Hyde Festival Theatre for Willow Wood Hospice

Tags

A Christmas Carol, A Christmas Carol film, Brontes, Charles Dickens, Corronation Street, Dickens and Staplehurst. A Biogrpahy of a Rail Crash, Ebenezer Scrooge, Haworth, Hyde Festival Theatre, Leeds Library, Mark Llewellin, Roy Barraclough, Willow Wood Hospice, Wuthering Heights

I actually slept for a remarkably long time in my Leeds hotel room, not waking until 7.30, which is almost unheard of for me. I made some coffee and started my blog writing, before going to the restaurant for breakfast at around 8.30. It was a standard but extensive buffet, and I made full use of it.

I had said to Ian that I would go and collect my things from the library in the morning, so after breakfast I packed up my bag in readiness for check out, and then walked into the streets of Leeds, which were already packed and bustling. It really struck me both in Leeds and in York the day before, how busy the city centres, what Americans refer to as downtown, were compared to the relative ghost town of Minneapolis where I had been a few days before.

I arrived at the library shortly after 10 and initially thought I would need to make two journeys but having taken my roller bag back to the hotel the night before, I managed to balance everything (costumes, hat, scarf, cane, merchandise and stool) in one precariously balanced load. I said my goodbyes and tottered through the Christmas shoppers, through the railway station, where the progress of a man with two frock coats, a top hat and a stool was ignored in favour of a group of about ten men dressed in skintight lycra leopard-print all-in-ones, with skimpy grass skirts and curly black wigs. I returned to the car, got all of my things loaded and then went back to the hotel to plan my day. It was raining hard now, very hard (hence my detour through the station concourse). My evening show was to be near Manchester, which was not a long drive, so I had to find something to fill my day. I had originally thought about driving to Haworth, the home of the Bronte sisters, but the weather didn’t seem to be in favour of that. However, a drive out to the moors may be fun, so I decided to continue with that plan.

I finished packing and checked out and made a wet dash for the car. I set the satnav for the Bronte Parsonage Museum and set bout through the wet, glistening streets of Leeds. The route took me to Bradford and from there into the countryside, and as I left the urban sprawl behind me, so the clouds cleared, and the sun began to shine. I drove into the little village and up the steep hill where there was a car cark for the museum, but it was full, so I drove on and out into the countryside. I found a little parking place next to some paths and made my way up onto the moor. It was not wild nor windy, but the views across the valley were stunning, and I just continued to walk, further up, taking this path, then another. On my side of the slope there was heather and wild bilberry bushes, on the opposite side was typical Yorkshire dry-stone walls separating the fields. It was truly idyllic and energising, and I loved every minute.

After a while I began to make my way back down the hill and returned to the car, I drove back into the village (the museum car park was still full, and I didn’t feel I needed to visit anyway, for I had experienced what I had come for). At the bottom of the village was a little railway station, and the crowds gathering suggested that a train was due, and on close investigation I discovered that it was a heritage steam railway. I didn’t want to take a trip but having seen the static locomotives in York the day before it would be nice to see one in full steam, panting, puffing and doing what it was built to do. There was a little footbridge over the track and as the train passed underneath me, I was engulfed in clouds of damp, musty steam. I hurried down to the platform where families, and camera-toting gentlemen wearing anoraks (I was obviously wearing a high-tec walking jacket and was toting a Samsung phone), were climbing aboard. I stood close to the locomotive and as the whistle blew and the green flag was waved, the driver opened the regulator valve and the whole animal let out a deep guttural CHUG, and slowly the train left the station.

Before I left, I checked the little gift shop and made a note to send details of my book to them, too! There was a small supermarket across the street, so I bought myself a picnic lunch and drove up into the hills, found a layby with a view and listened to the qualifying session from the Grand Prix in Abu Dhabi.

By now the afternoon was moving on, so I set the satnav for the Hyde Festival Theatre and heading off towards the urban sprawl of Manchester. It was around 4pm when I arrived in Hyde, and I was not due at the theatre until 6, so I found a local coffee shop and finished the previous day’s blog post, before going back to the car. I decided that it was not worth waiting any longer, so drove to the theatre where my ring at the door was instantly answered by Dan, the theatre’s manager. Through the small foyer and box office area and there I was in a beautiful auditorium, complete with what had once been a very grand circle, with white plaster mouldings on a grey background. The theatre had been built as a cinema in the early 20th Century, since when it has undergone various periods of success as a theatre, most recently being run and promoted by an ambitious team who are desperate to make it a thriving part of the community once more. As well as the theatre staff I was also greeted by Mark Llewellin, the gentleman who had booked me for the evening. I had first met Mark and his partner Roy many years before on a cruise ship, and they had enjoyed my performance of A Christmas Carol back then. Now Mark is responsible for fundraising at a local hospice and had contacted me to perform on their behalf.

Mark and Roy, who died at the hospice 5 years ago, had both had long careers in theatre. Roy Barraclough had been a very popular television actor, appearing for many years in Coronation Street and also creating the comedy duo of Cissy and Ada alongside Les Dawson, but his career stretched much further than television and he was an extremely accomplished stage actor as well. Mark himself has a long history or production, direction and performance in all aspects of the industry, but most of all in Pantomime. Now he tours and talks about many aspects of his life and career – his contact book is indeed veritable who’s who of the world of entertainment.

Almost as soon as I arrived the theatre machine went into overdrive. I had sent my script to Mark who had forwarded it to the tech team, so lighting cues and sound effects were all ready to go. They even asked me if I wanted haze, to create the foggy streets of a London. Yes, please! We did a microphone check, using one of those units that hook over the ears, and which inevitably fall off me, and all was well, although in that lovely auditorium I doubted I would really need one. I went up to the dressing room and hung up my costumes, before going through the extra act two lines again. Mark introduced me to his fundraising team, and it seemed certain that we were going to have a wonderful evening.

The show was due to go up at 7.30, so Mark and I went down to the wings at around 7.20, and we could hear the audience gathering in the auditorium. I paced back and forward behind the tabs, like a caged animal, until it was time to begin. Mark took the stage and said a few words about the hospice, A Christmas Carol and me, and then it was time to begin. The sound effect played, and I walked on, from stage left to stage right and stood over Jacob Marley’s grave. On the third ring of the bell, I gave the ‘harrumph’ sound and instantly knew that the microphone wasn’t working. I hadn’t touched it since the check, unless a lead or something had come loose when I got into costume, but for whatever reason there was no microphone. I simply raised my volume slightly and projected to the very back of the room (advice that Charles Dickens had given to his son, Henry when he was due to give a speech). I didn’t have the whole stage to play with as a set for the forthcoming pantomime was being built, so I only had quite a narrow strip of stage in front of the main curtains, but I had plenty of width to use.

The audience were great and all of the sound and lighting cues (the first venue to provide lighting this year) worked superbly. I left the stage at the interval to great applause and ran up the stairs to the dressing room, where I changed shirts. Dan came up to see what had happened to the microphone, although he said that he had heard all of my lines quite clearly. He replaced the batteries, checked all of the connections and we were good to go again.

Act two was as even more fun than the first and the audience joined in enthusiastically when encouraged to do so and giggled loudly as Mrs C panicked about her Christmas Pudding, this mirth was counterbalanced by the shocked silence that greeted Scrooge’s visit to the Cratchit’s home in deep mourning. At the end of the show the audience started to stand during their applause before I had even left the stage, and the response was amazing.

I hadn’t planned to sell my merchandise at Hyde, rather encouraging the audience to spend their money on the fundraising raffle to which I donated one of my DVDs, but the news that such a product existed encouraged people to ask if there were more available, and Mark said I should go to the foyer and flog a few, which I did. One lady gushed to me about much she had enjoyed the show, going on to say ‘I saw someone else from the family do a show like this a few years ago!’

‘Oh,’ I replied, ‘who was that?’

‘I don’t remember, but he said that he went to America a lot’

‘Well, that SOUNDS like me! I go to America, I am going next week.’

‘It was at Stockport Plaza’

‘Yes! That was me!’

‘Oh, goodness. I was going to say that you are much better than he was!’

I am glad that it was that way round!

Once the audience had left and I had changed, Mark and I joined the theatre team in the bar and wound down with a drink and the sharing of many theatrical anecdotes. Finally, it was time to drive away, and I made my way back to Mark’s house, for he had kindly offered me hospitality. I had some cheese and a cup of tea, as we chatted about theatre and variety, but soon I began to feel the fatigues of the day catching up with me, and having said goodnight, availed myself of a spacious spare room. Another successful day in the winter of ’22

The Hyde show was to raise money for the Willow Wood Hospice, which like all others does sterling work. If you would like to donate to this amazing cause, please follow this link:

https://willowwood.info/support-us/giving/donate

The Oxford Half Marathon. 16 October 2022

Tags

Brain Tumour Research, Charity, Marston, Oxford, Oxford Half, Oxford Half Marathon, Oxford Parks, Paula Radcliffe, Running, Spoinsorship, The Bodleian, The Sheldonian

The day had arrived. The 16th October has loomed in the far distance for many months and as you know I have been posting updates about my training and fundraising throughout that time. But when the day became a reality, I seemed to be living in a parallel universe – it didn’t seem possible that by the end of the day I would have (hopefully) completed my challenge. In fact, the16th arrived rather earlier than was appreciated, for sleep left me in the very early hours as my mind was spinning about the realities of the event – not the running specifically for I would either manage that or not, but I was still suffering from a sense of Imposter Syndrome and fearing that when I arrived among the dreaming spires of Oxford I would simply not fit in or know where to go and what to do. I had been reassured by a number of runners that they had all felt the same way in their first big events, but that everything had been fine, and the atmosphere was nothing but friendly and supportive. I had packed a bag the night before and eaten the requisite meal of pasta, so on getting up at 7am on Sunday morning I had little to do. I ate a breakfast of porridge and fruit, followed by some toast and honey (all on advice of my running friends) and changed into my kit: black shorts, a yellow shirt and my Brain Tumour Trust vest proudly over the top, with the number 1391 pinned to it.

