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On the road with Gerald Dickens

On the road with Gerald Dickens

Category Archives: Immigration

A Tale of Two Ghosts

26 Saturday Nov 2022

Posted by geralddickens in A Christmas Carol, Air Travel, Charles Dickens, Christmas, Film, Flying, History, Immigration, Literature, London, One Man Theatre, Road Trip, Shakespeare, Theatre

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A Christmas Carol, AC Marriott, Charles Dickens, Ebenezer Scrooge, ET, Hamlet, Hertz Car Rental, Kenneth Branagh, Shakespeare In Love, The Golden Compass, United Airlines, William Shakespeare

On Friday it was time to travel again, returning to America for the second part of my 2022 tour. Typically, an international travel day involves departing Heathrow at around 10am, which means packing my cases the night before and getting a taxi at around 6 in the morning. However, on this occasion my flight was not due to depart until 5pm, which gave me plenty of time at home with Liz. My cab was booked for 1.45, so I spent the morning with my cases on the living room floor methodically packing everything that I will need over the next two and a half weeks. Our parting is also difficult, but somehow the extra time on Friday made it more so.

My cab arrived bang on time (a rather scruffy Toyota Prius, compared to the nice Mercedes that takes the early morning shift) and soon I was being driven around the Oxford ring road, and onto the M40, towards London. There was a fair amount of traffic, but I had plenty of time in hand and arrived at Terminal 2 good and early. I had managed to negotiate the United Airlines check-in app (including not only having to upload my Covid vaccination status, but also being requested to manually type every date and drug supplier of my two original injections plus two boosters), so I was able to stroll straight up to the bag drop counter where my passport was checked, and bag tagged. It suddenly struck me that one is never asked if you have packed your own bag, or if anyone has given you anything to take on board anymore, I wonder when that stopped being a safety requirement?

The airport didn’t seem to be very busy, and I cleared security quite rapidly, although my roller case was deemed worthy of extra inspection, and when the agent opened it and saw my gold and red costume waistcoats, she let out a loud ‘Ooooooh!’

The change in my timings was very confusing to me, for having completed the formalities it really felt as if I should go and buy breakfast, because that’s what I always do. Time in an airport, like in a Las Vegas casino, works in a different way to normal life. I mooched around a bit until the signs told me that I should proceed to my gate, which for United means taking an escalator far down into the ground and walking beneath the taxiways before rising into another part of the terminal again. I have made this walk on plenty of occasions, not least back in September when I flew with United, but this time I had a real sense of vertigo as I was taken into the abyss (my online dictionary defines abyss as ‘a deep or seemingly bottomless chasm’, and that is how it felt). I held the rail tightly, aware that I had two United pilots behind me, and I hoped that they didn’t choose today to suffer from the same affliction

The relative quietness of the airport continued into the satellite terminal, for we appeared to be the only flight departing at that time of day, and there was none of the bustle and excitement that makes airports interesting places to be. I knew from the seat plans on the United app that it was quite a full flight, but I had managed to find myself an aisle seat in the centre section with an empty seat next to me. As regulars know I usually prefer to have a window seat, but other than two rows right at the back of the plane outside the lavatories and galley, United don’t offer window seats to economy passengers, unless they pay an extra $169 for the privilege, which I was not inclined to do – especially as the entire flight would be in darkness, making any possibility of a view fairly unlikely.

I settled into seat 34D and spread myself out, took my shoes off and started to look through the film choices. Then I realised that I should have been in 33D, and sure enough another passenger came along the aisle brandishing her boarding card. 33D, my assigned seat, was full also, so I asked that passenger where he should be (I would have been perfectly happy to go to his correct seat), and he looked at his pass to discover that he should have been in 32C. The cabin became like one of those children’s games where you have to switch tiles about to make a picture, having only one empty square to move into each time. Eventually everyone was settled where they should be, and we were ready to leave.

Once again, I scrolled through the film listings and for my first choice decided on Shakespear in Love. It is a fun film, and Joseph Fiennes and Gwyneth Paltrow are superb, as is the supporting cast which features some amazing actors such as Geoffrey Rush, Tom Wilkinson, Judi Dench, Colin Firth, Ben Affleck, Antony Sher, Martin Clunes and that nice butler Carson, from Downton Abbey, playing the nurse in Romeo and Juliet. Now, of course, the main part of the plot is that William Shakespeare falls in love (not really a plot spoiler, the clue is in the title), and at one point he ends up in the bed of Viola de Lesseps, and it was at this moment that the meal service came around, so I paused the film in order to discuss my dining options and to deliberate between chicken or ravioli. I was aware that the flight attendant gave a rather uneasy look at the screen, before serving me quickly and moving on – the scene was of two entwined naked bodies (admittedly, just about artfully decent with sheets), glowing golden in candlelight, in the very heights of passion and extasy, and it looked for all the world that I was watching some x-rated adult movie. The ravioli was nice, though….

My next two film choices were rather less adult, in fact positively childlike, as I watched ET for the first time in many years, and The Golden Compass, staring Daniel Craig and that nice Mr Carson again, this time as John Faa.

