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On the road with Gerald Dickens

On the road with Gerald Dickens

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An Adventuresome Day

27 Sunday Nov 2022

Posted by geralddickens in A Christmas Carol, Art, Charles Dickens, Christmas, Half Marathon, History, Literature, Museum, One Man Theatre, Running, Theatre

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AC Marriott, Microphones, Oxford Half Marathon, Vaillancourt Folk Art, Worcester Mass

My first day back in the States started, as they tend to do following a flight from England, very early. I lay in bed for a few hours, trying to get back to sleep and then giving in to the inevitable and writing my blog post, as well as tackling Wordle, which I achieved in 3 attempts.

At around 7.30 I went to investigate the breakfast offerings at the Marriott and had some cereal and fruit, as well as eggs and bacon. On the wall a very large TV was showing the latest match in the football World Cup – Poland vs Saudi Arabia, which looked to be a very entertaining one.

Back in my room I decided that I may go for a short run, which I haven’t done for a long time. Back in October I completed the Oxford Half Marathon, which was quite an achievement for me, and since that day I haven’t been out on the roads again. I had packed some running gear with the thought that I might occasionally go to hotel gyms during my stay, although I absolutely detest running machines, getting my joy from being in the open air and seeing the scenery, hearing the sounds, watching nature. On Saturday morning I decided to go an explore the streets of Worcester a little more. It was a crisp morning, with a clear blue sky, and I turned left out of the hotel, left again, around a square, and then just followed my nose. I didn’t stay out for long, I don’t really know, maybe 2 miles, nothing impressive, but it felt good to be in the open air, and to see parts of the city that I didn’t know.

Back at the hotel I had a shower, changed into my corporate garb, and then began to make preparations for the day ahead – I was due to perform twice, once at 2 and the second show at 6, and both were my 2-act performances, meaning that I would need 4 shirts for the day. I checked that I had everything else (cufflinks, watch, cravat, penny pieces, red cloth, shoes and socks). I picked up both of my costumes, my top hat and cane and went to the lift.

When I had arrived the night before the desk clerk had given me a ticket for the parking garage, telling me to scan it whenever I entered or exited, and I wanted to check if I needed to do that at the pay station, or the exit barrier, so I stopped by the front desk to ask. I was in a line of lots of people checking out of the hotel but had time to spare so I waited patiently. When my time came to be helped, I asked the question and the clerk confirmed that I needed to scan the ticket at the barrier, and then she said something I didn’t quite hear, but which may have been ‘Are you staying at the hotel?’ I nodded in the affirmative, ‘and your room number?’ I told her, and then she cheerily said, ‘You’re all set, have a great day.’ and off I went to the garage.

Soon I was on the freeway heading out of Worcester towards Sutton, stopping briefly at Wal-Mart to buy some laundry detergent capsules for my trip, and it was as I was getting back into my car that I had a terrible realisation that I may have just checked out from my hotel room! There I was, in line with luggage, asking how to leave the carpark, what if the inaudible question had not been ‘Are you staying at the hotel?’, but ‘Are you checking out?’ I had nodded and told her my room number, she had tapped at her keyboard and said that I was all set! Well, there was nothing that I could do about it now, I would have to see what the evening held when I returned.

My journey to Sutton, and specifically the Manchaug Mills building, is a very familiar one to me, as I have been performing for the Vaillancourt family for the last 12 years and they are not just colleagues but good friends also. As I arrived Gary was standing in the sun and seeing me pull in, directed me to a parking space close to the building. Much of the carpark was taken up with two wooden cabins selling Glühwein and German pastries respectively, for the Vaillancourts love to celebrate Christmas and all of its traditions. We greeted one another as if it had not been a year since last I drove away, but a day or so, and we went into the beautiful store from where the company sells the amazing plaster, hand-painted Santa Clause figures that they make here. We went to the intimate theatre where the stage was decorated and just awaiting a cast of 26 or so characters to bring it to life. At one end of the room was a bar, with a hot jug of Glühwein giving a rich boozy essence to the room, whilst at the far end Curtis, our sound engineer, was putting the finishing touches to the sound system. We spent some time going through the various cues, and then did a sound check, using a microphone system that clips over my ears – I warned him that I am never very successful with those units, as they tend to fall off, but he assured me that we could adjust it, so it fitted snugly, and the sound quality was far superior to a lapel mic, which may also be prone to feedback from the speakers that were right against the stage. I took his professional advice with a few misgivings and retired to the dressing room to wait for showtime.