It was a slight struggle for Liz and me to encourage our daughters to leave the house at 7.45 on a Sunday morning, but I needed to be in the centre of Oxford by around 8.15 and with the many road closures around the city it may not be easy to achieve. We had devised a route that should get me close to the University Parks, where the race village was situated and indeed Liz was able to pull to the side of the road give me a quick kiss of good luck, and I joined the procession of runners who, like salmon, appeared to be swimming upstream towards a common destination. Some were in groups chatting happily, some seriously adjusted their attire and occasionally stopped at a lamp post to do some more stretches (these reminded me of pet dogs, but it would be unfair to mention that observation outside brackets). On entering the park, the atmosphere was everything that had been promised, it was alive with energy and expectation and huge signs guided me to wherever I needed to go.

I noticed that there was one banner which said ‘Oxford Half Marathon’ and there was quite a crowd around it, which seemed slightly unnecessary as I assumed we all knew why we were here, but drawing closer I realised that it was made up from the names of every participant in the race, so I dutifully found mine, just under the cross bar of the ‘F’ in half (‘the Effin ‘Arf’ doesn’t sound a polite way to describe this fine race), and photographed it.

The next job was to drop my bag off, ready to collect at the end of the race. I took a long drink of water from my bottle, and made for the tent taking belongings from runners with numbers between 1,000 and 1,500. In one corner of the park music was belting out for a ‘warm up’ session, but with a fear that I might pull something or damage something before I’d even started, I decided to give that a miss. Instead, I followed hundreds, maybe thousands, of others to join a series of long queues which culminated in the toilet facilities.

We all had a couple of hours ahead of us, and everyone was drinking lots of water, so this was an essential part of the day. There was much talk throughout the crowds of not wanting to ‘do a Paula Radcliffe’ during the race. I was hopping a little by the time I reached the front of the line, so was glad that I had followed the herd when I had.

The start of the race was carefully controlled, and the runners were divided into separate pens, with the elite runners in A and the novices (of which I was one), in F. Groups A – D had been called already, but in no time the energetic announcer on the PA system announced that groups E and F should make their way to the start – actually this was quite a route march, maybe a mile, but soon we were gathered in Holywell Street waiting for our turn to go over the top.

At first the crowd remained still, but little by little we started to edge forward, emerged into Broad Street with the magnificent Sheldonian Theatre to our left and the gardens of Trinity College to our right. Ahead an arch marked the start, and another energetic announcer sent us all on our way, commenting on various participants, including a yellow submarine, a giraffe and, yes, two men carrying washing machines on their backs. I assumed that these gents had constructed some clever costumes, but it wouldn’t be long before I discovered otherwise.

More useful advice from my various running chums was not to go off too quickly at the start, and this was something that I had worried about, but the crowd was so thick that it was impossible to go off at a great pace, until we left Broad Street and turned into the even broader street of St Giles, by this time I could settle into my normal pace and found that I overtook some runners and was overtaken by others as we all found our natural place in the order of things.

Liz and the girls had found a clever spot to watch from, for the route came off St Giles and double backed towards The Parks, before making another loop to return to St Giles once more, meaning that they could see me pass by twice in quite a short space of time. I gave them all a quick (and rather sweaty) kiss first time past, and then a high five each on the second, before I headed onto the long stretch of the Banbury Road towards North Oxford. It was on this stretch that I saw the reality of the washing machines, the intrepid runners were indeed lugging proper, full-sized metal washing machines on their backs. As everyone ran past, we all shouted encouragement to them as they lumbered on. The expression on their faces suggested that they were somewhat regretting their fundraising decision!

Up to Summertown and past the first drinks station where I took the advice of my good friends Chris, ‘drink whenever it is offered’. Just past the drinks tables was a small battery of loos….and a long queue.

Towards the top of The Banbury Road the field looped round and came back down again, meaning that the elite frontrunners were on the other side of the road. They were going through 5 miles as we passed the 3-mile marker, and their pace and strength was truly impressive, if somewhat disheartening, but on we went.

Having made the u-turn and run half-way back down the Banbury Road, we then turned left and headed off down a very long and uninspiring road towards the little village of Marston and this was where the field began to spread out more. A strange phenomenon occurred in Marston, for instead of a water station there was an energy drink one and everyone eagerly sloshed the red liquid into their mouths and tossed the little cups into the large recycling bins provided. Unfortunately, quite a lot of the drink spilled onto the road, which meant that rather than running becoming easier (with a shot of isotonic drink), it became more difficult because the road became tacky and everyone’s shoes stuck to it, peeling off with the sound of a hundred strips of Velcro ripping apart.

Back up the dull road and towards Oxford again, and into the last few miles. I admit that I began to struggle a little now and, on a few occasions, lapsed back to a walk, as most people around me did at various times too, meaning that the bunch of people with whom I had shared the journey maintained their relative positions to each other. Back to the Parks, back into Holywell Street, around the Sheldonian and Bodleian, turn left and there were two signs in front of me. One said, ’13 Miles’ and just past that (.1 of a mile past it, to be precise), was a large arch saying FINISH!

Maybe in my imagination I had pictured myself bursting across the finish line, arms aloft, feeling a huge surge of satisfaction and pride, but in reality, I just sort of stopped with a sense of relief! I was given a medal and told to keep moving so that those behind me could finish too. I had been running with my phone strapped to my arm and as I checked my time, I saw that I had completed the course in 2 hrs and 18 minutes. Alongside the official notifications were messages of congratulation from family and friends, many of whom had been following my progress on the event’s tracker app.

I made my way back to the Event Village and retrieved my bag, before setting off to find Liz and the girls. Everywhere families were reuniting and hugging, tales were being told, tired limbs were being stretched, water drunk, and energy bars being consumed. Gradually the competitors drifted away to their various homes, where real life would resume, and I did the same.

Although the entire day, in fact the entire 6-month process, had been one of personal challenge, discovery and achievement, the main motivation of my run had been in memory of my sister-in-law, Liz’s sister, Sheila, who died on 16th April as a result of a brain tumour. It was to further aid the struggle to research the terrible disease that my family and friends around the world have been donating so generously to my fund. Towards the very end of the event, as I came back into the University Parks, there was a lady standing at a corner, just a regular spectator shouting encouragement. She was short, had white shoulder length hair and had a beaming smile on her face. I am not going all spooky-ghostly here, but she had something of the look of Sheila about her, and as I ran by, she made eye contact and called out simply ‘Well Done!’ And that was the moment that all of the effort and toil, the worries about injury, the fears about acceptance into the world of running, the fundraising and the eventual success in completing 13.1 miles around the city of Oxford, really made sense.

So, this is my final account of the running, and the last opportunity to donate to the cause. Including the proceeds from my show, the fund is now over £2,000 which is incredibly generous, thank you all so much, and if anyone is reading this who like to add to that figure, then we will all be profoundly grateful.

https://www.justgiving.com/fundraising/geralddickens

Counting Down the Days

Tags

Brain Tumour Research, Dreaming Spires, Oxford City, Oxford Half Marathon, Runners World Magazine, Sponsorship

Wednesday 12 October.

The week before my very first attempt at a long-distance running event is slowly passing and now, on Wednesday, the week is half over, and the weekend is looming large. Yesterday Liz and I drove into Oxford to do some shopping, and at the sight of someone running through the streets a wave of nerves ran through me.

My journey to this point began way back in 2020 with the arrival of Covid 19 in the UK. With lockdown conditions becoming ever more severe it became necessary, indeed essential, to get out into the open air whenever possible. Our eldest daughter had said that she wanted to run, because one of her best friends did, so together we started using a Couch-2-5K app to help us along. My target, if I had one, was to complete a Park Run event at some stage, as my sister Nicky and brother Ian had done previously, but the thought of running a distance of 5k seemed completely out of my league as I struggled to keep going for the minute or so that the app suggested at the beginning of the programme. Little by little, however, things began to get easier and there was a moment of supreme pride when I managed to run the 5k, a little over three miles, without stopping, for the first time (I never did attend a park run, but at least the distance was achieved).

And so, it continued, and the distances that I was able to achieve went up, and the exhaustion went down. I ran 5 miles, then 6, then 8 and 10, and I began to feel a bit like a runner, although I never felt that I truly compared to those committed folk that pound the pavements every day in their expensive shoes and reflective glasses, and who stop their watches as they pause for cars to pass at an intersection, so as not to skew a potential PB.

In April my sister-in-law Sheila died as a result of a brain tumour, and I really wanted to do something to help the cause of other families in the same situation and try to raise some money towards the ongoing research into the condition. Sheila’s husband Martin had undertaken a charity cycle ride on behalf of Brain Tumour Research so I decided to donate to the same cause, except I didn’t have an event in mind. In a moment of perfect synchronicity, it was at this time that I happened to receive a Facebook notification suggesting that I enter the Oxford Half Marathon, and I followed the link to be told that I would have to enter a ballot. Well, this was perfect! I could tell all and sundry that I had entered and would be fundraising, and then sorrowfully inform everyone that I hadn’t been selected and I would try again next year – then I got the notification that the buggers had accepted me! I was committed.