My final movie selection, which would get me onto the ground, was much more highbrow as I decided to watch Kenneth Branagh’s 1996 film version of Hamlet. It is unabridged production and beautifully told and I enjoyed a great sense of pride in that the location for the castle of Elsinore was Blenheim Palace, just a few miles from our home. If the cast of Shakespeare in Love and The Golden Compass had been stellar, then Hamlet was a real who’s who – Branagh, himself of course, Derek Jacobi, Julie Christie, Richard Briers, Brian Blessed, Kate Winslet, not to mention cameos from such as Robin Williams, Ken Dodd, Jack Lemmon, Billy Crystal, John Mills, Richard Attenborough, John Gielgud, Charlton Heston and even a brief appearance by John Spencer-Churchill, the 11th Ducke of Marlborough, whose house they using top film in.

As I watched the opening scenes, I was reminded of a passage in A Christmas Carol which is never used in any adaptations, but one which I always enjoy: when the narrator is trying to convince the reader that Jacob Marley really was dead, and. ‘ this must be distinctly understood, or nothing wonderful can come of the story I am going to relate’ he goes on to reference Hamlet, saying that: ‘If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul’s Churchyard for instance—literally to astonish his son’s weak mind’

In fact, as I continued to watch the scene, the influence of it on Dickens became ever clearer, for the conversation between Hamlets senior and junior is so similar to that between Marley and Scrooge. Each ghost bemoans that they are doomed to an eternity of helpless wandering – Hamlet: ‘I am thy father’s spirit. doom’d for a certain term to walk the night, And for the day confined to fast in fires, Till the foul crimes done in my days of nature, Are burnt and purged away’, whilst Jacob tells Scrooge, ‘Nor can I tell you what I would. A very little more is all permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting-house—mark me!—in life my spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!” The ghost of Hamlet’s father says to his son ‘My hour is almost come….lend thy serious hearing to what I shall unfold.’ and Marley says ‘“Hear me! My time is nearly gone.” Charles Dickens was a great admirer of Shakespear, and the opening of A Christmas Carol is testament to that.

I didn’t have enough time in flight to get too far into the plot, but I think that I will download the film so that I can watch it during the rest of my trip.

The landing at Boston’s Logan airport was uneventful, and in no time we were at the gate at gathering cases, coats and bags. The relative deserted nature of Heathrow was mirrored in America for it seemed as if the London flight was the only international one coming in at that hour. Certainly, the immigration hall was very empty and the whole process was completed in record time, as it always seems to be when I do not have a connection to make. I have been flying into Boston on the Thanksgiving weekend for many years now and know exactly where to go and which bus to board (33 or 55) to take me to the car rental facility. I presented myself at the Hertz Gold member’s office and was directed to a Nissan Pathfinder – an all-wheel drive SUV, in case the snow should begin to fall, which has happened to me here in the past. I settled myself in, fixed the little phone holder, that I had bought a couple of days before, into the air vent and asked the navigation app to take me to the AC Marriott in downtown Worcester.

This year’s tour, although essentially similar to those of the past, has a few changes – some venues have gone (most sadly The Country Cupboard in Lewisburg PA, which has closed for business during the last year – I will so miss my time there with Missy and KJ), and in other places hotels that have become a home from home to me over the years are no longer open or viable. In Worcester I have traditionally stayed at the Beechwood Hotel, but this year the Vaillancourts had booked me into the Marriott, so I had to concentrate a little more than usual, as I was driving through a part of the city that I do not know well yet. The lobby of the hotel was loud with a variety of parties and conferences taking place, but I was soon checked in and riding to the 4th floor, away from the carousing, where I found myself in a very spacious and superbly stylish room.

I unpacked my costumes and hung them so that the creases could gently fall out before Saturday’s performances, and then went back to the restaurant where I had a superb Thai salmon and rice. As soon as the server heard my accent, he fist-pumped me and said ‘Hey, great result today!’ England had been playing the USA in the football World Cup, and they (you) had held us to a goalless draw. The game had been played while I was at 35,000 feet, but the news reports that I read after landing suggested that England had been pretty woeful, and the game had been a rather dull one.

It was about 2.30am in my world when I finished my supper, so I went back to my room and fell asleep to Harry Potter and the Deathly Hallows part 1. There is no rest for the wicked, and on Saturday it is back on stage with two performances of my 2-act version of A Christmas Carol for my good friends at Vaillancourt Folk Art

Christmas Begins Now

03 Thursday Nov 2022

Posted by geralddickens in A Christmas Carol, Air Travel, Charles Dickens, Christmas, Flying, History, Immigration, Kate Douglas Wiggin, Library, Literature, One Man Theatre, Road Trip, Theatre, Uncategorized

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A Child's Journey With Dickens, A Christmas Carol, Byers'Choice, Delta Airlines, Detroit DTW, Ebenezer Scrooge, Enterprise Car Rental, Field of Dreams, Heathrow Airport, Hilton Garden Inn, Kansas City, Mid Continent Public Library, The Shawshank Redemption, Toyota Venza

It is the start of November, and the leaves are falling from the trees, in England the days have been wet and squally, but with occasional crisp, fresh periods of crystal-clear sunlight creating a farewell finale to the beauty of Autumn before it is totally consumed by the dark winter months. Pumpkins were briefly displayed on doorsteps, including ours, and houses were decorated for Hallowe’en. The night of the 31st itself was busier on the streets of Abingdon than I had seen before and the atmosphere among the gruesomely attired trick or treaters was more akin to those we have witnessed in America films and TV shows.

