‘Clash, clang, hammer; ding, dong, bell. Bell, dong, ding; hammer, clang, clash!’ Quite a Way to End!

Tags

A Christmas Carol, Charles Dickens, Ebenezer Scrooge, Leicester Cathedral, Leicester Guildhall, Mr Fezziwig

The final day of my 2021 Christmas performance season was in the City of Leicester, in The Midlands. It has become something of a tradition over the years that on the 23rd December I perform a matinee and an evening show in the amazing surroundings of the Guildhall’s Great Hall, which was built at the end of the 14th Century. The room is timber framed and at the centre there is a huge fireplace which is always lit during my visit to warm the sell-out audiences that always attend.

With the Café Royal’s sad cancellation, I had spent my free day with Liz and the girls, and in the evening we had visited the Silverstone race track, where we had attempted to ice skate (I had a great fear that I would fall awkwardly, thus making my rendition of Tiny Tim rather too real), and then drove a very slow lap of the track to admire the light and laser show that had been installed for the Christmas season.

On Thursday morning the car was a prop carrying vehicle once more and I was back on the road. As I drove, the radio programme which was playing asked listeners to supply their favourite questions for Christmas quizzes, and one chap phoned in with the inevitable ‘How many ghosts visit Ebenezer Scrooge in A Christmas Carol?’ The answer being, of course, four (Marley and the ghosts of Past, Present and Future), but then somebody else texted in with the pedantic opinion that as ‘Yet to Come’ was from the future it couldn’t be considered a ghost, so the answer was three after all. My solution to this celestial conundrum was to include the words ‘on Christmas Eve’ after the question, which means the answer is one, as only Marley appears before midnight, although there is the issue of the air filled ‘…with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free.’, but technically they haven’t actually visited Scrooge, so don’t count!

I arrived at Leicester at 11, and parked as close as I could to the venue and started carrying the furniture down the narrow cobbled alley which runs between The Guildhall and Leicester Cathedral with its tall spire.

I was welcomed by Ben Ennis, a friend of many years standing, and we chatted for a while, catching up on our news. Ben had caught Long Covid very early on, and suffered for many months. Although understandably he had been extremely cautious, worn a mask and kept away from crowds, he actually caught it again, thankfully this second time he recovered within a couple of weeks. I asked him if the Guildhall’s audience numbers were being affected by cancellations (after the Café Royal’s experience I was nervous during these last days), and he said although some had called, their tickets had been snapped up by those on the waiting list, so he wasn’t too worried.

Once the car was unloaded I had to move it to a nearby car park and as I walked back I saw that Jubilee Square was filled with a huge Ferris Wheel and a skating rink – I knew from experience that noise from the square accompany would my performance, and I resigned myself to the fact there may be distractions for both me and the audience – little did I know then that later I would have given my right arm to just have the noise from the ice rink in the background!

My changing room at The Guildhall is The Jury Room, from where I can hear the audience gathering and on Thursday the afternoon crowd sounded a lively bunch, and very Christmassy. There was a lot of laughter and loud conversation, which boded extremely well.

At 1pm I went to the back of the hall, and slowly walked through the masked audience, with my scarf pulled up over my face, until I reached the stage. I was right, the audience were imbued with the spirit of Christmas, and we all shared a great afternoon together. Unfortunately there wasn’t a big enough staff to spare anyone to follow the script and look after the sound cues, so apart from the opening music I was performing unplugged, meaning that Mr Fezziwig had to dance without the strains of Sir Roger de Coverly to give him rhythm, but he managed quite well.

The show finished at around 3pm and I took my bows to loud applause and returned to the Jury Room to change. It has been a tradition in Leicester that between shows Ben has brought in a Christmas lunch of Turkey and all of the trimmings and so, with various staff members and his family, we have celebrated the season with good fellowship, but of course this year we couldn’t gather, which was a shame. Ben made up for this loss by presenting me with a turkey sandwich, some fresh fruit, and a trifle, which I took back to my hotel room, where I lay on the bed and watched television until it was time to get ready for the evening show.

When I arrived at The Guildhall, there were already audience members waiting for the door to be opened, and soon a steady stream were making their way in reserving their seats, before availing themselves of mulled wine.

Once again it was almost a full house and once again the audience seemed in great spirits, boding well for a fine send off to the ’21 tour. But, this wasn’t going to be an easy show by any stretch of the imagination.