I could hear the audience gathering, and they were a lively crowd, as the Saturday afternoon bunch usually is at Vaillancourts. Among them were, my sister-in-law and brother-in-law along with their daughter and her wife (they are not actually sister and brother-in-law, it is slightly more complicated than that, but they feel like they are, and that is good enough for Liz and me!) I wanted the show to be special for them and was delighted to hug and welcome them before start time. At 2 o’clock Gary checked that I was ready and walked up to the stage to welcome the audience to the event and to introduce me. The theatre was packed full. in fact, every performance over the weekend sold out weeks ago. When Gary had finished, Curtis started the music, and I began the show. I knew that it would be a bit of a struggle, as I was still extremely tired from my journey and the early morning, but the audience were lively, which gave me extra energy, but then the microphone started playing up – not the headset particularly, although that felt loose, which distracted me somewhat, but it sounded as if there was a loose lead somewhere and every time I moved there was a loud electrical CRACK or POP, which meant that any sense of atmosphere was lost. My attention and concentration were so lacking that I suddenly realised that I had jumped from Scrooge’s school into the scene where Belle leaves him, without even bothering to visit Mr Fezziwig! I realised the mistake I had made because the stool was in the wrong place on the stage (having not been cleared away by Dick Wilkins), and so my practical brain kicked in – I would be able to return to the Fezziwig scene, as I don’t think there are too many laws of chronology in the world of fictional time travel, and then leap forward again to Scrooge seeing the older Belle happily married, celebrating with her family. It was all a bit of a fudge, but well worth the effort for my dancing abilities got a round of applause! The continuing microphone problems were very annoying, and still that cracking and popping accompanied and disrupted Dickens’s words. I was very glad that this was a two-act show, for I only had to wait until the interval to sort something out, rather than ploughing on through the rest of the plot. Actually, the audience applauded loudly as I left the stage, but I was extremely frustrated by the whole affair.

Curtis was soon with me in the dressing room, and we checked all of the leads, which seemed tight and secure, but he replaced the pack anyway, in case that would improve matters. It was rather like a panicked pitstop in the middle of a Formula 1 race, and as I got changed for the second half, I put my waistcoat on before the microphone, meaning that the lead from headset to pack was held under my frock coat only.

Back onto the stage and I picked up the story, and the audience continued to respond enthusiastically, although I was struggling to maintain my energy and concentration a little. They were plenty who had been to the show before, and when I gasped at the stuffing issuing forth from the Cratchit’s goose, they all instantly joined in, meaning that I couldn’t go to the oppose side of the audience, and that I had to rearrange all of my blocking for the rest of the show!

But the really annoying moment came when I was in the very moving scene as Bob Cratchit returns to his house alone and takes off his coat. I did that, as usual, but of course now the long microphone lead was free and flapping everywhere, getting caught in my arm, as I made gestures and pulling the headset from my ears again. It was not a good moment.

In and around all of this confusion, the actual show was going well and there was lots of laughter, especially as Topper did his thing, and old Joe spread his mucus over an unsuspecting arm

I got to the final scenes of the show, and to the point when I could get my coat back on, thereby securing the errant microphone somewhat, and delivered the final narrative before leaving the stage to loud applause and shouting. I returned to take my bows and the audience stood, which was wonderful, but I was angry with myself and circumstances. I was particularly upset for I had wanted the show to be really special for David, Sue, Amy and Tara.