All of this is an annual prelude to the first part of my annual American tour and on Tuesday 1 November I packed my cases ready to depart early in the morning of the 2nd. The build-up to my travel day had been quite stressful, as I had been unable to check in for my flight. The Delta airlines app insisted that I uploaded my Covid vaccination status, but when I did, the system refused to accept it, saying that the brand of vaccine was not approved in America and I would need to prove some alternative – which seemed odd, as I had travelled quite successfully only a month or so ago. There seemed no way to contact Delta, only endless pages of FAQs so I was not sure if I would actually be allowed to board a plane when I reached the airport.

On Wednesday morning I finished my packing and put on my new fleece jacket, branded for my tour emblazoned with the GD monogram and A Christmas Carol legend originally created for my website a few years ago. The corporate look was completed by a baseball cap and I was ready to tour!

My taxi arrived at the door at 6.45 and having said our farewells (which even after all these years never get any easier) I headed towards Heathrow airport’s terminal 3 building.

The traffic was heavy, and I was later arriving than I would have liked and to my dismay there was a long queue winding through the terminal leading to the bag drop. I found an official and she began to check me in. I held my breath as she asked to see my proof of vaccination, and after a cursory glance at the paperwork, she handed it back and sent me on my way – the first hurdle was cleared. There was still the matter of actually getting to the gate in time for the flight, but the Delta staff were on it, and called for anyone booked on the 9.40 flight to Detroit to come to the front. My bag was perilously close to the weight limit, but the agent at the desk caught sight of my fleece and asked about A Christmas Carol. I explained about my show, and we discussed the amazing production at The Old Vic theatre, which we had both seen last year. It was one of those lovely moments when the hustle and bustle of everyday life gave way to a moment of personal connection, although I was aware that my flight was starting to board, and I had yet to clear security.

I could build the tension even more by describing the taking off jacket and belt and watch, and having to wait to be patted down, as time ticked on, but actually the process passed quite calmly, and I arrived at the gate just as pre-boarding began. Unfortunately, I hadn’t been able to have any breakfast at the airport. I had eaten a single slice of toast at home to keep me going but was looking forward to a more substantial repast as I waited to board, but the heavy traffic and the long lines had scuppered that idea, so I would have to wait for the inflight service at 40.000 feet to satiate my hunger.

The flight was fairly busy, but I had an open seat next to me, which is always a treat, and I settled in for 7 hours across the Atlantic. As I sat, I noticed that the bags were being loaded just beneath my window and it was with a great sense of relief that I was able to witness my blue case being placed on the conveyor belt which entered the hold. It is always a reassuring thing to actually witness your bag being on the same vehicle as oneself.

My film choices on the flight included The Shawshank Redemption and Field of Dreams, neither of which I had seen for many years, and neither of which have lost their respective impacts (especially Shawshank). ‘Breakfast’ was a chicken pesto dish, followed by ice cream, which was surprisingly tasty. Beneath us were the icy waters of the North Atlantic, until we made landfall over Gander (‘Welcome to the Rock’) and headed up the St Lawrence over Quebec, Montreal, Ottawa and Toronto and on to Detroit.

Whilst in my seat I could glimpse the TV screen in the row ahead of me and on two occasions it sent memories and messages to me. The first was when it was in its screen saver mode and just displayed details of our flight: LHR-DTW, Heathrow to Detroit. It was the latter code that stirred the memories in me, for my acting career really started with a youth drama group in my home town of Tunbridge Wells, which was called Design Theatre Workshop, more commonly referred to as DTW. Almost everything I know about theatre I learned in my teenage years at DTW, and it is a time that I talk about at length in a new book about my theatrical life, which should be published in time for next year’s tour.

DTW didn’t exist purely to put on shows, it wasn’t just another AmDram group, but it encouraged its members to explore ways of becoming more creative.  The ‘workshop’ aspect saw us spend many evenings doing various improvisations and exercises, developing ways of creating our own theatre. I remember that one session was given over purely to feeling the strength of a gesture all the way through the arm to the very tip of the finger, every muscle tensed to create the desired effect and that is a technique that I use in my performance of A Christmas Carol today to bring strength and power to the Ghost of Christmas Yet to Come. I have much to thank DTW for, and it was lovely to wallow in a little nostalgia and think what those days have done for me.

The other subliminal message was less about the past but more about the future, for as we crossed the coast the flight map showed where various cities were in relation to us and for a fleeting moment the screen was filled with Portland and Boston – the journey taken by Charles Dickens and Kate Douglas Wiggin in 1868 and the subject of ‘A Child’s Journey With Dickens’ – which is to be my first performances of the 2022 tour. I took the hint and pulled out the script just to run over the lines to myself at 600 MPH. In the script Kate talks about the daily train to Portland dashing hither and thither at 12 miles an hour – such progress.