In life I always need a strong motivation to spur me into action, for example I will often take a booking for a show that I have not yet written, which forces me to get on and create it before the deadline of walking onto an empty stage and facing an audience of expectant people – the thought of being unprepared for them focusses the mind wonderfully. So it was with my running, I somehow had to get myself to a level to run 13.1 miles.

Regular readers will know that I have been training over the last few weeks, and apart from a few niggling injury worries, I have managed to complete my goal…almost…in that on my last long run I stopped at 13 miles, meaning that when I complete the event itself (0.1 of a mile longer), I am assured of a personal best time.

Why am I nervous? It is not about the running, because I know that I can do that. Of course, on Sunday I might pull a muscle. turn an ankle or feel unwell, but I know that I CAN do it. My nerves are much more to do with never having done an event like this before and not knowing how it all works – what do I do on the day, how will it feel mingling with all of the other competitors? Will it be obvious where to leave my bag, and how will the run feel with crowds lining the route? I am used to running alone and being able to control my pace, so will I be able to restrain myself in a crowd of other runners? How will I feel seeing large signs and banners marking the miles, will seeing a 7- mile board create negative feelings as I realise that I still have 6.1 miles still to go? The answer to all of this is ‘I don’t know’, but in less than a week I will have all of the answers for you.

The event organisers have sent a comprehensive pack with all of the details of the day in it, so some of the logistics are clearer to me now and I have no doubt that the other runners will be helpful and encouraging. I have my number (1391) and have details of an app that tracks my progress, so everyone can follow along. There are also photographers along the route and their pictures will be published in real time – again there is a website that anyone can log onto, to view the images.

It is now down to me. On Sunday. At 9.30 am. There is only one thing left to do: to run.

To donate to my sponsorship Brain Tumour Research fund please visit my JustGiving Page at:

https://www.justgiving.com/fundraising/geralddickens

To track my progress, download the LimeLight Sports Club app on Apple or Android and select Oxford Half Marathon and enter my number (1391)

To view the images, go to Marathon Photos Live: https://marathonphotos.live/

The next time I write will be with the full story of my first running event.

A Week of Fundraising Begins

Tags

A Christmas Carol, Abingdon-on-Thames, Brain Tumour Research, Charles Dickens, Doctor Marigold, Michaelmas Fair, Mr Dickens is Coming!, Oxford Half Marathon, Uriah Heep

As I celebrate my 59th birthday so my week of fundraising began in earnest. Of course, the main event will be on the 16th October with my debut run in the Oxford Half Marathon, and I will return to that story later, but on Friday night I performed in my hometown of Abingdon-on-Thames for the first time in many years.

I had chosen a new venue for me, and that choice had come about through a curious circumstance. My youngest daughter had been invited to the birthday party of one of her classmates at school, and the event was held at the Abingdon Baptist Chapel, where the birthday girl’s parents and grandparents not only attend, but administer too. The chapel is set a little back from the road and is an impressive building, with Palladian columns giving it an Acropolis-esque look. It is one of those buildings that I have driven passed a thousand times and thought how elegant it looks but had never investigated further. On the day of the party, I went to collect our daughter, and on walking through the main door I could see straight away what an impressive hall it was – simple, surprisingly modern and well lit, although the effect was somewhat obscured by a large bouncy castle, complete with an illuminated glitter ball in the centre. I tucked the memory away, ready to be used when next I needed a space to perform in.

The idea to give a benefit performance in aid of Brain Tumour Research came after I had been accepted to run in the half marathon, and I thought it would be a nice opportunity to raise funds by doing what I do, in addition to the terrifying thing that I do NOT do. I approached the Baptist Church and having checked the diary they were able to offer me Friday 7th October, which I grabbed with both hands. There was a slight moment of concern in that the ancient and traditional Abingdon Fair takes place at the start of October and the whole main street is closed for two days and filled with noisy, whirling, garish rides, and stalls selling candyfloss, hot dogs, burgers and other unidentifiable foodstuffs, whilst the Oxfordshire night air is filled with the screams of flirting teenagers. The Baptist Chapel sits on the very road where the fair is held, so not only would my audience be unable to get to it, but the accompanying soundtrack would not have been conducive to Victorian literature. Fortunately, tradition (and law) dictates that the fair be held on the Monday and Tuesday before the 11th October, and it is not built until the Sunday before, so my Friday date was safe. As an aside, the Abingdon Michaelmas Fair dates back to the 14th Century when it was created as a gathering to hire labour in the aftermath of the Black Death.

The next issue was to publicise the show, which was not easy. As I was producing the event, on behalf of Brain Tumour Research, I didn’t have a large budget to play with, indeed I had no budget to play with, so other than printing some leaflets and posters, all I had was good old fashioned leg work, and modern social media.

I had planned to start my publicity assault when I was in America in September, but of course that coincided with the death of the Queen, meaning that not only was I not in a state of mind to shout and scream about my show, but also the country and potential audience would not be responsive anyway.

When the funeral was over and life slowly started to get back to normal, I began distributing leaflets, initially in my own neighbourhood, hoping that curiosity and a sense of neighbourly support would bring in a few sales. After that I picked areas of the town the I felt would house the demographic that usually attend my performances and spent many mornings walking up and down leafy roads, slipping A5 fliers through letterboxes. The art of leafleting is not as easy as once it was in that most houses have highly sprung and insulated letterboxes making it a real struggle to push a flimsy piece of paper through. I had no idea if these operations would bring forth results, I didn’t know if anybody would even read the leaflet but clung to the hope that somewhere in the hundreds of houses was someone who loved either local theatre, Dickens or preferably both. I was startled by barking dogs and avoided the angry glares from people sitting in their front rooms watching me trespass on their properties.

In the town centre many businesses were kind enough to display posters and take leaflets and little by little the word started to spread. I bombarded local Facebook pages with posts about the show, but ticket sales remained frustratingly slow. I emailed large businesses in the town attaching the flier and asked them to circulate the information among staff, and I did the same to all of the local schools.

As the week of the show arrived the sales were still not great, but I could satisfy myself that the show was only part of my greater fundraising efforts, so from that point of view anything that I made would be a success, but I did want the atmosphere in the Church to be good and the evening to be an enjoyable one.

The day of the show arrived, and it was a very odd feeling not to have to pack up the car early and get on the road to some venue far away. The programme for the evening was to be Mr Dickens is Coming! and Doctor Marigold and that combination means quite the car full and, on this occasion, I also had a large box containing various promotional materials from Brain Tumour Research along with two collection buckets.

Naturally as I pulled into the small car park outside the church rain started to fall meaning that I was a bit damp by the time everything was inside!

The space was perfect with a small ‘stage’ at one end, a balcony around the top and a high vaulted wooden ceiling above.

I busied myself setting up the stage for Mr Dickens is Coming, which involves recreating the set that Charles Dickens used for his readings. I erected my red screen (fabric over a simple frame which, although Dickens’ was solid), placing my copy of his red reading desk, complete with the cube for the performer to rest their hand on, a handkerchief, and a small glass carafe, which bears my great great grandfather’s crest, and which is the only item I own that actually belonged to him. Once everything was in place, I started to rehearse a bit of Doctor Marigold and could hear the words echoing back to me, so tried to tone down my volume as much as I could.

There were other preparations too, for I had to make sure that the ticket sales table was in place, complete with a cash float (which I had withdrawn from the bank earlier in the day), and laid out my various items of merchandise, which this year includes the DVD version of ‘A Christmas Carol’, as well as ‘Dickens and Staplehurst’ and a DVD of Doctor Marigold. I also needed to lay another table out with all of the leaflets and publicity for Brain Tumour Research, and in the centre of all of that literature a large yellow bucket in case audience members who had already parted with their hard-earned money to attend the evening should feel disposed to donate further as they left.

When all of the preparations had been completed the audience started to arrive, so I dashed into my dressing room, quickly changed into my costume and then went out to meet and greet and mingle. As this was ‘my’ show I had decided to be present as the audience arrived, rather than theatrically hiding myself away – in this way I became actor, writer, producer, front of house manager and stage manager all in one, which didn’t allow me a lot of time to relax and prepare for the forthcoming performance.

The first arrivals were all from my own neighbourhood, and they gathered in the centre of the hall and chatted busily together, meaning that I could just as well have well given the performance in the middle of our street, and saved everyone the trouble of travelling. but soon others began to appear, and the small hall began to fill. It was by no means a full house, far from it indeed, but my efforts of the past few weeks produced a decent enough audience. Liz was there, with our two girls who have not seen me perform before and who would be staying for the first half, and there was a goodly sprinkling of friends and family, including Liz’s nephew Richard, a son of Sheila in whose memory these events are being held.

At 7.30 I made my way to the stage and began the show. Usually as I wait in the wings I listen as one of the organisers gets onto the stage and explains where the emergency exits are, as well as the toilet facilities, but being my own show, it fell to me to clumsily do that, before launching into the words of Charles Dickens, which begin the performance.

It was a fun half and the old script still got laughs where it always does. I felt slightly awkward writhing and squirming in the rather suggestive manner of Uriah Heep, and wondered what my daughters would make of daddy looking like that (and indeed when I was at home the next day they proudly told me that was their favourite part!), but gave the whole performance as much as I could.

The interval came and I rushed to change into Doctor Marigold’s costume, before returning to the stage to rearrange the furniture (thus adding stagehand to my growing job list!), and when I had completed the task I was able to give the girls a hug and say goodbye to them and Liz, before preparing to transform into Marigold.