I changed quickly and went up into the store, where I was due to meet and greet and sign books, and the response was positive ‘Best ever!’ ‘You are a true artist!’ ‘Simply amazing’ all bandied about, and I relaxed a little as I posed and signed. At the very end of the line my family members waited, and we hugged again and exchanged news and chatted for a while, which was really nice.

When the signing time was over, I went back to the theatre to talk things through with Curtis, but he was nowhere to be seen. I changed into my normal clothes and went back to the shop where a lunch/dinner of sandwiches and salad had been laid out for everyone to enjoy, I chatted with Judi Vaillnocurt, who’s artistic vision lies behind the entire company, and Luke who is increasingly taking the company into a new future.

The second show was at 6, and having finished lunch, I rested for a while in the dressing room, preserving my energy. There was a knock at the door, and it was Curtis who had returned to his store and picked up a different type of headset, ‘better for the more active performer,’ he said in the way in which a tailor might offer a suit to a client:’ If I may say so, sir, the looser cut is appropriate for the more sporting gentleman’. Certainly, when I slipped it on (the microphone, not the suit), it felt tighter and much more secure. All that I needed to do was to remember to put the lead UNDER my waistcoat.

The second show was much better, and I was able to concentrate on the words and atmosphere – I even managed to get all of the scenes in the correct order this time. Unfortunately, during the second act the electronic cracking and popping returned, but almost instantly Curtis took the decision to turn the unit off, meaning that I was unplugged for the final scenes, but it is a small room and actually it all worked fine – maybe tomorrow I will just not use the microphone at all. The audience were as enthusiastic as the first and joined in at every opportunity, many having seen me many times before. At the final scene, as the narrator says that ‘Scrooge knew how to keep Christmas well, if any man alive possessed that knowledge’ I carefully picked up one of the Vaillancourt Santas and placed it on my top hat, which in turn was sitting on the stool. I regarded it for a moment and then said, in Scrooge’s voice, ‘I wonder where I can order more of these?’ which got a huge laugh. It had been a lovely show, one which restored my positivity, which had waned somewhat earlier in the day.

Again, I signed in the shop, and received plenty of praise, which is a nice way to end the day. Changing was quick, as I had no need to pack up my costumes and props, they could stay in the dressing room, and soon was driving back to Worcester, where I would meet up with Gary, Judi and Luke for a wind-down dessert and glass of wine in the restaurant next my hotel. Before heading to the bar, I went up to my room to drop a bag with costume shirts off and was relieved to discover that my keys still worked, and that I was still checked in as a guest of Mr Marriott!

The evening was nice and relaxed, but I was tired by now, so we all said our goodbyes. I headed to the lift and they to the parking garage and back to Sutton.

For sure, it had been an adventuresome day.

A Tale of Two Ghosts

26 Saturday Nov 2022

Posted by geralddickens in A Christmas Carol, Air Travel, Charles Dickens, Christmas, Film, Flying, History, Immigration, Literature, London, One Man Theatre, Road Trip, Shakespeare, Theatre

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A Christmas Carol, AC Marriott, Charles Dickens, Ebenezer Scrooge, ET, Hamlet, Hertz Car Rental, Kenneth Branagh, Shakespeare In Love, The Golden Compass, United Airlines, William Shakespeare

On Friday it was time to travel again, returning to America for the second part of my 2022 tour. Typically, an international travel day involves departing Heathrow at around 10am, which means packing my cases the night before and getting a taxi at around 6 in the morning. However, on this occasion my flight was not due to depart until 5pm, which gave me plenty of time at home with Liz. My cab was booked for 1.45, so I spent the morning with my cases on the living room floor methodically packing everything that I will need over the next two and a half weeks. Our parting is also difficult, but somehow the extra time on Friday made it more so.

My cab arrived bang on time (a rather scruffy Toyota Prius, compared to the nice Mercedes that takes the early morning shift) and soon I was being driven around the Oxford ring road, and onto the M40, towards London. There was a fair amount of traffic, but I had plenty of time in hand and arrived at Terminal 2 good and early. I had managed to negotiate the United Airlines check-in app (including not only having to upload my Covid vaccination status, but also being requested to manually type every date and drug supplier of my two original injections plus two boosters), so I was able to stroll straight up to the bag drop counter where my passport was checked, and bag tagged. It suddenly struck me that one is never asked if you have packed your own bag, or if anyone has given you anything to take on board anymore, I wonder when that stopped being a safety requirement?