We arrived at Detroit in good time and the final hurdle of immigration was cleared easily. I retrieved my case, wheeled it down a corridor and rechecked it again, with no bother from any customs officers. Having once again divested myself of belt, watch jacket and shoes, I was allowed back into Detroit airport, having never actually left it, and I made my way to the gate where I would board a much smaller aeroplane to Kansas City, the first stop of the 2022 tour.

The second flight was completely full, so I had no luxury of an empty seat next to me, but once again I was sat over the hold hatch and therefore was again able to feel the relief that my bag was coming to KC too.

Kansas City is the venue that I have visited more often than any other, so the airport is a reassuringly familiar one, as yet untainted by the building programmes that render most airports indistinguishable from one another. The different terminals at Kansas City are a series of circular buildings looking rather like a moon base from a 1960s sci-fi show. I fetched my bags and boarded the shuttle bus to the car rental facility (I rather think I might have jumped the entire queue for the bus, just walking on when it arrived, but none of the other passengers said anything to me about it). The staff at the Enterprise Car Rental desk couldn’t have been more helpful, and actually walked me to my car, and introduced me to it – a very smart Toyota Venza hybrid SUV model. Having worked out how to switch the engine on and adjusted the mirrors I set off for the short drive to my Missouri home from home, the Hilton Garden Inn at Liberty.

It was about 6.30 by the time I got to my room, which to my English body was close to midnight, so I had an early supper at a nearby Olive Garden restaurant, before returning to my room for sleep

This year’s visit to Kansas City will be quite different from the past, but I will talk about that more tomorrow. For now, I have arrived, and the tour is about to begin.

Don’t Break a Leg!

07 Tuesday Dec 2021

Posted by geralddickens in A Christmas Carol, Christmas, Immigration, Literature, London, Radio, Road Trip, Theatre, Uncategorized

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A Christmas Carol, Applebbe's, Beechwood Hotel, Best Western, Byers'Choice, Charles Dickens, Courtyard by Marriott, Ebenezer Scrooge, Lenox, London, McDonalds, Pleasant Valley Nature Reserve, The Country Cupboard

Monday was all mine to do as I liked in. So, long as by the end of it I ended up in Lewisburg Pennsylvania, I had no timetable or agenda.

Throughout the tour so far, the weather has been clear, bright, cold and beautiful and when I pulled opened the curtains, I fully expected to be greeted by the same sight that Ebenezer Scrooge saw on Christmas day: ‘No fog. No mist, but clear, bright, shining, golden sunlight’, unfortunately, it was the opposite to that, for there was a low, misty cloud hanging low over the mountains and the ground glistened wet from a light, but steady rainfall. But I was not going to let a little rain upset my morning. I am from Britain – we ‘do’ rain there.

I went down to the lobby and once again ordered the yoghurt, granola and fruit bowl. Due to staffing issues all hotels are struggling to provide the full service and at The Courtyard in Lenox there was only a very limited breakfast menu. It is the same with housekeeping services, every hotel that I have stayed in has informed me on check-in that there is no housekeeping service available, and if there is anything specifically that I need, I should ask at the front desk.

I took my breakfast to a table and removed my mask as I ate, and as I sat another man arrived and went through the process of ordering his. Once he had made his selection, the lady behind the counter asked if he would like it on a tray or in a bag. He asked her to repeat what she had said, so she replied, ‘would you like it in a bag?’ ‘What?’ he barked back at her. ‘A BAG!’ she repeated. ‘Madam, if you insist on not removing your mask, I cannot hear what you say!’ At which he grabbed his breakfast items and stomped off to a table where he angrily consumed his morning feast. It all seemed a trifle unnecessary.

Back in my room I had a fair amount of admin to do, not only sorting out details for forthcoming shows, but also liaising with Bob Byers about booking the Covid test that I am going to need before flying home in a week’s time. He had managed to find a testing station that will tie in with my various events towards the end of the week and booked an appointment for me at a convenient time.

Work finished, I packed up my cases and at 10.00 left the room. It was still drizzling outside, but I wanted my morning of fresh air and exercise, so I followed the road signs that I had noticed the day before to the Pleasant Valley Nature Reserve. The narrow road took me through woodland, where there were wonderful remote houses hiding away, and then slowly rose uphill. The surface looked muddy, but soon I realised that it was quite hard-packed ice, and the wheels were slipping and spinning: AT LAST! I could engage the All-Wheel Drive system which had thus far been redundant.

I reached the entrance to the reserve and as the office was closed on a Monday, I just took myself in and began to explore. There was a large map displayed and it showed that there were various trails, of different lengths, winding through the woodland and up onto the mountain side, so I just followed the signs and plunged into the undergrowth. It was still damp and the mist hang low over the trees, creating some mysterious and menacing views.

Some of the trails were closed due to storm damage, so I simply followed where I could. Eventually I started to climb, over rocks and branches and streams, and as I got higher, so the ice and piles of hardened snow covered more of the ground. Although this was a nature reserve, I didn’t see any animals or birds, although there was an occasional screech from far away.