The second half went well also, although the slightly boomy acoustics in the hall made some of the very fast paced dialogue difficult to hear, but the response to the ever-changing fortunes of the poor cheapjack was moving and generous as I took the applause at the end. Having taken my bows, I thanked the audience for their generosity once more and reminded them that in just a week’s time I would be running the Oxford Half Marathon for the same cause, thereby shamelessly encouraging them to part with yet more of their cash, and brought the evening to a close.

As the audience left, I stood at the door and thanked them for coming, and signed a few copies of my book, and one of my ‘A Christmas Carol’ DVDs, until the hall was empty with the exception of the staff and volunteers who had helped make the evening a success. As they began to rearrange the seating, I changed and started to pack up my belongings knowing that in the event of leaving something behind (a fairly common occurrence as regular readers will know), I wouldn’t have far to drive to retrieve it. I said my goodbyes and thanks, and set off into the night for my 5-minute drive home, where Liz was waiting for me.

The evening had been a success and added a few hundred pounds to my fundraising kitty. The audience had been incredibly generous and had donated an extra £78 into the Brain Tumor Research bucket. Now the focus will change as I prepare to line up at the start of The Oxford Half Marathon proudly bearing number 1391 and completing a challenge that began on April 16, 2022.

To become part of my fundraising efforts simply follow the link to:

https://www.justgiving.com/fundraising/geralddickens

First to Thirteen

Tags

Abingdon, Brain Tumour Research, Charles Dickens, Doctor Marigold, Mr Dickens is Coming!, Oxford Half Marathon, Oxfordshire

Having returned from America last week, and having solemnly and proudly spending Monday watching the funeral of Queen Elizabeth (wearing a dark suit and black tie in respectful honour of my Monarch), it was time to turn my attentions to the two projects coming up in October.

The first is a performance of Mr Dickens is Coming and Doctor Marigold in my home town of Abingdon, to raise funds for Brain Tumour Research. My fundraising efforts began in April when Liz’s sister Sheila died from the condition and I decided to turn my hand to working on behalf of the charity. The main push to my efforts was entering the Oxford Half Marathon on October 16th, and much of my year has been spent pounding the Oxfordshire roads trying to get myself into shape to complete 13 miles. However I also decided to stage a benefit performance (which will require rather less effort than the Half), and that is due to be performed on 7th October, so my initial work was to put in place publicity for the show. I designed posters and had them printed and started sending press releases out to all and sundry. Ticket sales are looked after by Eventbrite and it was with a smile that the first email confirmations of bookings came into my inbox.

With publicity rolling, I also needed to get back to training. I had run a couple of times in America, but not with any great intensity, so I went out one afternoon to run the 6 mile ring road which surrounds Abingdon. Everything was going well and my breathing was good and the legs felt powerful….until the 3 mile mark when suddenly a searing pain came from my right calf. I immediately stopped (I had promised myself, and Liz, that if anything felt untoward I wouldn’t push on thereby risking further damage), and limped home. What I hoped might be a cramp lingered annoyingly into the evening and through the night, so I feared that I may have suffered my first running injury just as I should be in my final stages of preparations. The next day I called a sports physiotherapist, but he was unavailable, so I just went about my ordinary business without putting too much strain on my leg. The next day it felt better, and I tried a few little runs, just a few hundred yards at a time, and felt no adverse effects, so I was confident that I could get out for a proper training run again.

Today, 23 September, I dropped our children to school and then set off to do two laps of the ring road, which would mean a 12 mile run – the little loop back to home would mean that I would be completing around 13 miles, the very distance that I will need to achieve to complete the event in October. I knew that I had to prove to myself that I could complete 13 miles before arriving in Oxford, and it needed to be done sooner than later, for if I were still pounding out long distances in the week of the event I wouldn’t have any energy for the race itself, so today was the day (leg muscles allowing)

At 8.50 I started to run, and it felt good. I kept a steady pace, not wanting to go off too quickly, and soon was in the centre of the town. I passed the spot where my calf had gone a few days before and still everything was OK. On I ran, past the fire station and later the police station, then turning right opposite McDonalds and climbed gradually towards the point I’d started from.

For much of my training I have been listening to audiobooks to accompany me, but a good friend and keen runner had told me that actually he runs better with nothing playing in his ears, so today I tried this and it seemed to work. My mind, rather than concentrating on the unfolding story, just ambled around. I thought of my forthcoming show, I thought of the performances in the USA, I admired a motorcyclist’s crash helmet livery which was charmingly old fashioned, rather than the multi-coloured ones that are usually so popular. I listened to birds, looked at trees, read the names of haulage companies on the cabs of lorries, and the miles just slipped away under the soles of my feet

I still felt strong, so set off for a second 6 mile lap. I had a choice to make at this point, did I turn round and complete lap two in the reverse direction, which in hindsight would have been the sensible thing to do, or just plough on through familiar scenery? I decided to carry on. Of course it was getting harder, but I was soon in town again (where my 10 year old’s class was gathering to sing Status Quo’s ‘Rockin’ All Over the World’ in the market square for reasons I am not sure of), and on towards McDonalds again, which would be the ten mile mark. At this stage, I admit, I began to find the going tough and I slowed to a walk a few times during those final 3 miles, but I never stopped, I was moving forward the whole time, and when I reached home I checked my Strava app and saw that I had clocked up exactly 13 miles. I had done it! When I had thought about this run I reckoned I could do it in around 2 hours, 10 minutes (I run at an average pace of 9.30 minute miles, but I knew I wouldn’t keep that up over thirteen and had estimated an average of 10 minute miles), and my final time was 2 hours 9 minutes, despite the walking: I was very very proud of that!

So I am in a good place, I know that I can do it, and now can rein back the distances a little to leave me with plenty of energy for the big day – I even have a PB to aim for now, I would like to get to around 2 hours if I could on the day.

So, I think that deserves some more sponsorship donations! Thank you so much to all of those who have already contributed so generously, taking the fund up to nearly £1,000, but we need more! So please do check out the link and come with me on my 13 mile journey.

To donate go to my JustGiving page:

https://www.justgiving.com/fundraising/geralddickens

A Debut for a Waistcoat

Tags

Abel Magwitch, Anthony Gormley, Castleford, Charles Dickens, Fire, Gateshead, Great Expectations, Jury's Inn, Just Giving, Miss Havisham, Mr Dickens is Coming, Newcastle, Oxford Half Marathon, Pip, The Angel of the North, The Word, waistcoats

As summer turns to autumn my thoughts turn to a series of trips to America, but before I fly to Jacksonville on Thursday, I had one performance in Britain. I was returning to The Word, the magnificent National Centre for the Written Word in the north eastern city of South Shields.

In a remarkable attempt at efficiency I had decided to load the car the day before and had even created a spreadsheet with all of the props and costume pieces that I would need listed and a little check box waiting to be ticked next to each. I was due to perform Great Expectations and of all my major shows this one probably has the smallest set, meaning that packing the car is a relatively quick process, albeit one that always leaves me with the feeling that I have forgotten something. But, I had checked all of the boxes on my list, so it was all OK.

South Shields is tucked away in the far North Eastern corner of England, not far from the Scottish border, indeed just over the River Tyne is the town of Wallsend which marks the end (and also, presumably, the beginning) of Hadrian’s Wall. The drive from Oxford is around 4 1/2 hours, and allowing for a couple of stops for lunch and leg stretching I needed to get on the road at about 10.am.

Last time I drove to The Word I suffered a puncture within 20 minutes of starting and had to carry out a tyre change in the darkness and rain, so I was relieved that this year the journey was smooth and adventure-free. I listened to some podcasts and coverage of the morning practice sessions from the latest Grand Prix weekend, and in between took the time to run the lines of Great Ex. which still resolutely refuse to permanently in the way that the words of A Christmas Carol and Mr Dickens is Coming! do.

I stopped for lunch at a motorway service station and as I returned to the car I thought I would just check my costumes, which were hanging over the passenger seat, and to my horror I realised that I had failed to include a fancy waistcoat, despite ticking the relevant box. The costumes of Great Expectations lead from ragged at the opening (representing the convict Abel Magwitch and the Spartan life of the Gargery family in their tiny forge,) to a slightly old fashioned tail coat in which young Pip is sent to meet the intimidating Miss Havisham. At the end of the first act Pip is informed that he is to receive a huge income and be raised a gentleman by the largesse of an unknown benefactor (assumed to be Miss Havisham, of course) and at that point he changes into expensive and extravagant clothing.

As I drove on I debated as to how I could sort this problem out and decided I couldn’t really get away with wearing the very drab and plain waistcoat from the first act, so began looking for a shopping centre along the route where I could maybe find a store where I could purchase a fancy waistcoat – a wedding supplier would be perfect. In the end I found an outlet village in the Yorkshire town of Castleford and made my way in.

There used to be a television in the early 90’s programme called ‘Challenge Anneka’ in which the host, Anneka Rice, would leap out of a helicopter and try to find some equipment or products to complete the week’s challenge (usually refurbishing a community centre or school). She would run around shouting to anyone who happened to be present, ‘where can I find a timber merchant? Hello! can you help, I need a supply of timber, can you tell me where I need to go?’ and off she would run with camera crew in tow. Well, I felt a little in the same boat as I arrived at the crowded mall and I wanted to grab passers by and shout ‘Waistcoats, I need colourful waistcoats, help me, where is a waistcoat shop, can anyone help?’ Fortunately for the residents of Castleford the very first shop I saw was a men’s outfitters called Eden, and I thought I’d make a start there. At the very back of the shop I found a very smart double breasted waistcoat in a midnight blue with a pale check across it. Although not garish and bright, it exuded a sense of style and actually reminded me of one of the waistcoats that Dickens himself wore, and which was highlighted in the recent exhibition at The Charles Dickens Museum ‘Technicolour Dickens’.