The airport didn’t seem to be very busy, and I cleared security quite rapidly, although my roller case was deemed worthy of extra inspection, and when the agent opened it and saw my gold and red costume waistcoats, she let out a loud ‘Ooooooh!’

The change in my timings was very confusing to me, for having completed the formalities it really felt as if I should go and buy breakfast, because that’s what I always do. Time in an airport, like in a Las Vegas casino, works in a different way to normal life. I mooched around a bit until the signs told me that I should proceed to my gate, which for United means taking an escalator far down into the ground and walking beneath the taxiways before rising into another part of the terminal again. I have made this walk on plenty of occasions, not least back in September when I flew with United, but this time I had a real sense of vertigo as I was taken into the abyss (my online dictionary defines abyss as ‘a deep or seemingly bottomless chasm’, and that is how it felt). I held the rail tightly, aware that I had two United pilots behind me, and I hoped that they didn’t choose today to suffer from the same affliction

The relative quietness of the airport continued into the satellite terminal, for we appeared to be the only flight departing at that time of day, and there was none of the bustle and excitement that makes airports interesting places to be. I knew from the seat plans on the United app that it was quite a full flight, but I had managed to find myself an aisle seat in the centre section with an empty seat next to me. As regulars know I usually prefer to have a window seat, but other than two rows right at the back of the plane outside the lavatories and galley, United don’t offer window seats to economy passengers, unless they pay an extra $169 for the privilege, which I was not inclined to do – especially as the entire flight would be in darkness, making any possibility of a view fairly unlikely.

I settled into seat 34D and spread myself out, took my shoes off and started to look through the film choices. Then I realised that I should have been in 33D, and sure enough another passenger came along the aisle brandishing her boarding card. 33D, my assigned seat, was full also, so I asked that passenger where he should be (I would have been perfectly happy to go to his correct seat), and he looked at his pass to discover that he should have been in 32C. The cabin became like one of those children’s games where you have to switch tiles about to make a picture, having only one empty square to move into each time. Eventually everyone was settled where they should be, and we were ready to leave.

Once again, I scrolled through the film listings and for my first choice decided on Shakespear in Love. It is a fun film, and Joseph Fiennes and Gwyneth Paltrow are superb, as is the supporting cast which features some amazing actors such as Geoffrey Rush, Tom Wilkinson, Judi Dench, Colin Firth, Ben Affleck, Antony Sher, Martin Clunes and that nice butler Carson, from Downton Abbey, playing the nurse in Romeo and Juliet. Now, of course, the main part of the plot is that William Shakespeare falls in love (not really a plot spoiler, the clue is in the title), and at one point he ends up in the bed of Viola de Lesseps, and it was at this moment that the meal service came around, so I paused the film in order to discuss my dining options and to deliberate between chicken or ravioli. I was aware that the flight attendant gave a rather uneasy look at the screen, before serving me quickly and moving on – the scene was of two entwined naked bodies (admittedly, just about artfully decent with sheets), glowing golden in candlelight, in the very heights of passion and extasy, and it looked for all the world that I was watching some x-rated adult movie. The ravioli was nice, though….

My next two film choices were rather less adult, in fact positively childlike, as I watched ET for the first time in many years, and The Golden Compass, staring Daniel Craig and that nice Mr Carson again, this time as John Faa.

My final movie selection, which would get me onto the ground, was much more highbrow as I decided to watch Kenneth Branagh’s 1996 film version of Hamlet. It is unabridged production and beautifully told and I enjoyed a great sense of pride in that the location for the castle of Elsinore was Blenheim Palace, just a few miles from our home. If the cast of Shakespeare in Love and The Golden Compass had been stellar, then Hamlet was a real who’s who – Branagh, himself of course, Derek Jacobi, Julie Christie, Richard Briers, Brian Blessed, Kate Winslet, not to mention cameos from such as Robin Williams, Ken Dodd, Jack Lemmon, Billy Crystal, John Mills, Richard Attenborough, John Gielgud, Charlton Heston and even a brief appearance by John Spencer-Churchill, the 11th Ducke of Marlborough, whose house they using top film in.