I was not far in when the bell ringers in the cathedral began their weekly practice, and spent time perfecting their loudest and most complex peals. Every scene was accompanied, indeed almost drowned out, by the constant noise, making it difficult to concentrate. Every so often a particular peal would end, and you could almost feel the sigh of relief in the hall, which turned to disappointment as the next one began. The Leicester Cathedral bell ringers are a dedicated bunch, I will give them that! The interval arrived and still the bells rang and crashed. Ben apologised, although there is nothing he could have done to prevent it, and said that they would probably finish within about twenty minutes of the second half beginning. That SHOULD just about have been OK for Bob Cratchit returning home without Tim on his shoulder – the narrator says that it ‘was quiet. Very quiet’, and it is one of my favourite moments in the show, for I can feel the emotion and tension of an entire audience in that moment – crashing bells wouldn’t be appropriate.

I started act two and sure enough eventually the Cathedral Tinnitus ended, allowing me my moment of peace. The Cratchit scene passed and the atmosphere that builds through the final quarter seemed to be well established, until unbelievably a nearby security alarm went off and the rest of the show was accompanied by a loud, screeching ‘whoop whoop whoop whoop’ which didn’t end until the very final sentence of the story. I at least made was able to make an adlib, which broke the ice somewhat, by saying ‘Yes, the bedpost was his own, the bed was his own, the room was his own, the alarm was his own…..’ which was greeted by a loud cheer and even a cry of ‘Brilliant!’ That was rather overstating it, but it proved that we had all been battling the same intrusions into our fantasy world, together.

The show came to an end and the the hall erupted into applause and I earned a standing ovation which was a very fitting end to a wonderful season of performances – it has been apparent that audiences in both the UK and America have needed entertainment after such a difficult two years (I remember the same phenomenon in 2001, post 9-11) and have come out in good numbers to see the show, but have remained respectful of the wishes of others, whether that has meant wearing a mask throughout the show, or distancing in an auditorium.

My decision not to undertake long formal signing sessions has allowed me to conduct the question and answer sessions after the shows which have proved very popular.

What does 2022 hold for me? Of course we cannot tell, but there are a couple of new books in the pipeline, one of which is all about the history of my tours and the development of the show (I may even include the script…), and if everything works well that will be available for sale when I tour next year.

I will also get back to my running, which I have rather let lapse during the 2nd half of this year, with the aim of completing a half marathon before the year is out.

In the meantime, thank you to all of the audience members who have joined me for the ride this year and to the many people who have allowed me to perform in their venues, I wish you all a very Merry Christmas and a happy, healthy New Year.

Where is Kazakhstan?

Tags

A Christmas Carol, Charles Dickens, Formula One, House of Games, Mid Continent Public Library, Panera Bread, Richard Osman, The Signalman

Friday would see me back on stage performing once more, which would be good. However the only show of the day was not until 7pm so I had plenty of time to fill. As soon as I woke I could hear that the gentle, warm, almost late summer weather that I have enjoyed throughout the trip had changed. Outside my window I could hear the wind howling and moaning. In a way this was quite apt as my show was to be The Signalman in which Dickens describes the wind making ‘a wild harp’ of the telegraph wires. In my case it was an American flag flying just outside my room that was creating the morning soundtrack as it was tugged against its fixings and rattled and clanged in the gale.

I made myself my morning coffee and sat up in bed writing my blog post, as well as some material for a potential new book about my theatrical career and life on tour, The passage I was working on was of my earliest childhood memories of Christmas so I spent plenty of time wallowing in happy nostalgia!

I wrote until 7 and then went down to the lobby for Breakfast .The Hampton Inn at Liberty has always served one of the most impressive buffet-style breakfasts that I encounter anywhere on tour, and in particular the oatmeal and waffles. After a glass of orange juice I plumped for waffles, purely for tradition and old time’s sake and I was not disappointed. They were delicious.

After grabbing an extra coffee I returned to room, stopping at the front desk to collect a packet of book plates that Kimberly has asked me to sign for the library service, Although Mid Continent have ordered 200 copies of Dickens and Staplehurst, they were not due to arrive during my visit, so the signed bookplates could give people signed copies. There were 200 signatures to do, so I sat at the little desk in the room and began signing. It is amazing how much more quickly one can sign when you don’t have to pick up a book, open it to the correct page, sign, close the book and place it on the ‘done pile’, before reaching for the next book, opening it to the required page…etc etc. I got myself into a good rhythm and worked away until all 200 signatures were complete. Having finished I arranged the sheets of bookplates and a copy of the book for a photograph which the Olympian Publishers may like on their social media feed, and then packed everything away.