Fortunately they had my size and, being an outlet centre, the price was very reasonable, so I bought it on the spot and resumed my journey north with a sense of relief.

I was due to stay in a hotel at Gateshead, on the banks of the Tyne, and just had time to check in , before continuing my journey along the river to arrive at the magnificent cylindrical building that houses The Word. I have performed at The Word on three previous occasions, so I know the form, which is to ignore all accepted traffic laws and drive up onto the pavement and park outside an anonymous looking door, through which my props can be easily carried to a lift. I was greeted by Pauline Martin and together we emptied the car before I could go and park a short distance away.

When I returned, Pauline had kindly loaded the lift and got everything to the top floor and all I had to do was to set the set, which involves draping and dressing a white hat stand to represent the figure of Miss Havisham and placing a few bits of furniture, as well as carefully leaving some items of costume on stage that are required during the first act (including my new waistcoat which was due to make its debut without rehearsal…).

It was an early start, 6.pm, and at 5.30 Pauline asked if she could let the public in and I retired to my little backstage store room to change and prepare for the show. From what I could hear there was a goodly-sized audience gathering and I was keen to begin. The problem with the room at The Word is that it is not a particularly theatrical space, especially as regards to lighting. Pauline had told me that when the building was built they had been promised spot lights, but that they have never materialised, meaning that the choice is strip lighting on, meaning my face is illuminated but so is the rest of the room, or strip lighting off, meaning that my face and figure is in shadow. We went for lights on.

At 6 o’clock I hid myself behind the stage and waited for the voiceover taken from the opening passages of the book to finish and then bounded onto the stage in the guise of Abel Magwitch: ‘Hold your noise, or I’ll slit your throat!’

Great Expectations takes quite a bit of concentration from the audience, and I am always a little concerned that it may not work, but the crowd in The Word followed every scene intently, meaning that I could tell the story without further worry. As I came towards the end of the first act I arrived at the moment when Pip has to change into his new smart London clothes, and so I picked up the new waistcoat. There was one problem in that whilst the fabric of the garment itself is suitably traditional, the lining is VERY garish and modern. This wouldn’t normally be a issue, but as I had to actually put the thing on, I couldn’t help the audience getting a glimpse of modernity. Maybe in the future I will get somebody to make a plain lining, but for now it did a good job and I was proud of its debut.

The end of the act arrived and the applause was long, loud and greatly appreciated. During the interval I changed properly (the ‘posh’ clothes are simply put on over the rough costume in the final scene of the act) and then snuck back to the stage as surreptitiously as I could, to remove a few props and discarded pieces of costume, before waiting for Pauline to give me the nod that Act 2 could begin.

The second half was as successful as the first and when I left the stage as Pip holding hands with Estella (my ending is based on Dickens’s second version, rather than on his terribly downbeat first attempt), the applause was once again very generous in both volume and longevity, and Great Expectations had hit the mark.

I took my bows and then changed and started to pack up my props and costumes. By the time I re-emerged onto the stage most of the audience had departed, but a few folk were still in the room and came up to chat, congratulate and pose for selfies before they headed down in the lift.

Various staff members at The Word helped me to get all of my stuff downstairs while I fetched the car and drove it up onto the pavement once more. I said my goodbyes (hopefully I will be back next year, possibly in March to celebrate World Book Day), and drove back to Jury’s Hotel in Gateshead.

The great thing about starting a show at 6pm was that the hotel restaurant was still serving food when I returned, and I was able to sit in the bar and have a piece of chicken roasted with lemon and thyme and wind down slowly.

I didn’t sleep terribly well through the night: fitful describes it, but towards morning I was beginning to doze off when suddenly the fire alarm went off screeching loudly in my room and flashing a red light, meaning I had to vacate the room, follow the green emergency exit signs and make my way down to the street with all of the other guests, where we waited for about half an hour as two fire engines arrived and investigated.

Fortunately there was no inferno, or even a smoulder, and we were allowed back to our rooms to catch a few more winks until the breakfast service began.

I treated myself to a ‘full English’ (ignoring mushrooms and black pudding) from the buffet and sat at a window seat looking over the Tyne towards the city of Newcastle on the opposite bank.

My fast suitably broken I packed up my bags and began the drive home, making sure I drove past Anthony Gormley’s amazing Angel of the North sculpture that towers over the A1 road. It is always a lovely experience to be in the North East and I shall be back in Newcastle in November to perform A Christmas Carol at The Literary and Philosophical Society.

And now thoughts turn to two important projects, the first being my trip to America during which I will mainly be performing the double bill of The Signalman and Doctor Marigold at a variety of venues. At my very last stop, however, I am due to perform A Child’s Journey With Dickens, and was able to ask the venue if I may share the stage with actor Jennifer Emerson. Jennifer and I gave a Zoom performance of the piece last year, during which she took the role of Kate Douglas Wiggin whilst I played Dickens, so I was especially keen to reprise our performance whilst actually being in the same room, city, state, country and continent!

The other event which is looming ever larger is the Oxford Half Marathon which is to be run on 16 October. I have been in training for a few months now, and need to make sure that my efforts don’t flag, even though I am travelling and performing. When our daughters go back to school next week I shall make sure I get a few runs in, and hopefully a few in America too, even if that means availing myself of treadmills in various hotel gyms.

You will remember that I am running the race to raise much needed funds for Brain Tumour Research, and as an extra event I have scheduled a performance of Mr Dickens is Coming on 7 October in my home town of Abingdon with all profits going to my JustGiving page.

Please do support me in my efforts, you can donate to the fund by following the link at the end of this post. I am so grateful to all of those who have donated already and am keen to raise as much as I can for a cause that has had such a big impact on the life of Liz and me this year.

I shall let you know how the training is going in another post soon.

https://www.justgiving.com/fundraising/geralddickens

Running Halfway to October

Tags

Brain Tumour Research, Charles Dickens, Cider With Rosie, Just Giving, Oxford Half Marathon, The River Thames, Three Men in a Boat

Now that my intense period of touring is at an end I can get back to my running, and resume training for The Oxford Half Marathon in October.

To remind you of the story so far, on April 16th this year my sister in law Sheila died after suffering from the effects of a brain tumour for 18 months. During her illness her husband, Martin, had undertaken a charity bike ride to raise funds and awareness for The Brain Tumour Research charity, and I thought that I would like to make some kind of effort to do the same to help continuing research into this most awful scourge that continues to indiscriminately rip so many families apart.

During the various periods of lockdown I had taken up running in a very minor way, originally setting myself the modest target of being able to run 5km. Of course I started looking to purchase various pieces of equipment: shoes, shorts, shirts, a thing to hold my phone so that I could track my progress, and that meant that those little creatures deep inside the internet began to send me links to all sorts of running-associated sites, one of which asked me to run 50 miles in January to raise money for a local cancer charity. The challenge was exhilarating and I actually began to enjoy the whole process of pushing myself a little harder, a little further. I found that actually I could run 3 miles all at once, without stopping, and then 5, 8 and even 10

Having run 50 miles in 2 successive Januarys I wanted to look for another challenge, and those little internet mites went to work once more and slipped into my inbox details of a ballot to enter the 2022 Oxford Half Marathon. Well, a half marathon is of course for real runners and there was no way that I would be selected, but I filled out the form anyway and submitted it (thereby guaranteeing the short term careers of the Google Gremlins for a few more months to come). It was with a sense of shock, and some alarm, that a couple of months ago I received a notification to tell me that my entry had been accepted and that I would be expected on the start line surrounded by the dreaming spires, a week after my 59th birthday. It was at this stage that I contacted Brain Tumour Research and offered to use the opportunity to raise finds for them. Not only did they accept my offer with open arms, but they even sent me a branded running vest to train and race in.

I launched a fundraising campaign and, even though I hadn’t achieved anything yet, a most generous group of people donated straight away, giving me the responsibility to see this project through to the end.

So, back to training it was. I had rather let my running lapse over the previous weeks, and I miserably discovered that I was right back at a stage when I couldn’t manage 4 miles without stopping to recover along the way, which was annoying. Occasionally I did a 5 mile run, but it certainly didn’t feel easy, for the muscle/mass coefficient was literally heavily weighted towards the latter. My progress wasn’t helped by the many shows I have had, for I didn’t like to run on the morning of a performance, preserving my energy for the evening’s events, and I was never in a condition to run on the morning after a show, so the regularity of training runs was disrupted and there I stayed, mired at the 5 mile mark.

At the end of June, however, things began to calm down professionally and I was able to get out onto the Oxfordshire roads more often, and during the week commencing 27 June I found myself able to complete three runs of over 7 miles each, which was an important number, for it is over half the eventual race distance. The following week I was able to hit 9 miles, and things seemed to be going well.

From a pace point of view I was a little disappointed, as I was continually coming in at an average of 10 minute miles, whereas a year or so ago I was getting down to 9.5, but I am sure that will come and actually it is of no importance at all – whatever pace I run at in October I will achieve my PB in a Half Marathon!