As I climbed higher, and began to slip on some of the rocks, I began to think that maybe I had pushed my luck too far, for if I slipped and fell, breaking a leg, I would be alone on the side of a mountain, with no help for miles around. It was time to return to the car, and I very cautiously clambered back down until I saw a gleam of deep red through the trees.

And now it was time to drive. The journey to Lewisburg would take 4 and a half hours, and it was now 12pm. I set the SatNav unit, and left Lenox for another year. The route took me along some beautiful roads, which skirted the mountain, giving me some incredible views, despite the low cloud. I was very surprised after not long driving to discover myself crossing the state line into New York, I had no idea that it was so close, and soon I was joining the New York Throughway, a road that runs straight down the middle of the state. There were signs to Albany, Buffalo (I thought of the lovely elderly couple in The Beechwood Hotel in Worcester), Syracuse and even, at one intersection, Montreal.

After a while I pulled into a rest center and feasted on a McDonalds, before filling my little rouge Rogue up with fuel and continuing southwards passed through The Catskills and later on, when I had made it to Pennsylvania, over The Poconos.

For company I was still listening to the various podcasts about the forthcoming Ashes series, but eventually my phone lost any signal and instead I started playing my Christmas playlist, which actually I haven’t listened to much on this trip. There were all my old friends, Nat King Cole, Johnny Mathis, Bing, Lucy Rose, The Beach Boys, The Peanuts (via Vince Guaraldi) and the rest, who accompanied me across The Susquehanna River and to the very familiar Best Western hotel at The Country Cupboard store.

I checked in (being told that there was no housekeeping service) and made my way through seemingly endless corridors to the room that they always give me here, a large room with a whirlpool bath! As soon as I was settled, I ran the taps and let it fill, which took a long time (in fact it took a very long time, because I hadn’t closed the plug properly, and when I came to check the water was barely covering the bottom of the bath). Eventually it filled and I luxuriated in a bubbling, frothing tub!

Later in the evening I took myself to a nearby Applebee’s restaurant and dined on a Cajun Salmon dish (although the ‘Cajun’ aspect seemed somewhat lacking) and finished off with a very rich chocolate pud. The restaurant was filled with lots of rowdy locals, and I sat quietly at my corner table, minding my own business, watching, observing. Three guys sat at the bar, two had baseball caps on back to front, whereas the other wore his the right way round, and I wondered if there were any hierarchy involved, or if the one guy didn’t want to conform the stereotype of the other two. Actually, of course, it was just three guys wearing hats, but the musings passed a little time!

When I returned to the hotel it was windy and there was a little rain whipping about in the air, but soon I was inside and and settled down for the night, ready to perform twice at The Country Cupboard store on Tuesday.

An afterthought: when I arrived at the hotel I was chatting to Liz online, and she asked me to tell her a joke. Not able to think of anything on the spur of the moment, I quickly searched online and, among a few others, I found this: Q: What did Charles Dickens keep in his spice rack? A: It was the best of thymes and it was tye worst of thymes!

Pleading my Case

16 Saturday Oct 2021

Posted by geralddickens in A Christmas Carol, Charles Dickens, Immigration, Library, Literature, Lockdown, London, One Man Theatre, Theatre, Uncategorized

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A Christmas Carol, Buckingham Palace, Byers'Choice, Charles Dickens, James Bond, London, Mid Continent Public Library, US Embassy

Throughout the last few weeks there has been a great sense of uncertainty about the possibility of me returning to America for the first time in two years. There was a moment of relief and excitement when an announcement was made by the US government stating that the travel ban to visitors from the UK would be lifted and fully vaccinated passengers would be allowed to disembark onto American soil once more. The devil, however, is in the detail and it soon became apparent to me, the Byers family and Stacey, our brilliant immigration attorney in PA, that in all likelihood the lifting of restrictions would not encompass my first scheduled trip due to begin on 4 November. We had to return to plan A, which would involve me pleading.

Under the terms of the ban, the only individuals who would be admitted into the country were those who could prove that they deserved an NIE, or a National Interest Exemption. This ‘loophole’ for want of a better word, was included so that those such as scientists, doctors, charity and aid workers etc could offer their expertise to help America through the worst of the pandemic, but as restrictions began to lift it became apparent that travelling in the National Interest could embrace so much more, including bringing live entertainment to communities starved of it for almost two years, To be granted an NIE an individual has to submit a 500 word letter explaining the reasons for the request, and then present themselves at the US Embassy (in my case in London) to be interviewed, at which point they would be invited to plead their case. Not only did the national interest have to be proven but in the case of a theatrical production there had to be no doubt that it couldn’t happen without the applicant being present (this last point was fairly self-evident in my case, it being one man theatre.) The decision would be at the whim of a particular agent and could not be challenged, or a further plea made – it was a one shot deal.