My timing was perfect, for I had a few minutes to spare before the first practice session from the Brazilian Grand Prix was being shown live on ESPN, so I settled onto the bed and spent a happy hour watching Lewis Hamilton and Max Verstappen battle it out on one of the classic, historic race tracks.

When practice finished, I did a little more writing and then decided to spend an hour rehearsing The Signalman and the moaning wind and the flapping flag outside my window gave the run through a much more authentic feel than usual. The Signalman is quite a short presentation, compared to something like A Christmas Carol, the script itself only running at 30 minutes (although my introductory remarks make the actual show a more meaningful length), so the rehearsal run didn’t take up too much time. Once I had finished I picked up the script as there were a few little phrases that I wanted to check on and tweak a little, and when I had practised those it was time for lunch. Once again I walked down to Panera Bread where this time I ordered a Ten Vegetable Soup served in bread bowl. Before committing myself I asked the server if the Ten Vegetable Soup was a broth (on the day of a performance I wanted to avoid anything made with dairy) and I got the helpful reply that ‘It is soup made with vegetables’ Well with that sense of clarity I went ahead with my order! When the soup came it was indeed a broth and it was indeed made with vegetables, I didn’t count them but I imagine that there may have been 10. It was delicious and warming and nourishing.

I had managed my time well for when I got back to my room the official qualifying session from Brazil was just beginning so I resumed my former spectating position and watched as Hamilton beat his rival to pole position. Sadly I will not be able to watch the rest of the weekend’s action due to my shows, but being able to catch Friday’s events was a nice bonus for me.

After Qualifying had finished and ESPN had returned to football I switched off the TV and did another complete run through of The Signalman, just to make sure that those little tweaks had settled into my mind, and then satisfied with how things were I settled down to relax and perhaps nap (my body clock still being all over the place and waking me at silly hours of the morning).

At some point in the afternoon I saw that my brother Ian was online, and as we chatted he mentioned that my favourite round of my favourite TV quiz had been on in the UK the day before. The show is called Richard Osman’s House of Games, and the round in question is ‘Where is Kazakhstan’ in which celebrity contestants are shown a blank map of an area of the World and have to pinpoint various places, however they are not given the names of the places but a question – so they not only have to know the answer to the question but also the location on the map. So, the round that Ian told me about was based on the USA and he thought that I may like to try and play. These were the questions:

Q1. The city in which the title character sits on a bench in Forest Gump.

Q2. Mount Elbert, the highest point in the Rocky Mountains.

Q3. Where is Yale University.

Q4. The major city that completes the title in the 1944 Judy Garland musical ‘Meet me in….’

My answers were as follows:

1: Savannah, Georgia

2: Probably somewhere near Colorado

3: Upstate New York

4: St Louis in Missouri, not far from where I am currently based.

I found a blank map online and placed four points on it as my answer:

I did pretty well, but frustratingly the one I got wrong was Missouri!

Anyway, that passed a pleasant amount of time and it was nice to chat with Ian.

The rest of the afternoon was spent somewhat lazily watching the end of Back to the Future II and the beginning of Back to the Futre III until it was time to prepare for the evening’s show. At 5.30 I showered to re-energise myself and just before 6 I had a call from the front desk telling me that Kimberly was waiting for me.

The evening’s shows was in the Woodneath branch of the MCPL which is only a five minute drive. I have performed at the branch on many occasions and was welcomed back by the staff there like an old friend. For The Signalman I was performing in the Community Room, a large self contained space away from them main Library and at one end a stage had been erected. Kimberly had sourced some material to create the idea of a set, including hand held oil lantern, which would be useful during the Signalman’s description of his repeated hauntings. There was a great sense of excitement and anticipation in the Library as my appearance represented the first in person large event staged by the programming team. In the same way as at the church in Burlington, Friday evening’s show marked a move forward for the organisation and a gradual easing of restrictions.

Not only was I to perform for a live audience, but the event was also being streamed online so that anyone not comfortable sitting with a crowd could watch from home. As well as a normal sound check therefore I had to spend a little time with the filming crew making sure their camera’s (actually i-phones on tripods) were in the correct place and would capture all of the presentation.

The audience started arriving early, as they always do in the KC area and soon the hall was filling up nicely, there were many old friends in the group but I tried to maintain a good distance and kept my mask on until the last moment.