I have various routes for my training runs, one of which takes me out of Abingdon to the village of Culham, where I then run on the River Thames tow-path back into town. At this time of year the river is alive with swans, gulls, moorhens, ducks and other wildfowl, whilst boats make their way through the various locks and downstream towards London, or upstream to the source. The sound of the narrow boats, especially, is wonderful, a very slow throb throb throb, as they cleave the water at 4 mph. Typically the skipper at the stern will offer a cheery wave and we will exchange a mutually inaudible morning greeting.

Another route takes me into farmland on the other side of town and on that run I cross fields of growing wheat, which is ripening now and the smell is so fresh and healthy that it seems to put an extra spring into my steps.

If you would like to encourage me and follow my training then why not add me on the Strava app and send me a few motivational messages to see me over that 13 mile target?

For company I like to listen to audio books that reflect my surroundings and mood: last year I worked my way through all of the James Herriot stories, whilst during this recent training I have listened to Three Men in a Boat and currently am relishing the beautiful Cotswold accent of Laurie Lee in his own recording of Cider With Rosie. I studied the book at school, and now I see why, for the imagery throughout is stunning. I particularly loved Lee’s childhood memory of fresh spring water being drawn from a pipe in the garden, he said it ‘was like liquid sky’ I smiled as I ran when I heard that.

I am not a fan of music when running, as it seems to dictate a rhythm or pace which I may or may not want to achieve on any given morning, I much prefer the spoken word.

Besides challenging myself, the real reason for all of this is to raise money, and over the next few weeks I will be bombarding you with requests for support, so maybe its best to get it done now, so that you can forget all about it! I have set a target of £3,000, but of course I would like to raise more – double it, treble it, I, or Brain Tumour Research, wont mind. As an extra fundraising event I am also going to stage a show in Abingdon during the week before the race, and all profits from the ticket sales will go into the pot, so if you are local then watch this space for further announcements soon.

I am posting this blog on 16th July which marks the exact halfway mark between Sheila’s death on 16th April and the race itself which takes place on the 16th October.

What’s that? How can you donate? Ah, a very good question. Follow the link to my Just Giving Page and all will become clear!

https://www.justgiving.com/fundraising/geralddickens

Thank you for your support and encouragement, but most of all thank you for helping us to raise funds which will assist the furtherance of such desperately needed research in the years ahead.

https://www.braintumourresearch.org/

Hot!

Tags

Charles Dickens, Dickens and Staplehurst. A Biogrpahy of a Rail Crash, Doctor Marigold, Melton Mowbray Pork Pies, Melton Vineyard, The Hope Centre, The Signalman

My busy early summer continued last Friday with a trip to the home of the traditional British pork pie – Melton Mowbray. An online recipe for this delicious pastry product states that you should set the oven at 180 degrees Celsius before beginning the preparation, and it seemed as if someone had set the weather gauge to the same temperature last week. It was the hottest day of the year in Britain and as a race we don’t do very well in the heat (or in snow, or fog, or ice, or wind; although we are quite good at rain), and a typical conversation of the day would have run: ‘Oh, my, it’s too hot, isn’t it?’, ‘Yes, it is. Unbearable. But we shouldn’t grumble.’ ‘No! of course not, but a little cooler would be nice.’ ‘I hear there is a storm due this evening, that will break it!’ The same exchange would have taken place up and down the country.

I was due to perform my double bill featuring The Signalman and Doctor Marigold and the set for that programme only just fits into the back of my car and then only if I get everything in the correct order and alignment. By the time everything was in and the boot lid shut successfully without the glass shattering into a million pieces (which actually happened to me many years ago), I was a dripping sodden mess. I had a shower to freshen myself up again and after having a hearty lunch I set off towards Leicestershire, with the various items of the set rattling in the back.

I had booked a hotel in the town and when I checked in I found that the sun had been beating on the front of the hotel (where my room was situated) all afternoon and the atmosphere was oppressive. Fortunately there was a huge fan in the room which, as well as giving the feeling that I was in a Caribbean villa, also stirred the air a little and created a comforting breeze as I relaxed.

I was due at the venue at 4.pm, so didn’t have long at the hotel, and at 3.45 I returned to my car to make the very short drive across town to The Hope Centre, the base of Melton Vineyard Christian Church. Although the Church’s services are not actually held at the Centre, it is open throughout the week as a drop-in centre and a foodbank, serving the entire community; the sad fact being that it’s services are being called upon more and more frequently as the country’s economy continues to suffer.

I have performed at The Hope Centre before and my contact there is Gillian Ennis. Those readers with a keen eye and good memory may recognise the surname, for her brother Ben Ennis is responsible for staging my shows at the Guildhall in Leicester. I arrived a little after 4.15, having become considerably tangled up in the Melton one-way traffic system, but I had plenty of time in hand and a parking place had been left for me close to the back door, into which I could unload my two sets of furniture. My performance space was on the second floor of the building but I was assisted in the process of heaving everything into place both by Neal, who runs the centre, and a small lift which has been installed into the old building. It is a quirky lift in that it has no walls and ceiling, just a floor, which means if you happen to be leaning against the side as it begins its journey you discover that you are sort of pulled down because you are actually leaning against the lift shaft. Similarly as you approach the top of the building you can see the roof getting ever closer and there is a feeling for a moment that the lift wont stop and that the end is nigh…..such dramatic imaginations, as if from a big-budget disaster movie, seem curiously out of place in a building filled with such compassion and love.

In the room on the top floor Neal began to erect a stage and when all was fixed in position I placed the furniture for The Signalman. Being on the very top floor the room was, of course, very hot (one complete wall being large windows through which the sun had shone all afternoon), and although there were two air conditioning units rattling away, they were fighting a losing battle.

When the set was in place, a call came up from one of the rooms below that supper was ready: Gill had very kindly prepared a fish pie with peas, followed by a choice of rhubarb crumble with cream or a fruit salad. What a treat! As we dined Neal decided to open an emergency exit to allow some air in, knowing that the action would set off an alarm, so he disappeared to override the security system, before returning to resume his meal. After a few minutes he had a phone call from the security company just checking that everything was OK at The Hope Centre, and he was able to reassure them that yes, it was.

When dinner was finished I returned to the room upstairs and began to rehearse Doctor Marigold, as I hadn’t performed it for a few weeks (Back in Bury St Edmunds) and so many other scripts had come and gone since that I wanted to be sure that everything was in place. Having satisfied myself that Marigold was ok, I moved onto The Signalman, although I was less worried about that having performed it regularly over the last couple of weeks.

As the time for the show came ever closer I withdrew into Neal’s office which was repurposed as my dressing room for the evening, and drank lots of water, before getting into costume. I could hear the audience gather and they sounded to be a lively, enthusiastic bunch. At 7.30 Neal welcomed all present and introduced me. I took to the stage and began by talking about Staplehurst (taking care to mention my book, which would be on sale at the end of the evening), and then began with The Signalman. In no time the sweat was dripping down my face so much that my eyes began to sting. The audience were also using anything that came to hand to fan themselves. The sensible ones, who knew the room, has sat in the very back row, directly under the two air con units.

As the suspense of the story built the atmosphere was a little hindered by the distant sounding of an alarm siren, and I noticed that each time Neal left the room to see what was happening. He told me afterwards that apparently there was another group using a space in the building and they had tried to open an emergency door, as Neal had done earlier. Of course the alarm went off, but when it was re-set they fastened the door on its safety chain meaning it kept pulling closed, then blowing open again, setting the alarm off each time! It didn’t really effect the show too much and the first half ended with lovely applause and I returned to my dressing room, where I stood in front of a large fan with a towel draped over my head until I had sufficiently cooled down to change into Doctor Marigold’s costume ready for the second half.

I needed to change the set around, so whilst the audience were chatting and enjoying their interval drinks I bumbled around the stage removing the signal box set and replacing it with the wooden steps, which represent Marigold’s cart, the plain wooden crate with a rolled up blanket inside, a little rustic wooden stool, and a few other pieces of set dressing. Although I didn’t actually say anything or interact, in my mind I was Marigold arriving at a new pitch, setting up his cart ready to sell to the gathering crowd.

I returned to the dressing room, drank more water and waited for Neal to give me the go ahead for part 2

Marigold, once more, charmed the audience and the applause at the end was long and heartfelt. A few days later Neal emailed me to say that one gentleman in the audience had ‘come to support the event and that it wasn’t really his ‘thing’, but he’d been absolutely held throughout and now he won’t miss any future events.’ which is a lovely compliment to both the performance but more especially to the wonderful creation of my great great grandfather.

When the show was over I chatted to audience members as they left, as well as signing copies of my book, until the only people left were the volunteers and staff from Melton Vineyard. I changed and then began the process of loading up the lift for multiple journeys to the car park, where I tried to remember the order in which I had stacked all of my props that morning. When everything was in, I said my goodbyes and drove back to my hotel.

The room was cooler now and the large fan still whirred as another day of performing drew to a close.

A Christmas Carol at The Old Vic

Tags

A Christmas Carol, Charles Dickens, Ebenezer Scrooge, FareShare Charity, London, Stephen Mangan, The Old Vic Theatre, The Royal Academy of Music

Call it a busman’s holiday, but when Liz asked me last year if I would like to go to theatre to see a production of A Christmas Carol as one of my Christmas presents, I leaped at the chance. I never tire of the story and any opportunity to see someone else’s vision of it is a privilege, and is also useful for the ongoing development of my own show as I always notices different ways of presenting a scene, or even just an alternative method of delivering a line.

The production that Liz had chosen was at The Old Vic Theatre which is situated near to the Waterloo railway station just south of the River Thames. The Old Vic is not in the heart of the West End theatre district, but has a reputation for imaginative and innovative programming. I remember being taken to the venue on a school trip to see the British actor Timothy West play Shylock in a production of The Merchant of Venice, which we were studying, and realising that seeing a play in its natural setting rather than grinding through it in an academic environment can teach a student so much.