As I watched the opening scenes, I was reminded of a passage in A Christmas Carol which is never used in any adaptations, but one which I always enjoy: when the narrator is trying to convince the reader that Jacob Marley really was dead, and. ‘ this must be distinctly understood, or nothing wonderful can come of the story I am going to relate’ he goes on to reference Hamlet, saying that: ‘If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul’s Churchyard for instance—literally to astonish his son’s weak mind’

In fact, as I continued to watch the scene, the influence of it on Dickens became ever clearer, for the conversation between Hamlets senior and junior is so similar to that between Marley and Scrooge. Each ghost bemoans that they are doomed to an eternity of helpless wandering – Hamlet: ‘I am thy father’s spirit. doom’d for a certain term to walk the night, And for the day confined to fast in fires, Till the foul crimes done in my days of nature, Are burnt and purged away’, whilst Jacob tells Scrooge, ‘Nor can I tell you what I would. A very little more is all permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting-house—mark me!—in life my spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!” The ghost of Hamlet’s father says to his son ‘My hour is almost come….lend thy serious hearing to what I shall unfold.’ and Marley says ‘“Hear me! My time is nearly gone.” Charles Dickens was a great admirer of Shakespear, and the opening of A Christmas Carol is testament to that.

I didn’t have enough time in flight to get too far into the plot, but I think that I will download the film so that I can watch it during the rest of my trip.

The landing at Boston’s Logan airport was uneventful, and in no time we were at the gate at gathering cases, coats and bags. The relative deserted nature of Heathrow was mirrored in America for it seemed as if the London flight was the only international one coming in at that hour. Certainly, the immigration hall was very empty and the whole process was completed in record time, as it always seems to be when I do not have a connection to make. I have been flying into Boston on the Thanksgiving weekend for many years now and know exactly where to go and which bus to board (33 or 55) to take me to the car rental facility. I presented myself at the Hertz Gold member’s office and was directed to a Nissan Pathfinder – an all-wheel drive SUV, in case the snow should begin to fall, which has happened to me here in the past. I settled myself in, fixed the little phone holder, that I had bought a couple of days before, into the air vent and asked the navigation app to take me to the AC Marriott in downtown Worcester.

This year’s tour, although essentially similar to those of the past, has a few changes – some venues have gone (most sadly The Country Cupboard in Lewisburg PA, which has closed for business during the last year – I will so miss my time there with Missy and KJ), and in other places hotels that have become a home from home to me over the years are no longer open or viable. In Worcester I have traditionally stayed at the Beechwood Hotel, but this year the Vaillancourts had booked me into the Marriott, so I had to concentrate a little more than usual, as I was driving through a part of the city that I do not know well yet. The lobby of the hotel was loud with a variety of parties and conferences taking place, but I was soon checked in and riding to the 4th floor, away from the carousing, where I found myself in a very spacious and superbly stylish room.

I unpacked my costumes and hung them so that the creases could gently fall out before Saturday’s performances, and then went back to the restaurant where I had a superb Thai salmon and rice. As soon as the server heard my accent, he fist-pumped me and said ‘Hey, great result today!’ England had been playing the USA in the football World Cup, and they (you) had held us to a goalless draw. The game had been played while I was at 35,000 feet, but the news reports that I read after landing suggested that England had been pretty woeful, and the game had been a rather dull one.

It was about 2.30am in my world when I finished my supper, so I went back to my room and fell asleep to Harry Potter and the Deathly Hallows part 1. There is no rest for the wicked, and on Saturday it is back on stage with two performances of my 2-act version of A Christmas Carol for my good friends at Vaillancourt Folk Art

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