At 7 o’clock the show started and I prefaced The Signalman with an introduction based on the new book (much more accurate than my old intro used to be!) and then launched in to ‘Halloa Below There!’ The Signalman is much more intense and dramatic than A Christmas Carol and there aren’t many laughs to help it along, but the audience were silent during the most dramatic patches and there was suitably stunned gasp when I finished up with the revelation of Dickens’s death being exactly 5 years after Staplehurst.

The show over we then moved onto the Q&A section and after I made a few more remarks about how I actually came to write the book, we opened the floor. There were good questions: How long does it take me to learn a new script, at what age did I first know I wanted to act, what novels would be good to start reading for someone returning to the works of Dickens, does the family feel a duty to preserve Dickens’ legacy, do I perform other works, non Dickensian? It was a fun session, but soon it was time to wind up. I took another bow, replaced my mask and the audience disappeared into the night.

When I had changed Kimberly took me to a nearby grill (a lot of restaurants are closing at 9pm, so choice was a little limited) and I ordered a burger with, bizarrely a fried egg on top – I have never had t make a decision between sunnyside up or over-hard at 9pm before, but that’s what was my final decision of Friday 12 November 2021!

Have Yourself A Merry Little Christmas Carol Trivia: The Answers

Tags

A Christmas Carol, A Christmas Carol film, Charles Dickens, Christmas Quiz

Christmas is behind us but, heeding the advice of Charles Dickens, we are going to keep it all the year! Before the festive season reached its climax I set a little quiz based on the original text of A Christmas Carol, and here are the answers:

The Preface:

1: Which publishing house produced A Christmas Carol (even though it was funded by Dickens himself)?

A Christmas Carol was published by Chapman and Hall

2: Who was the illustrator of the first edition?

John Leech

3: On what date was the book published?

19 December 1843

4: How many copies were printed for the first edition?

The first run was of 6,000 which sold almost instantly

5: What is the full title of the book?

A Christmas Carol In Prose. Being a Ghost Story of Christmas

Stave 1:

1: Assuming the story is set in 1843, in what year did Jacob Marley die?

‘He died seven years ago, this very night’ Therefore on 24 December 1836

2: Who would have been on the throne at the time of Marley’s death?

William IV reigned until his death on 20th June 1837, when he was succeeded by Queen Victoria

3: What time of day is it when we first enter Scrooge’s office?

The clocks had just struck 3

4: What does the Clerk use to warm himself?

His comforter (scarf) and his candle

5: What is the name of the first visitor to the office on that evening?

Scrooge’s nephew, Fred

4: How many charity collectors come to solicit Scrooge on Christmas Eve?

Two

6: where does Bob Cratchit slide on the ice before going home?

He slides on Cornhill, which sets Scrooge’s office in the very heart of the financial heart of London

7: Where is his home and what connection does it have to Charles Dickens?

Bob Cratchit’s home is in Camden Town, the region in which the Dickens family resided when they moved to London in 1822. Charles was aged 10 at the time.

8: Who built Scrooge’s fireplace?

‘The fireplace was an old one, built by some Dutch merchant long ago.‘

9: After Jacob Marley floats through the window who else does Scrooge see?

‘The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they may be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar, with one old Ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist wretched woman with an infant, whom it saw below, upon a doorstep. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.’

10: In my film what Churchyard did I use to film the opening scenes?

The Churchyard of St James’ Church, Cooling, Kent, which inspired Charles Dickens in the creation of the opening chapters of Great Expectations.

Stave 2:

1: What is the second Chapter called?

The First of the Three Spirits

2: What does the Ghost of Christmas Past carry under its arm?

‘A Great extinguisher’, or candle snuffer

3: What book was the young Ebenezer reading at school?

Robinson Crusoe

4: Who wrote it?

Daniel Defoe, in 1719

5: What did the Headmaster of the school give to Ebenezer and his sister before their journey home?

‘Here he produced a decanter of curiously light wine, and a block of curiously heavy cake, and administered instalments of those dainties to the young people….’

6: What country dance did the fiddler accompany at Fezziwig’s party?

Sir Roger de Coverley

7: What was the name of Ebenezer’s fellow apprentice at Fezziwig’s?

Dick Wilkins

8: When Ebenezer is shown the house of his ex fiancée, there is a scare about the baby – what did the family think had happened?

‘The terrible announcement that the baby had been taken the act of putting a doll’s frying pan into his mouth, and was more than suspected of having swallowed a fictitious turkey, glued on a wooden platter.’