Saturday January 8 was our performance day, and having dropped the girls off at a friend’s house, we drove to London in thick fog and heavy rain, it was a foul day to be travelling and a slightly tight timescale meant that we couldn’t dawdle. Our matinee was due to commence at 1pm, but we had to present ourselves at the theatre between 12 and 12.30 – in these days of Covid restrictions the management were trying to get blocks of audience seated at different times, to avoid everyone rolling up together at 12.45.

The traffic was heavy and fast moving, although the visibility was low, and the opportunities for catastrophe was high. Inevitably we were soon rolling to a standstill behind a long queue of stationary traffic, and away in the distance the thick cloud was pierced by flashing blue and red lights as a police car blocked the road, presumably to allow for an accident to be cleared. We sat and sat and sat, and the idea of making our time slot became more and more unlikely. Eventually the flashing lights were extinguished and we drove on once more.

We made good time for the rest of the journey and we wound around Buckingham Palace before crossing the river Thames and finding our parking space close to the the theatre (in the absence of any parking garages in the vicinity we had found a parking space available for rent on someone’s driveway and booked a four hour slot).

The rain was still falling as we walked to the theatre and joined the long line waiting to be admitted. In an attempt to expedite the process, one of the front of house staff made her way along the line scanning tickets, so that by the time we got to the door we could walk straight in….or so we thought.

The producers of the show had sent a detailed email the day before entitled ‘Everything You Need to Know About Your Visit’, and we had followed the instructions to the letter, however one may have supposed that in an email with such a title, they might have mentioned the need to take a Lateral Flow Test for Covid on the day of the show, rather than putting that instruction in a second email with the title ‘We Are Looking Forward to Your Visit’, which sat, unread, alongside many other similarly titled emails most of which were purely of a promotional nature.

So, when a second box office member walked the line asking to check on everyone’s LFT status Liz and I exchanged a look of horror, for we had no idea! The young man was sympathetic, but unmovable, there would be no entry to the theatre without proof of a negative test in the past few hours. However, he did offer to call his manager who may be able to explain. So we were asked to leave the queue and stand aside until the aforesaid manager appeared. He was equally sympathetic and equally intransigent until he produced a pair of test kits, as if they were Class A drugs, and secretively handed them over to us, suggesting that we find somewhere nearby to carry out a test (‘don’t do it in front of the others, ok?)

We looked helplessly around us, until I noticed a tiny little tent in the square outside the main theatre entrance, which bore the legend: ‘NHS Mobile Testing Centre’ well, that seemed as good a place as any other, so we poked our heads in and asked if we could do our LFTs in the dry, ‘We don’t do Lateral Flow, only PCRs’ we were told, so we had to explain that we had the kits, we didn’t need to be given any, but just required a dry space and as they had no one in their tent at the present, could we huddle under the dripping canvas? They agreed, and we both undertook the least clinical and probably least hygienic tests imaginable. As we waited for the tell-tale line to appear, some more people arrived from the theatre queue, making the same request, but they were turned away. We were lucky.

Fortunately both tests were negative and soon we were back in line and were finally admitted to the theatre with 8 minutes to spare, rather than the 30 that we should have had. Liz had booked amazing tickets in the stalls and we were nestled close to the action, as a temporary circular stage had been built in the centre of the auditorium, meaning that the whole show was performed in the round, with extra seating having been installed on the traditional stage looking out through the proscenium arch and into the auditorium. As the audience gathered, so the cast (with the exception of Mr Scrooge) mingled on the stage, greeting us all with smiles and waves – they were all dressed in long black coats and top hats, but were in no way ‘in character’, they were simply welcoming us to their club, encouraging us to join them. Earlier on in the process they had been handing out mince pies and satsuma oranges, but at that time we had been taking our secret Covid tests, so missed out on the tasty treats. Bah, Humbug!

In the text of A Christmas Carol, Charles Dickens goes out of his way to make the reader feel as if they have company throughout the story, for example when Scrooge first encounters the Ghost of Christmas Past Dickens says: ‘The curtains of his bed were drawn aside; and Scrooge, starting up into a half-recumbent attitude, found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow’. There is the storyteller, close at hand, looking after us.

As an audience we weren’t allowed to feel that the cast were one group and the audience another, in fact we were encouraged to believe that we were ‘really were fellow-passengers to the grave, and not another race of creatures bound on other journeys.’ and that would be a central theme to the entire performance.

At the centre of the stage a trio of musicians played country folk tunes on a fiddle, an accordion and a whistle, and then suddenly, imperceptibly, the story began, the music became louder, the audience began to clap in time and the cast began to sing, just like that: no announcement, no lowering of house lights, but we were off an running. During the first musical number the entire cast provided accompaniment on hand bells, which sounded sublime.

I wont give a detailed review of the show, for there are many available online, but I want to share our feelings of the adaptation and the performance: it was beautiful, it was intensely moving and it was very very clever. The set and staging was very simple, with little more than four doorframes (one at each compass-point of the stage) which rose up when Scrooge was in the reality of his office or home, but which tilted backwards and laid flat, recessed in the stage, when he was on his supernatural journeys.

Much of the narrative and dialogue was lifted directly from the original, but the writer Jack Thorne had not shrunk away from including his own changes and way of telling the story (for example the three spirits in no way resemble those written by Dickens, but were extremely effective nonetheless). Some scenes were moved around within the plot but settled into their new homes with ease, and the whole journey of Ebenezer was utterly believable and so moving. Much of Scrooge’s torment was shown to arise from his childhood fear of debt, and in these scenes there was a sense of Dickens’ own personality (when Charles was only 12 years old his father had been imprisoned for debt leaving a scar on the great man’s personality that would never heal).

There was a lovely moment when the young Scrooge was seen chatting to his little sister, Fan. Ebenezer had just been released from the lonely torment of his school but was now faced with the anger and abuse of their debt-ridden father. As Fan skipped onto the stage she held a violin in her hand and happily told her brother that she had been told she had talent and if she practiced hard she would become even better. In Dickens’ own childhood he had been sent to work in the squalor of a shoe blacking factory, whilst his little sister was sent to The Royal Academy of Music, where she had won a scholarship. The young Dickens never begrudged her successes and loved her dearly: her name was Fanny, or Fan.

And what of Mr Scrooge himself? The role was played by the very popular actor Stephen Mangan who in recent years has enjoyed a stellar career as a television ‘personality’. Apart from his roles in both comedy and drama series he has also found a niche as a presenter, winning prime-time audiences over with his flashing smile and easy wit. When such personalities are cast in a leading theatrical role it is often to satiate the marketing department, and the performance is little more than an extension of their television persona, but Mangan is so much better than that. We were fortunate to have seen him in a previous theatrical role, and had been super impressed by his performance as Sidney Stratton in ‘The Man in the White Suit’, but his performance as Ebenezer Scrooge moved the bar up many levels. He played Scrooge as an angry man, tormented by his background and his fears. I have said before that I do not like versions of A Christmas Carol in which Scrooge is angry throughout and refuses to listen to the ghosts, and to some extent Mangan’s performance took this route, but you could tell that beneath the apparent rage the new Scrooge (or, more to the point, the old Scrooge) was struggling to burst forth. And when it DID burst forth, OH! What JOY! The tears of sheer elation poured down our cheeks and I am sure many others too. Suddenly the entire audience became part of the celebrations. The young boy who is sent to fetch the turkey from the poulterer’s shop became three young boys selected from the audience being sent to the bakers, from where hey nervously and proudly carried the largest, wobbliest, fruit jelly you have ever seen onto the stage and received a rousing round of applause and a cheer (we were all cheering and applauding everything by this time!) We all joined Fred’s party and took the feast to the Cratchit’s house where old Ebenezer and Tiny Tim connected in the most moving way imaginable. And it snowed! Throughout the auditorium it snowed on us all.

Among this finale of celebration there were moving scenes too, as Scrooge tried to make his peace with those he had wronged, and the meeting of him with Belle at her house door was a particularly effective moment. There was also a reminder from the three spirits that this was not a magical overnight conversion, but one that had to be continually worked at.

As the show ended, Liz and I were on our feet clapping and cheering loudly, and the entire cast looked deeply moved by the reception. Their emotions would have been heightened by the fact that this was the final day of their run and they now had only one more opportunity to present A Christmas Carol. Being a Ghost Story of Christmas

OK, I promised not to review it. Too late!

The performance, the experience, stayed with us during the walk back to the car, throughout the journey home and on into the evening. We both felt moved, uplifted and improved by being part of it and it will stay with us for a long time to come

It was a spectacular afternoon of live theatre and I thank the entire ensemble and production team for bringing it to us.

At the end of the show Mr Mangan made a short speech pointing out that Dickens was writing about the huge poverty gap in the 1840s and the sad fact is that the problem still exists, we were encouraged to donate to the FareShare charity, who raise money and campaign to bring food poverty and food waste to an end. It is a superb and appropriate cause and if you are able to support it then please visit the website and give what you can.