In America Bob and Pam Byers encouraged all of the venues where I was due to travel to submit their own letters of support, focussing on the economic benefit of me travelling – this not only being for their individual businesses but also for the local communities which will benefit from people journeying from other states and therefore using hotels, restaurants and retail outlets. The other thing we focussed on was joy! I have been touring the USA since 1995 and most of the venues on the 2021 schedule have hosted me for many years (in the case of The Mid Continent Public Library in Missouri, every year), and there is a huge sense of tradition: many attendees say that ‘It is not Christmas until we’ve seen Gerald’. In Missouri there are mothers who bring their babies to my shows, having been bought by their own parents as babies 25 years ago! That is tradition, and although unquantifiable it is definitely tangible.

So, early on the morning of October 13th I drove into London, not wishing to jostle with others on public transport, and at 8am I presented myself at the first checkpoint, on the pavement outside the impressive cube-like structure that is the new Embassy at Nine Elms on the south bank of the River Thames. Behind the anonymity of our masks all the hopefuls there shuffled forward until out paperwork and passports had been checked and we were permitted into the building. I was glad not to have made the mistake of the man in front of me who had turned up a full twenty four hours early for HIS appointment and was sent away. Inside the building there were airport-style security checks, as well as further document checks (at which point I was issued number N33), and we were herded into a large elevator (we were on US soil, so I shall use the native language), and disgorged into to the first floor room where everyone took a chair and stared at screens waiting for their number to ping up.

Unbeknown to me in the same room sat Liz’s cousin, who works for one of the major airlines, and who was also applying for a visa, Our appointments were at exactly the same time but thanks to being masked, we didn’t see or recognise each other as we waited.

PING. N 17. PING. N23. PING. N 30. Each time the screen added a new number everyone looked anxiously at their ticket, as if the number that they had memorised had somehow changed and they were in danger of missing their slot. Eventually N 33 was shown and I presented myself to window number 7 where a serious young agent looked at all my papers. I began to plea: ‘I believe that I need to apply for a National Interest Exem…’ but I was cut short with, ‘that’s all we are doing here, Sir.’ Ohhhh Kayyyy then. I resumed silence. Having satisfied himself that I was who I said I was and that the documents that I had given him belonged to me: ‘mask down!’ He told me to take another seat and wait for my number to be called once more. The next interview would give me my chance to plead.

I sat and I looked at other applicants as well as trying to eavesdrop on their interviews, not in a suspicious or creepy way, but to gauge the tone of the conversation in case there was anything useful I could learn. It seemed to me that everyone was quite cheerful and nobody seemed to be sloping away in deep disappointment.

Eventually N 33 was called again and I went to window 17 where a cheery young lady greeted me with a ‘good morning, how are you doing today?’ This was getting off to a good start. ‘Now sir, Have you had a visa from us before?’

‘I have.’

‘Thats great! let’s have a look,’ and she tapped away at her keyboard. ‘Oh, my, you have had a LOT of visas! What is it that you do?’ I explained about my show and the venues that I have visited over the years. She seemed terribly impressed and added lots of ‘that’s amazing!’s and ‘wow, so interesting!’s into the conversation.

I was now definitely ready to plead my case and to convince her how vital I was to the American economy, and to the celebration of Christmas in the USA in general, when she rather disarmed me by saying ‘OK, you’re all set!’ She checked that the words ‘National Interest’ were on her screen and sent me on my way.

I left the embassy at 9.20am (later, chatting to my cousin-in-law on Facebook, I discovered that she had left at 9.14! Both of us having sent messages to our respective other halves to tell them our news).

It was a beautiful morning in London and I decided to walk along the river, past Westminster Abbey (where I gave a little nod of respect to Charles Dickens who is buried there, across Horse Guard’s Parade, over the Mall, around Piccadilly Circus and to Hamleys toy store in Regent’s Street. The purpose of my visit was not simply to regress into childhood, although that was a pleasant biproduct, but to buy a white fluffy toy cat. In my show Mr Dickens is Coming I dramatize a passage from the Pickwick Papers as if it were from a James Bond film (circa late 70s, early 80s) and at the conclusion of the piece produce a white cat as I hiss ‘Not so fast, Meeester Bond!’ It is a cheap gag but it has worked well over the years. Unfortunately this year our shed was overrun with mice who gnawed at everything destroying, with great irony, my old prop cat. With a performance of ‘Mr Dickens’ fast approaching I needed a replacement.

Kitty purchased I set out to return to my car and the route took me across Green Park and past Buckingham Palace where to my amazement the Changing of the Guard ceremony was taking place. For a few minutes I became a delighted tourist and watched the band of whatever regiment it was marching down The Mall and through the iron gates of the palace.

I continued on with a jaunty step (perhaps even with the hint of a march) and retrieved my car from the garage in Pimlico

My trip to London complete I drove home in the happy knowledge that my 2021 tour of the United States is on!

It’s Been a Quiet 18 Months…..

