into the system and at the appropriate moment press ‘play’.

Simple.

However…. Kathy was giving the cue on stage and I was at the back of the room ready to enter through the audience, so we had to engage someone to operate the phone (complete with my access code in case it locked), but as they were stuck in the little cupboard there had to be yet another person in the long corridor waiting to relay the signal. This is how it worked: Kathy said ‘and so please welcome Gerald Charles Dickens and A Christmas Carol’, I waved to whoever was in the corridor, they waved to whoever was in the cupboard, they hit play and hopefully the sound effect filled the room. To allow for the inevitable delay, I would start the process a little early so that the music started at the perfect moment, however there were a few occasions when Kathy would be on the point of finishing but just as I was giving the signal she would remember something else she needed to say, and there would be a flurry of hand signals to stop the process!

Last year the Field Club had invested in a new system which allowed the music to be played from within the room itself and although it made for a much simpler and more relaxing start to the show, I did rather miss our adventurous Heath Robinson style set up of years past!

The other venue, the Crook House, is a perfect setting for Victorian story telling. The dining room is cleared and a small stage set up in a large bay window, more of an alcove really. Due to the lack of space I am not able to do my larger theatrical-style shows there, so I usually turn to my smaller repertoire: Doctor Marigold, The Signalman, Sikes and Nancy and A Tale of Two Cities among others. The audience numbers around 40 and such is the intimacy of the setting we have all become good friends over the years.

Actually I have a permanent presence at The Crook House, for a few years ago Kathy arranged to have a life sized carboard cut out of me made to help promote my visits: my alter ego stands quietly in an office and has been christened ‘Flat Gerald’

Of course every venue has its own eccentricities, and The Crook House is no exception to that. One year, I think when I getting all dramatic in the middle of Sikes and Nancy, there was suddenly the sound of a buzzer sounding sporadically. Eventually both I and Kathy realised that the sound coincided with one audience member stretching his legs. I was continuing the show almost on auto pilot, transfixed by this gent’s ability to buzz at will, whilst Kathy quickly realised what was actually happening. The room, having been the house’s formal dining room, had a little bell push under the carpet near to the spot where the hostess would have been seated, so that she could surreptitiously call for the servants to attend and clear the table. Our poor audience member was completely unaware that his foot was activating the hidden switch every time he stretched his leg out.

There have been plenty of other venues in and around Omaha – book shops, high schools (including one performance in the cavernous surroundings of a basketball court!), and more recently senior living communities, but every event is organised by the small and dedicated staff at The Douglas County Historical Society and at every performance Kathy and Susie are there overseeing every detail. As with so many people that I have worked with they have become close friends and valued colleagues.

The Historical Society were one of the prime movers in requesting that I make a video of my show to distribute to their regular audience members and so began the process that will come to fruition on November 26 when my film will be released.

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