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For Dawn

Tags

A Christmas Carol, A Christmas Carol film, Build the Kingdom at Kids Castle, Byers'Choice, Charles Dickens, Dawn Byers, Dickens and Staplehurst. A Biogrpahy of a Rail Crash, Ebenezer Scrooge, Mr Fezziwig, Vaillancourt Folk Art

On Small Business Saturday (the day set aside to promote independent retailers after the huge corporate splurges of Black Friday and ahead of the online bean feast of Cyber Monday), I would be travelling to my old friends at Vaillancourt Folk Art, the true embodiment of a successful small business, to perform for the first time on the second leg of my tour. There can be few more welcoming venues in the USA, not only thanks to the very genuine friendship of Gary, Judi and Luke, but also thanks to the venue which is decorated in wonderful style. Old Ebenezer Scrooge’s gravestone is there, as is a replica of Charles Dickens’ reading desk, whilst a huge larger-than-life cut out of Mr and Mrs Fezziwig dancing hangs in the old warehouse where my dressing room is situated. The Vaillancourts ‘make Christmas’ and to be surrounded by so many seasonal icons means that one can hardly fail to put one’s best foot forward and do the best job possible.

The day didn’t get off to a promising start when I woke at around 1.45 am, but I dozed on and off for the next few hours before waking properly at around 5. I stayed in my room until around 7.30 at which point I went to have some breakfast in a deserted restaurant. It was a quiet morning, as I didn’t have to be in the small community of Sutton until 12. I spent the time catching up with some emails and admin for future venues on the trip (sending sound effects and stage plans etc), and generally lounging around in my room, even occasionally catching up on a few more winks here and there.

As the morning moved on, I made sure that I had everything that I would need for two shows, and at around 11.15 I loaded up my Rogue and set off through the streets of Worcester for the twenty-minute drive. The drizzle and snow of the evening before had cleared and it was a beautifully crisp bright winter’s day. If I had thought about it earlier, I would have stopped off for a brief walk in the spectacularly named Purgatory Chasm, which would have helped to blow the jet lag cobwebs away and energise me a little, but as it was, I had to speed by.

Vaillancourt Folk art is housed in an old warehouse building and features a large store selling the exquisitely produced hand painted Santa ornaments which Judi designs based on antique German chocolate moulds. To the right as you enter are the benches where artists carefully create the figures and beyond that a ramp which leads to the Blaxton Theater where I perform.

It was to the latter space that I made my way so that I could offload my costumes and bags and there I found Luke making preparations for the afternoon’s events. Luke is Gary and Judi’s son who over the last few years has become ever more involved in the company and is now starting to take over the tiller from his parents and to steer his own course.

As with all venues the Vaillancourts had to find a way of reducing audience numbers, to allow for a degree of social distancing, while still making the event profitable, and the solution that they came up with was to remover three rows of theatre seating and replacing it with a series of VIP tables each seating 2 people, which could be sold for a premium rate.

Luke has a background of hospitality and recently has been becoming more and more involved in the selling of fine wines, even commissioning a Vaillancourt wine, so the move towards a cabaret style event was a natural progression.

Luke and I chatted and I arranged the set as I wanted it, draping the red cloth over the chair and setting Bob Cratchit’s stool in the correct place, then I took my costumes into my dressing room at the back of the building.

We had plenty of time before the first show which was to be at 2pm, and having hung my costumes up I returned to the theatre where Luke introduced me to Curtis who was to be looking after all of the sound requirements for the two days. He produced a head mic which I always dread for they never stay hooked over my ears, but we did a good sound check and he roamed throughout the room to check the quality throughout. We then spent a little time discussing the various sound cues before we all went our separate ways to prepare.

In order to maximise the wine and glühwein sales Gary had asked for the two act version of my show this year, so I spent a while going over the extra lines in my dressing room. It was not, as I would point out later during the Q&A session, a question of remembering the lines per se, but remembering to actually say them: the one act version of the script is so grooved that it is easy just to skip over the spot where the extra passages should be.

Soon I could hear the audience gathering, so I started to get into costume and waited for the off. I paced around the warehouse unto Gary called to me ‘5 minutes!’ I stood at the door while he introduced me and then I made my slow way through the audience to the strains of The Trans-Siberian Orchestra. The afternoon audience were very obviously made up of hardened fans who were out to enjoy themselves, for they were coming in with lines a few seconds before I said them, as if two years had been too long to wait and they wanted to get to their favourite passages as soon as possible! When I performed Mr Fezziwig’s dance I even got a round of applause for my efforts.

I arrived at the interval and left the stage to applause, and spent the next 20 minutes pacing constantly to keep my energy levels up. As I walked to and fro, I noticed a huge crate in which my sound equipment had been transported in – ok not quite backstage at Live Aid, but it did look very impressive.

After twenty minutes Gary came to say that we were ready to get going again. The second act was dramatic and intense and went very well leading to a whooping standing ovation at the end.

As at all venues this year I was not doing a signing session, but instead took questions from the audience: one was an interesting variation of a common query – ‘which movie version would be Charles Dickens’ favourite?’ He probably wouldnt have liked the change to the ending of the Alastair Simm one, so the popular vote was out, maybe George C Scott, possibly, or even one of the animated versions (he would have been astounded by the modern technology which would be magic to him – a huge advance over the magic lantern shows which he enjoyed.)

Gary nicely asked me about my researching of The Staplehurst book which enabled me to promote it: He had ordered thirty copies for my performances and all had already sold, so he was busily taking orders for new stock.

After a few more questions Gary wrapped proceedings up and the audience made their way home while I changed back into my regular clothes. A between-show supper had been laid on and I joined Gary, Judi, Luke and other staff members to eat sandwiches, soup and salad, followed by the most delicious apple pie. The banter between the workforce was great and showed what a close-knit team the Vaillancourts have put together.

There was plenty of time before the next show so I excused myself and returned to my little dressing room where I curled up on a sofa and fell asleep. When I woke I looked at my phone, 5.45, plenty of time to get ready and dressed for the 7pm start (I usually get into costume with thirty minutes to go). Just as I was getting up and stretching Judi appeared asking me to sign an ornament for an audience member, goodness they arrive early here…and then Gary called, ‘5 minutes Mr Dickens!’

Somewhere our communication had broken down and the show was actually due to begin at 6! Any thought of leisurely building up towards the show was gone and I got into costume as quickly as I could, as Gary stood on the stage regaling the audience with whatever he could think of to say, until he saw me appear in the doorway (about 15 minutes after the scheduled show time), at which point, he said to the crowd, ‘So how do we welcome Mr Dickens to the stage?’ and everyone joined in, ‘Herrrrrrrresssss Gerrrallllddddd’

This performance was not destined to be one of my easiest! As I started to walk through the audience, I discovered that there was no route to the stage (the folk sitting at tables understandably having pushed their chairs back to watch the currently non-existent show), I took one turn and then another but still no path opened up to me and I had to rely on the generosity of those at the front to shuffle out of my way, which wasn’t very Scrooge like.

Unsurprisingly and completely understandably the audience were a little ‘terse’ with me, during the opening salvos without the joyous atmosphere of the earlier show, but I didn’t panic or try too hard, I just kept on doing what I knew works, and slowly everything settled down (although I didn’t get a round of applause for my dancing skills this time!) By the time that I left the stage for the interval there was plenty of applause and the damage was repaired. But I was SO annoyed with myself.

The second act went very smoothly and the audience had relaxed appreciatively (thanks in part to a second round of glühwein) and I once again took a standing ovation which had perhaps seemed unlikely 90 minutes previously…..

Once again, we opened the floor to questions and once again Gary gave me the opportunity to plug the book, telling the tale of how I nearly drowned (ok, maybe a slight exaggeration, but it makes for a good story) when I visited the site of the crash.

It was soon time to finish and Gary called an end to proceedings and I took the final applause and left the stage, still mentally kicking myself for my earlier mistake.

When the audience had left, I returned to The Beechwood Hotel where Gary, Judi and Luke joined me. Although I have another day with the Vaillancourts, this was sort of a goodbye to Gary and Judi as they are due to fly off to Germany to tour the Christmas markets with a group. Unfortunately for them Covid is starting to rear its head in mainland Europe again, and a large percentage of their tour group has cancelled, but they have a commitment and are flying on Sunday. We toasted our friendsip and the success of the day, and then I went to my room and they returned home to pack.

Dawn Hagan Byers

Dawn Byers

When I came off stage at the end of the evening show any petty thoughts about my day’s performances became meaningless. When I switched on my phone, I received the desperately sad news that Dawn Byers had passed away quietly, surrounded by her family.

Dawn, Bob and Pam’s sister-in-law, was one of the strongest, most strong willed, most courageous people you could ever have hoped to meet. Married to Bob’s brother, Jeff, Dawn was diagnosed with cancer over two years ago and has fought the fight with her typical energy and spirit.

When I perform at Byers Choice the most difficult aspect of the event is getting almost 800 people into the room and seated, and on these occasions all of the family and a lot of the staff are called in to assist. Dawn was in her element during these times, as she sat folks as if it were a military operation, collecting them at the door and conducting them to empty chairs before they even knew they had been helped. Nobody ever quibbled about where they had been sat, or asked to change, for Dawn, although short of stature, had ruled and you didn’t answer back. But this strength and authority was delivered with a smile, a laugh and great good humour. I always enjoyed watching her in action!

Dawn tackled her cancer with the same tough, yet cheerful spirit and over the last two years has posted a series of completely inspiring video diaries – being honest enough to tell us when she was scared or weak, but always looking forward with great positivity to the next course of treatment, the next trial, the next stage of her life.

It is typical that in lieu of flowers, donations are being invited for The Kid’s Castle community playground In Doylestown PA – a cause that Dawn had supported and championed for a long time. Future generations will therefore benefit from her legacy which is exactly as it should be.

I send my deepest condolences to Jeff, Ashlyn, Jake and the rest of the Byers Family.