03 Tuesday Aug 2021

Posted by geralddickens in A Christmas Carol, Charles Dickens, Christmas, Great Expectations, Immigration, Library, Literature, Lockdown, One Man Theatre, Uncategorized

≈ 6 Comments

Tags

A Christmas Carol, Byers'Choice, Califormia, Downton Abbey, Garrison Keeler, George Bush, George Washington, Highclere Catle, INS, King George III, Lake Wobegon, Lit&Phil, Llandrindod Wells Victorian Festival, Lockdown, Mid Continent Public Library, Nebraska, Omaha, Prairie Home Companion, Revelation Ashford, Rogers Gardens, The Word, Tony Blair, Vaillancourt Folk Art, Visa

‘Its been a quiet week in Lake Wobegon, Minnesota, my home town, out there on the edge of the prairie.’ So began Garrison Keillor’s ever brilliant weekly monologue, performed as part of his A Prairie Home Companion programme show which was broadcast weekly for nearly fifty years. Somehow I feel much the same way (albeit with a difference in timescale), about life over the last year and a half: ‘It’s been a quiet 18 months in Abingdon, Oxfordshire, my home town, out there on the edge of the Cotswolds…..’

My life as a performer has been cut from beneath me by the global pandemic and such performances as there have been have been spasmodic to say the least. Don’t get me wrong, for I have the loved time at home with Liz and the children, I have enjoyed becoming a runner, I have enjoyed being able to write and research, I have enjoyed our neighbourhood and a less frenetic way of life, but the natural rhythm of my professional life was interrupted, disturbed, fractured, meaning that my sense of self has been confused and disturbed, possibly changed forever.

But as Spring turned to Summer, and the heat became unbearable for the British nation, so the possibility of a conventional Christmas tour began to form, both in the UK and the USA. There are many hoops to jump through before it all becomes a reality but the venues are committed and the dates are in the diary, so this is a brief description of my year as it unfolds and hopefully you will be able to attend one of the events and welcome back Christmas!

Firstly the dates:

UK

27-28 August: The Llandrindod Wells Victorian Festival, Wales. Great Expectations. Dickens & Staplehurst.

23 October: The Victoria Hall, Sutton Scotney, Hampshire UK. Mr Dickens is Coming & Doctor Marigold

31 October: The Word, Jarrow, South Shields UK: Dickens & Staplehurst. The Signalman.

USA Tour

5-6 November: The Douglas County Historical Society. Omaha, Nebraska. A Christmas Carol

8-10 November: Rogers Gardens, Corona del Mar, California. A Christmas Carol

12-15 November: Mid Continent Public Library. Kansas City, Missouri. A Christmas Carol

UK

23 November: The Literary and Philosophical Society, Newcastle-Upon-Tyne. A Christmas Carol

24 November: Revelation Arts Centre, Ashford, Kent. A Christmas Carol

USA Tour

27-28 November: Vaillancourt Folk Art, Sutton, Mass. A Christmas Carol

30 November: Historic Christmas Barn, Connecticut. A Christmas Carol

1-2 December: Fortin Gage, Nashua, New Hampshire. A Christmas Carol

3 December: St Anselm College, Manchester, New Hampshire. A Christmas Carol

4-5 December. Ventfort House, Lenox, Mass. A Christmas Carol

7 December. Country Cupboard, Lewisburg, PA. A Christmas Carol

8-9 December. Winterthur Museum, Winterthur DE. A Christmas Carol

10 December. Lewis Public Library, Lewis DE. A Christmas Carol

11-12 December. Byers’ Choice, Chalfont PA. A Christmas Carol

UK

15 December. Henley upon Thames. A Christmas Carol

17-18 December. St George’s Hall, Liverpool. A Christmas Carol

19 December. The Word, Jarrow, South Tyneside. A Christmas Carol

20-21 December. Highclere Castle, Highclere, Berkshire. A Chritsmas Carol

23 December. Leicester Guildhall, Leicester. A Christmas Carol

So, lets have a little amble through that lot: I have included the Victorian Festival in Llandrindod Wells not because it is part of my Christmas tour but because of what it represents. The Victorian Festival has been running since 1982 and each summer has brought the community in the elegant spa town in mid Wales together. Featuring a huge variety of events, such as parades, craft fairs, Victorian pageants, costume workshops, afternoon teas and various performances, the festival has reminded an increasingly modern and hectic world of a slower pace of life, a more genteel way.

I am not sure how many years I have been attending the festival, six or seven maybe but it feels an intrinsic part of my summer and last year was the poorer for not being able to attend. Fortunately out of the Covid ashes the committee have managed to resurrect the festival for 2021, albeit with numerous restrictions in place, and I am returning to perform Great Expectations. However the sad news is that due to dwindling financial assistance from the local council and a lack of enthusiasm from the younger generations it is all too probably that this year will mark the end of the festival. Crinolines and top hats will be packed away for the last time and the elegant green park and bandstand will echo to the town crier announcing each event no more. I hope it is not so, but the prognosis is not good. It therefore was very important to me to include Llandrindod into my diary and to give the best performance I possibly can to make my days there a huge celebration of all that has been achieved over 4 decades.