9: When Belle’s husband walked past the office window of Scrooge and Marley’s what day of the year was it likely to have been?

As he tells Bell that ‘Jacob Marley lies upon the point of death so I hear’ it is likely to be Christmas Eve.

10: In my film all of the scenes from the past were filmed in the Crypt of Rochester Cathedral – which of Dickens novels does the Cathedral feature strongly in?

The Mystery of Edwin Drood. Charles Dickens’ final, unfinished, novel is set in the fictional cathedral city of Cloiseterham, and also features Eastgate House which also appears in my film as various different locations.

Stave 3:

1: What is the time when Scrooge finally gets out of bed?

1.15 am

2: What does the Ghost of Christmas Present wear around its waist?

An empty Scabbard

`3: Outside the fruiterers’ shop there were ‘piles of filberts’. What is a filbert?

A nut

4: What was Bob Cratchit’s weekly wage?

15 shillings, or 15 ‘bob’

5: How many children did Mr and Mrs Cratchit have?

6: Peter, Belinda, Martha, Tim and the ‘two youngest Cratchits – boy and girl’

6: In my film version of A Christmas Carol I used an an Elizabethan alms house called The Six Poor Traveller’s House to represent the Cratchit’s home. Charles Dickens wrote a short story about the house – what was it called, and why?

The essay was called The Seven Poor Traveller’s House. The house could only accommodate 6 people, but Dickens as the narrator became the seventh

7: Why did Mrs Cratchit’s Christmas pudding smell like a washing day?

Traditionally a Christmas pudding is wrapped in muslin while it steams

8: After leaving The Cratchit’s house the Spirit suddenly removes Scrooge from the city and shows him simple Christmas celebrations in three remote locations: where are they?

A mine, in a lighthouse and onboard a boat at sea

9: According to Charles Dickens ‘..there is nothing in the world so irresistibly contagious as…’ what? (hint, it is NOT Covid19!)

Laughter and good humour

10: What is the answer to Fred’s ‘Yes or No’ game?

Uncle Scrooge!

Stave 4

1: What is the title of Stave 4?

The Last of the Spirits

2: How many wealthy merchants in total does Scrooge watch discussing his own death?

Six

3: What is Mrs Dilber’s occupation?

She is a Laundress

4: How does old Joe keep a tally of how much he will pay each of his visitors?

Keeps a record by chalking figures on the wall

5: When Scrooge sees the vision of a dead body under a ragged sheet, there is an animal in the room also, what is it?

A Cat

6: Scrooge is shown the vison of a husband and wife who are in debt to him – what is the wife’s name?

Caroline

7: What is Mrs Cratchit doing when Scrooge returns to the house?

Sewing

8: Where does Tiny Tim’s body lie in the vision of the future?

In the upstairs room of the house

9: The Spirit leads Scrooge to a churchyard, but what establishment do they pass on the way?

His own house which he notices is occupied by someone else

10: There is an actual grave to Ebenezer Scrooge in the UK – where and why?

In the city of Shrewsbury, where the George C Scott movie was filmed. It was a clause in the filming contract that the stone be left in the churchyard for tourism purposes.

Stave 5

1: How does Charles Dickens describe the ringing of the church bells on Christmas morning?

He was checked in his transports by the churches ringing out the lustiest peals he had ever heard. Clash, clang, hammer; ding dong, bell. Bell, dong, ding; hammer, clang, clash! Oh, glorious, glorious!‘

2: How much does Scrooge promise the boy on the pavement if he brings the poulterer back to the house?

A shilling

3: How much does he promise him if returns within 5 minutes?

Half-a-crown

4: ‘I shall love it as long as I live!’ cried Scrooge, patting it with his hand. ‘What an honest expression it has on its face!’ What is Scrooge talking about?

The knocker on his door

5: How many times did Scrooge pass his Nephew’s door before he plucked ‘up the courage to go up and knock?

A dozen times

6: What time did Bob Cratchit arrive for work on Boxing Day (the day after Christmas)?

9.18 and-a-half

7: What did Scrooge tell Bob to buy for himself, before he dotted ‘another i’?

A coal scuttle

8: And what drink did he promise him?

Smoking Bishop

9: Who was responsible for filming and editing my film version of A Christmas Carol?

Emily Walder

10: What are the final words of the novel?

‘And so, as Tiny Tim observed, God bless Us, Every One!’

I hope that you enjoyed this little diversion, have a very happy and safe 2021