The Victoria Hall, in the village of Sutton Scotney is a venue that I stumbled on by accident, albeit thanks to Charles Dickens himself. My brother and I had attended a celebration of the birth of Dickens in Portsmouth one February. As we drove home we discovered that the A34 road was blocked with traffic (not an unusual occurrence), so we looked at a map (remember them?) and found a route across country that wound through some of the Hampshire and Berkshire villages, one of which was Sutton Scotney. At one end of the village stood an impressive hall and I thought that it may be worth contacting them with a view to doing a show there. I have often made such approaches and usually they come to nothing but on this occasion I scored a bullseye because my email found Eryl Holt an actress with a long and varied career (including a role in one of my favourite TV comedy sketch shows). Eryl immediately took to the idea of a one man performance and arranged for me to perform a double bill of The Signalman and Doctor Marigold. The audience wasn’t huge for that first foray, but I impressed enough for the word to go around the village meaning that when I returned the following year it was to a full house. I have returned to Sutton Scotney on a few occasions now and always enjoy my time in the Victoria Hall, so when I was beginning to build my tour it was a natural venue to include.

The Word in Jarrow is a wonderful library complex opened only a few years ago. The building is a magnificent white, circular, spiralling structure with multiple rooms and spaces all designed to promote a love of written and the spoken word and sits in the heart of the town where it is open and accessible to the entire community. I was due to perform at The Word in May 2020 and it was the first booking that I lost when the initial period of lockdown was introduced. I was delighted when South Tyneside Council made contact asking for not one but two dates during the autumn season. One to talk about my new book describing the circumstances of the Staplehurst rail crash, accompanied by a performance of The Signalman, and the other to perform A Christmas Carol in November. It is a long drive, Jarrow being in the far North East of the country, but it is a worthwhile one!

The first part of my American tour has a familiar feel to it with visits to Omaha and Kansas City where I will be the guest of my old friends at the Douglas County Historical Society and the Mid Continent Public Library Service once more. Those who follow my blog will know that the folks in both venues are old and close friends and it seems perfect that my USA tour should begin there. The two venues are separated by a quick jaunt to the west coast where I will perform beneath the blazing Californian sun in the open-air amphitheatre at Rogers Gardens once more

But, and it is a big ‘but’ the chances of being able to travel still hang in the balance, with the scales tipped rather unevenly at the moment. All of the dates are booked and all of the venues are ready to go, but confusion still reigns over international travel. As countries deal with their own domestic policies regarding the containment of Covid and the vaccinating of their population, each has their own policy as to travel to and from other nations. The need to keep the approach of the disease and its variants at bay balanced against the need to open up the economy again has led to governments coming up with their own policies.

For many years Britain and America has shared ‘a special relationship’, (although it has become more or less special depending on the respective administrations – George III/George Washington marking the nadir and maybe Blair/Bush the zenith), and it is one that I like to think that I have contributed a tiny amount to. Earlier this year it was proposed that the relationship would be preserved with the creation of a travel corridor between the two nations, a sort of vortex through which no virus could travel. Now, though, as reality hits it has become apparent that everyone has to protect their citizens and travel restrictions have been imposed.

In a usual year The Byers’ Choice company would create the tour and secure contracts from every venue, then a huge document has to be submitted to the Immigration and Nationalization Service (with the approval of the Actor’s Equity union who quite naturally wish to protect the rights of American performers.). The INS then approve the visa application at which point I have to apply to the US Embassy in London for an in person interview where an agent can pose a few more questions, should they feel the need, and then grant the visa proper. But this year the Embassy is closed for interviews, meaning it is impossible to get a visa approved, the only exceptions being emergency visits for urgent situations and humanitarian travel. Additionally, in order to enter the United States directly from the United Kingdom, I will need to be granted a National Interest Exception (NIE). So before I can commence my 2021 US tour I have to fulfil one of those criteria. The scary part is that I can not apply yet as anything over 60 days before travel is not seen as an emergency (I must say it makes me smile to think of my show in that way: ‘Quick! We need A Christmas Carol and we need it NOW – this is an urgent plea!, thank Heavens that AChristmasCarolMan is on call!’), and we are only permitted one application so we have to time and use it wisely.

As always Byers’ Choice have engaged an immigration attorney and they are monitoring the situation carefully, for it is more than likely that the situation will change over the summer months and if it does we need to be ready to jump at the earliest opportunity.

So, back to my dates, and if I get to America and if I am allowed back in to the UK again without needing to isolate for 2 weeks, I will then travel to the far North East again to the beautiful city of Newcastle where I will return to the elegant surroundings of the Lit&Phil (Literary and Philosophical Soicety) before making my way back down the country to the Revelation Arts Centre in Ashford where I was able to return to the stage in June. I am one of the centre’s ambassadors and am proud to be so, it is always a wonderful space to perform and with a great audience.

Back in the USA (as The Beatles never sung), the second and longer part of the tour takes me to very familiar terriorty, starting in Massachusetts with the Vaillancourts, and moving around New England and Pennsylvania, with a brief foray into Delaware, until I finish up with the Byers’ family in Chalfont PA.

Back to the UK and I return to the beautiful setting of St George’s Hall in Liverpool where Dickens himself performed and for a second year I get to perform again in the great hall of Highclere Castle, the star of Downton Abbey, before bringing my season to an end in the ancient Guildhall in the city of Leicester.

I will keep you posted with progress as the weeks pass, but in the short term it is time to dust off Great Expectations once again and to prepare for Llandrindod Wells later this month.

That’s the news from Abingdon where all the women are strong, all the men are good looking and all the children are above average.

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